A. David Lewis

Christine Hoff Kraemer

Comic books have increasingly become a vehicle for serious social commentary and, specifically, for innovative religious thought. Practitioners of both traditional religions and new religious movements have begun to employ comics as a missionary tool, while humanists and religious progressives use comics' unique fusion of text and image to criticize traditional theologies and to offer alternatives. Addressing the increasing fervor with which the public has come to view comics as an art form and Americans' fraught but passionate relationship with religion, Graven Images explores with real insight the roles of religion in comic books and graphic novels. In essays by scholars and comics creators, Graven Images observes the frequency with which religious materialin devout, educational, satirical, or critical contextsoccurs in both independent and mainstream comics. Contributors identify the unique advantages of the comics medium for religious messages; analyze how comics communicate such messages; place the religious messages contained in comic books in appropriate cultural, social, and historical frameworks; and articulate the significance of the innovative theologies being developed in comics.

Religion in Comic Books & Graphic Novels

Graven Images

Punching Nazis used to be more than a meme. In 1944, it was a vocation. And no one put his gloved fist in the faces of more fascists than the Man of Fate, the Algerian Operative, our man in Occupied France -- Kismet. Then, he disappeared. Gone without a trace ... until now. Back from beyond, Kismet finds a new world of gay rights, quantum physics, and computer technology along with the old evils of bigotry, greed, and ignorance at a crossroads. Twenty-first-century America needs more than a superhero. It needs an ally.

Boston Strong

Kismet, Man of Fate

Just as often as superheroes journey into the afterlife, they also return from it. Their surprising immortality has created its own set of storytelling rules and expectations; it also has come to influence their secular readership in new interreligious investigations of narrative character and personal selfhood. Unlocking a new and overdue model for reading comic books, this unique volume explores religious interpretations of popular comic book superheroes such as the Green Lantern and the Hulk. A. David Lewis argues that the superhero subgenre offers a hermeneutic for those interested in integrating mutiplicity into religious practices and considerations of the afterlife.

The Superhero Afterlife

American Comics, Literary Theory, and Religion

Christopher M. Moreman

With DeadSocial one can create messages to be published to social networks after death. Facebook's "If I Die" enables users to create a video or text message for posthumous publication. Twitter _LIVESON accounts will keep tweeting even after the user is gone. There is no doubt that the digital age has radically changed options related to death, dying, grieving, and remembering, allowing people to say goodbye in their own time and their own unique way. Drawing from a range of academic perspectives, this book is the only serious study to focus on the ways in which death, dying, and memorialization appear in and are influenced by digital technology. The work investigates phenomena, devices, and audiences as they affect mortality, remembrances, grieving, posthumous existence, and afterlife experience. It examines the markets to which the providers of such services are responding, and it analyzes the degree to which digital media is changing views and expectations related to death. Ultimately, the contributors seek to answer an even more important question: how digital existences affect both real-world perceptions of life's end and the way in which lives are actually lived."

A. David Lewis

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