A. E. Hotchner

In June of 1961, A.E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade. In characteristically pragmatic terms, Hemingway divulged to Hotchner the details of the affair that destroyed his first marriage: the truth of his romantic life in Paris and how he lost Hadley,the real part of each literary woman he'd later create and the great love he spent the rest of his life seeking. And he told of the mischief that made him a legend: of impotence cured in a house of God; of a plane crash in the African bush, from which he stumbled with a bunch of bananas and a bottle ofgin in hand; of F. Scott Fitzgerald dispensing romantic advice; of midnight champagne with Josephine Baker; of adventure, human error, and life after lost love. This is Hemingway as few have known him: humble, thoughtful, and full of regret. To protect the feelings of Ernest's wife, Mary - also a close friend - Hotch kept the conversations to himself for decades. Now he tells the story as Hemingway told it to him.Hemingway in Loveputs you in the room with the master as he remembers the definitive years that set the course for the rest of his life and dogged him until the end of his days.

His Own Story

Hemingway in Love

Between 1948 and 1961, Ernest Hemingway and A. E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, ran with the bulls in Pamplona—and once Hotchner even masqueraded as a matador and Hemingway's manager in an actual bullfight. Everywhere they went, they talked. For fourteen years, Hotchner and Hemingway shared their thoughts and as Hemingway reminisced about his childhood, recalled the Paris literary scene of the twenties, and recounted the real events that lay behind his fiction, Hotchner took it all down. His notes on the many occasions he spent with his friend Papa—in Venice and Rome, in Key West, on the Riviera, and in Ketchum, Idaho, where Hemingway died by his own hand in 1961—provide the material for this utterly profound, and truthfully compassionate best-selling memoir about the Nobel and Pulitzer Prize-winning author. With a new introduction by the author and with never before published photographs from his personal collection, Papa Hemingway is a mesmerizing portrait.

A Personal Memoir

Papa Hemingway

Paul Newman

Describes how the authors conceived a venture to promote a brand of all-natural foods to poke fun at traditional marketing, their surprise success and its offbeat growth into a full-fledged enterprise, and the decision to use the company's profits to promote philanthropic causes. Originally published as Shameless Exploitation in Pursuit of the Common Good. Reprint. 25,000 first printing.

In Pursuit of the Common Good: Twenty-Five Years of Improving the World, One Bottle of Salad Dressing at a Time

Doris Day

The events of the popular, thrice-married, blonde singer-actress's life, as told to Hotchner, are given a wider frame through candid interviews with her son, mother, friends, and co-stars.

Her Own Story

A Memoir

King of the Hill

"Chet Tremaine is living his best life. A successful lawyer with a loyal best friend, the arts and culture of New York City at his doorstep, and a peaceful retreat in Connecticut, Chet has it figured out. Even when a freak tennis accident leaves him blind in one eye, Chet is confident he'll be able to bounce back. But then he starts hallucinating: unknown children playing in his living room, pine needles seasoning his salad, wire grids barring access to his bathroom"--

Kissing the Wind

Describes how the authors conceived a venture to promote a brand of all-natural foods as a way to poke fun at traditional marketing, the success of their endeavor, and the decision to use their profits to promote philanthropic causes.

Shameless Exploitation in Pursuit of the Common Good

hē dikē tou existorēsē

Erōteumenos Cheminngoueï

The nonagenarian author of the best-selling Papa Hemingway presents a collection of uplifting essays on the experiences and insights of aging that celebrates the lighter side of such topics as commercials that target seniors, the advantages of keeping a pet and the highs and lows of divorce. 50,000 first printing.

Spirited Dispatches on Aging with Joie de Vivre

O.J. in the Morning, G&T at Night

Carol Wright

Lisa Stalvey

Anecdotes from a camp for children with cancer accompany savory recipes

Kid-friendly Recipes for Families to Make Together

The Hole in the Wall Gang Cookbook

Recipes for foods from Paul Newman's family and friends accompanied with anecdotes.

Newman's Own Cookbook

An intimate, joy-filled portrait and New York Times bestseller, written by one of Hemingway’s closest friends: “It is hard to imagine a better biography” (Life). In 1948, A. E. Hotchner went to Cuba to ask Ernest Hemingway to write an article on “The Future of Literature” for Cosmopolitan magazine. The article never materialized, but from that first meeting at the El Floridita bar in Havana until Hemingway’s death in 1961, Hotchner and the Nobel and Pulitzer Prize–winning author developed a deep and abiding friendship. They caroused in New York City and Rome, ran with the bulls in Pamplona, hunted in Idaho, and fished the waters off Cuba. Every time they got together, Hemingway held forth on an astonishing variety of subjects, from the art of the perfect daiquiri to Paris in the 1920s to his boyhood in Oak Park, Illinois. Thankfully, Hotchner took it all down. Papa Hemingway provides fascinating details about Hemingway’s daily routine, including the German army belt he wore and his habit of writing descriptive passages in longhand and dialogue on a typewriter, and documents his memories of Gertrude Stein, F. Scott Fitzgerald, Martha Gellhorn, Marlene Dietrich, and many of the twentieth century’s most notable artists and celebrities. In the literary icon’s final years, as his poor health began to affect his work, Hotchner tenderly and honestly portrays Hemingway’s valiant attempts to beat back the depression that would lead him to take his own life. Deeply compassionate and highly entertaining, this “remarkable” New York Times bestseller “makes Hemingway live for us as nothing else has done” (The Wall Street Journal).

In June of 1961, A. E. Hotchner visited a close friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke - three weeks later, Ernest Hemingway returned home, where he took his own life. Their final conversation was also the final installment in a saga that Hemingway had unraveled for Hotchner over years of world travel. Ernest always kept a few of his special experiences off the page, storing them as insurance against a dry-up of ideas. But after a near miss with death, he entrusted his most meaningful tale to Hotchner, so that if he never got to write it himself, then at least someone would know. In characteristically pragmatic terms, Hemingway divulged the details of the affair that destroyed his first marriage: the truth of his romantic life in Paris and how he gambled and lost Hadley, the great love he'd spend the rest of his life seeking. But the search was not without its notable moments, and he told of those, too: of impotence cured in a house of God; of back-to-back plane crashes in the African bush, one of which nearly killed him, while he emerged from the other brandishing a bottle of gin and a bunch of bananas; of cocktails and commiseration with F. Scott Fitzgerald and Josephine Baker; of adventure, human error, and life after lost love. This is Hemingway as few have known him - humble, thoughtful, and full of regret. To protect the feelings of Ernest's wife, Mary, who was also a close friend, Hotch kept these conversations to himself for decades. Now he tells the story as Hemingway told it to him. Hemingway in Love puts you in the room with the master and invites you to listen as he relives the drama of those young, definitive years that set the course for the rest of his life and dogged him to the end of his days.

An inside story of the celebrated New York City restaurant traces its forty-year history as recounted by its proprietress and the many famous patrons whose marriages, books, movies, deals, and plays have taken significant turns there. 75,000 first printing.

Forty Years of Movie Stars, All-Stars, Literary Lions, Financial Scions, Top Cops, Politicians, and Power Brokers at the Legendary Hot Spot

Everyone Comes to Elaine's

Examines the mysterious death of Rolling Stones band member Brian Jones, the harsh reality of the myths surrounding the band's success, and how Jones' death marked the end of the idealism of the 1960s

The Rolling Stones and the Death of the Sixties

Blown Away

A.E. Hotchner first met Paul Newman in 1956, when the relatively unknown actor assumed the role James Dean was to play in Hotchner's first television play, based on an Ernest Hemingway story. The project elevated both men from relative obscurity to stardom, and commenced a close and trusted friendship that lasted until Newman's death in 2008. In A Friendship, Hotchner presents a complicated, unpredictable and talented man and leads the reader through their shared adventures. The pair travelled extensively around the globe, and owned fishing boats that involved them in embarrassing incidents. They successfully defended themselves before a jury in a ludicrous two-year trial, and triumphed in a beery tennis match against Robert Redford and Jack Valenti. Most notably, they started a food company, Newman's Own, as a prank and watched it soar into a major enterprise that has given all its 200 million dollars of profits to charities. Hotchner's knowledge of Newman is unparalleled, and as a gifted storyteller he brings to the reader crucial insights Newman revealed about himself. A Friendshipis the story of an unusual friendship and a tribute to the beloved actor who gave to the world as much as the world gave him.

53 Years of Adventures and Misadventures with Paul Newman

Paul and Me

Treasure

La buena vida según Hemingway

A heartwarming amateur detective story set in Depression-era St. Louis from beloved author A. E. Hotchner. Street-savvy, almost-thirteen-year-old Aaron Broom is guarding his father's car when he witnesses a robbery gone wrong in a jewlery store across the street. To Aaron's shock, his father, a travelling watch salesman in the wrong place at the wrong time, is fingered as the prime suspect in the murder. Despite seeing the real killer flee the scene, Aaron can't do much to help in the moment--no one will take a kid's word for it. Undaunted, Aaron enlists an unlikely band of friends and helpful adults to clear his father's name. Aaron's unusual mission is complicated by the painful realities of the Depression: His father's longtime business folded, leaving the family in financial straits; his mother is in a sanatorium after nearly dying of tuberculosis. So Aaron is forced to fend for himself while his father is held in wrongful custody. He ducks truant officers and nosy neighbors, landlords and social workers, and he bums meals from friends and relatives alike. In his search for justice, Aaron draws upon the resources of a world-weary paperboy, an aspiring teen journalist, a kindly lawyer, and a neighborhood friend with a penchant for baking. And as they dig into the details of the case, these unconventional detectives reveal a cover-up that goes much deeper than a jewelry-store heist gone sour. Through it all, Aaron's optimistic narration and plucky resourcefulness shine through. Hotchner's latest is a rollicking ride through St. Louis at its lowest, as seen through the eyes of his most lovable narrator to date.

A Novel

The Adventures of Aaron Broom

A. E. Hotchner did not come to the task of adapting Hemingway's seven-page short story "After the Storm" with apparent disadvantages. After all, he personally knew Ernest Hemingway; he had traveled with him to Paris, Pamplona, Venice, the Riviera. He had studied Hemingway's work and already adapted for the television or movie screen fifteen of the Nobel Prize–winning writer's works, including For Whom the Bell Tolls. Still, in the matter of adaptation, as Hotchner shows in the essay that opens this volume, close familiarity with an artist's work or personality does not necessarily simplify the challenge to the adapter. In addition to Hotchner's essay, which identifies the problems posed by adaptations of works not written for the screen, the book includes the complete texts of both Hemingway's story and the screenplay that converts it into a full-length feature film—making this volume invaluable to film students, movie fans, screenwriters, and Hemingway readers alike.

A. E. Hotchner

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