A. J. Arberry

An English translation of the Muslim holy book portrays the spirit, rather than the exact context and rhythm, of the original Arabic text.

A Translation

The Koran Interpreted

Originally published in 1965, this is an introductory book for university students of Arabic literature. It begins with a substantial introduction in English by Professor Arberry on the development, nature, forms and rhythms of Arabic poetry. The main body of the book is an anthology of Arabic poems in the original, from the sixth century onwards, giving examples of the work of some thirty of the greatest Arab poets. Each poem has a literal English translation on the facing page; the notes, on points of language and style, are placed at the foot across the whole opening. Biographical notes on the poets are placed at the end of the book.

A Primer for Students

Arabic Poetry

First published in 1958, this work by one of Britain’s most celebrated Orientalist scholars, tells the story of the rebirth of national literature in Persia after the fall of the Sᾱsᾱnian empire in the seventh century. It traces the course of this literature’s development and full maturity from the ninth century to the end of the fifteenth century and looks at a number of important writers including the Saljῡq poets, Rῡmῑ, ῌᾱfiz and Jᾱmῑ. This work will be of interest to those studying Persian and Middle-Eastern literature and history.

Routledge Revivals: Classical Persian Literature (1958)

S. Radhakrishnan

F. W. Thomas

H. N. Spalding

In the belief that all the great religions have similarities that confirm and differences that enrich peoples’ spiritual outlook on the world, the editors inaugurated a series which they hoped would bring out the essential tenets of religion in what they perceived to be an age of doubt. The series was originally published in the 1950s and consisted of three kinds of books: translations of imaginative, devotional and philosophic works, with an introduction or commentary; reproductions of masterpieces of religious art; and background books showing the environment in which this literature and art arose and developed. The books overlap each other: Both Eastern and Western religious art often illustrates a religious text and many of the books seek the common ground in their cultural view of religion or philosophy.

Ethical and Religious Classics of East and West

These seven poems, translated by A. J. Arberry in 1957, are the most famous survivors of a vast mass of poetry produced in the Arabian Desert in the sixth century. Arberry’s introduction explains to the reader what was known about the poems and how they came to be preserved and distributed over time. The epilogue particularly interrogates the authenticity of the poems and tracks how they have been transmitted over time. This work will be of interest to those studying Persian and Middle-Eastern literature and history.

The First Chapter in Arabic Literature

Routledge Revivals: The Seven Odes (1957)

Al-Mutanabbi (AD 915-965), though universally considered the greatest of all the Arab poets, has seldom been translated or discussed outside Arab countries. This study uses the same format as and is intended to supplement Professor Arberry's Arabic Poetry: A Primer for Students. The introduction discusses Al-Mutanabbi's life, style, influence and critics. There follows a selection from his poems, in the original Arabic, with a literal translation into English on the facing page and notes on points of language and style at the foot. There is also a concluding chapter on textual variants, the problems of translation and a bibliography. Students of Arabic will find this a convenient introduction to one of the classics of the literature.

Poems of Al-Mutanabbî

Maltese Anthology

A. J. Arberry is one of Britain’s most distinguished and celebrated Orientalist scholars. This set contains five of Professor Arberry’s works: Scheherezade: Tales from the Thousand and One Nights (1953); The Seven Odes: The First Chapter in Arabic literature (1957); Classical Persian Literature (1958); The Romance of the Rubaiìyatì (1959); Oriental Essays: Portraits of Seven Scholars (1960); More Tales from the Masnavi (1963). These titles include translations of key middle-eastern texts and informative works on Persian literature as well as the European scholars that paved the way for 20th century Orientalist study. This set will be of interest to those studying Middle-Eastern literature and history.

Routledge Revivals: Selected Works of A. J. Arberry

First published in 1963, this work puts into clear and rhythmical English one hundred stories and apologues of the Masnavi of Rumi. Composed over a period of many years during the thirteenth century, as a manual of instruction and initiation into spiritual life, the Masnavi has long been acclaimed the greatest mystical epic of Islam. The tales were designed to illustrate in human terms the often complex doctrine, and this they do with a wealth of beauty, honour and pathos, as appealing to the modern reader as to the medieval audience to which they were originally addressed. The volume, like its predecessor Tales of the Masnavi, is included in the UNESCO list of representative great works of world literature. This work will be of interest to those studying Islam and Middle Eastern literature.

Routledge Revivals: More Tales from the Masnavi (1963)

First published in 1958, this work by one of Britain's most celebrated Orientalist scholars, tells the story of the rebirth of national literature in Persia after the fall of the Sᾱsᾱnian empire in the seventh century. It traces the course of this literature's development and full maturity from the ninth century to the end of the fifteenth century and looks at a number of important writers including the Saljῡq poets, Rῡmῑ, ῌᾱfiz and Jᾱmῑ. This work will be of interest to those studying Persian and Middle-Eastern literature and history.

Classical Persian Literature (1958)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A. J. Arberry

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