Aaron J Leonard

Conor A Gallagher

FBI Counterintelligence & Infiltration From the Communist Party to the Revolutionary Union - 1962-1974

A Threat of the First Magnitude

The untold story of the FBI informants who penetrated the upper reaches of organizations such as the Communist Party, USA, the Black Panther Party, the Revolutionary Union and other groups labeled threats to the internal security of the United States. Sometime in the late fall/early winter of 1962, a document began circulating among members of the Communist Party USA based in the Chicago area, titled “Whither the Party of Lenin.” It was signed “The Ad Hoc Committee for Scientific Socialist Line.” This was not the work of factionally inclined CP comrades, but rather something springing from the counter-intelligence imagination of the FBI. A Threat of the First Magnitude tells the story of the FBI’s fake Maoist organization and the informants they used to penetrate the highest levels of the Communist Party USA, the Black Panther Party, the Revolutionary Union and other groups labelled threats to the internal security of the United States in the 1960s and 1970s. As once again the FBI is thrust into the spotlight of US politics, A Threat of a First Magnitude offers a view of the historic inner-workings of the Bureau’s counterintelligence operations — from generating "fake news" and the utilization of "sensitive intelligence methods" to the handling of "reliable sources" — that matches or exceeds the sophistication of any contenders.

FBI Counterintelligence & Infiltration From the Communist Party to the Revolutionary Union 1962-1974

Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, ÔSis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US governmentÕs repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.

Aaron J Leonard

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