Adam Barkman

Josef Steiff

Arguably the most important pop-culture import from the East to the West, manga is a phenomenon that can no longer be ignored. Yet just as much as it is a source of visual splendor and riveting storylines, manga — the herald of the exotic and über-hip — stimulates intense philosophical interest. Drawing from Japanese art traditions, influenced by the impact of World War II, and a significant player in cross-cultural exchange, manga has rapidly become a literary force worldwide. Readers of all ages eagerly await the next installment of their favorite manga series and delight in discovering new titles. Manga and Philosophy joins the lively discussion about manga by examining some of its major forms (lolicon to shonen to shojo), best titles (Death Note to Space Battleship Yamato to Gunslinger Girl), and the cultural factors surrounding it. Can demons be good? Is it morally wrong to sexualize schoolgirls? What do giant robots teach us about the ethics of war? All of these questions and more are dealt with professionally and accessibly, making Manga and Philosophy all but indispensable for fans and scholars alike.

Manga and Philosophy

In an ever-changing world, new situations arise demanding ethical re-sponses from Christian thinkers. This is particularly true in our modern context with hyper-changes in areas like popular culture. Through a series of essays, Barkman explores the contours of this phenomenon - from movies to comic books, from TV series to novels - attentive to new ideas, or old ideas made new, requiring Christian ethical reflection. Topics such as the ethics of sex, deception, drugs, tattoos, slavery, incest, hypnosis, and gender, to name but a few, are explored Christianly vis- -vis culture as diverse as Game of Thrones, Sherlock Holmes, Gladiator, The Big Bang Theory, Thor and many others. . . . ENDORSEMENT: - "Whether discussing Winnie the Pooh or The Walking Dead, this book digs up buried philosophical treasure. Those who don't normally think of themselves as philosophically inclined will be surprised and delighted as Barkman rescues philosophy from dry classroom abstractions and reveals how it fills the glorious messiness of everyday life. Both beginners and vet erans will find something to chew on here, and, like a good movie, this book is sure to spark conversations that go on long past the closing credits."- Dr. Kevin Flatt, Assistant Professor of History, Redeemer University College . . . ENDORSEMENT: - "Barkman has an insightful way of tackling tough ethical questions."- Prof. Allen Mertes, Professor of Youth Ministry, Prarie Bible College . . . ENDORSEMENT: - "Fresh... Insightful... Stimulating. I highly Recommend it." - Dr. Rev. Brent Powell, Senior Pastor, Central Baptist Church Brantfordwww.wingedlionpress.com

Essays on Christian Ethics and Popular Culture

Above All Things

Robert Arp

In Downton Abbey and Philosophy, twenty-two professional thinkers uncover the deeper significance of this hugely popular TV saga. Millions of viewers throughout the world have been enthralled by this enactment of a vanished world of decorum and propriety, because it presents us with emotional and interpersonal problems that remain urgent for people in the twenty-first century. Why do we attach such importance to our memories and to particular places? What do war and epidemics tell us about life in peacetime and in good health? Is it healthy or harmful for people to feel that they know their place? What does Downton Abbey teach us about the changes in women’s roles since 1912? Do good manners always agree with good morals? How can everybody know what no one will talk about? What’s the justification for a class of people who pride themselves on not having a job? Should we sometimes just accept the reality of social barriers to love, and abandon the pursuit? What happens when community reinforces oppression? All of these and many other issues are discussed through a detailed examination of the actual characters and situations in Downton Abbey.

Thinking in That Manor

Downton Abbey and Philosophy

James McRae

Ang Lee (b. 1954) has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama (Sense and Sensibility, 1995), a martial arts epic (Crouching Tiger, Hidden Dragon, 2000), a comic book action movie (Hulk, 2003), and an American western (Brokeback Mountain, 2005). The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director's works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures.

The Philosophy of Ang Lee

Antonio Sanna

A Critical Companion to Robert Zemeckis offers a comprehensive, academic and detailed study of the works of Robert Zemeckis, whose films include successful productions such as the Back to the Future trilogy (1985-90), Forrest Gump (1994), Contact (1997), Cast Away (2000) and The Polar Express (2004), but also lesser known films such as I Wanna Hold Your Hand (1978), Used Cars (1980), and Allied (2015). Most of Zemeckis’ major productions were not only successful when they were first released but continue to enjoy popularity—with critics and fans alike—even today. This volume investigates several distinct areas of Zemeckisʼ works and addresses the different approaches: the philosophical, the artistic, the socio-cultural, and the personal. The methodologies adopted by the contributors differ significantly from each other, thus offering the reader a variegated and compelling picture of Zemeckisʼ oeuvre, which includes nineteen films. Contrary to the few volumes published in the past on the subject, the chapters in this volume offer specific case studies that have been previously ignored (or only partially mentioned) by other scholars. A Critical Companion to Robert Zemeckis offers a great variety of interdisciplinary approaches to Zemeckis’ films, illuminating, re-reading and/or interpreting for the first time the entire career of the director, from his first films to the most recent ones.

A Critical Companion to Robert Zemeckis

This book is a comprehensive, current scholarly analysis of the works of one of the world’s most renowned and successful filmmakers. Written by some of the top scholars working in film and media studies, philosophy, and literature, the seventeen chapters in this book illuminate the entire artistic career of James Cameron.

A Critical Companion to James Cameron

Nancy Kang

Ashley Barkman

While recognizing Scott's undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique. Each chapter's approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures.

The Culture and Philosophy of Ridley Scott

Unlike anything currently available, A Critical Companion to Tim Burton is a comprehensive, up-to-date analysis of all the works of one of the world's most renowned directors and artists. Written by some of the top scholars working in fields as diverse as philosophy, film and media studies, and literature, all chapters of this book illuminate for both scholars and fans alike the entire artistic career of Burton, giving attention to both his early works and his global blockbusters.

A Critical Companion to Tim Burton

This comprehensive, up-to-date analysis of all the works of Steven Spielberg is written by some of the top scholars working in fields ranging from philosophy and art to history and film studies. The chapters illuminate for scholars and fans the entire artistic career of Steven Spielberg.

A Critical Companion to Steven Spielberg

C. S. Lewis, renowned Christian apologist and beloved author of childrens novels, is rarely thought of as a philosopher per se despite having both studied and taught philosophy for several years at Oxford. Moreover, Lewiss long journey to Christianity was essentially philosophical passing through seven different stages. This journey, as well as every philosophical topic Lewis discussed, including metaphysics, natural theology, epistemology, logic, psychology, ethics, socio-political philosophy, and aesthetics are explained here in detail. Barkman incorporates previously unexplored treasures from Lewiss unpublished philosophy lecture notes, lost philosophical essays, and hand-written annotations from copies of his philosophical books, such as Aristotles Ethics and Augustines City of God. _._._._._ Indispensable ~ Dr. James Como, author of Remembering C.S. Lewis._._._._._ A magisterial work, chock full of fresh historical tidbits and penetrating analysis. ~ Dr. David Bagget, author of C.S. Lewis as Philosopher.

C. S. Lewis & Philosophy as a Way of Life

The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director’s feature films from cutting-edge multidisciplinary and comparative perspectives. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007). This volume divides the chapters into three major thematic groups: responsibility, remembering, and revision; real, alienated, and ideal lives; and gender, identity, and selfhood. Each section features six discrete essays, each of which forwards an original thesis about the film or films chosen for analysis. Each chapter features close readings of scenes as well as broader discussions that will interest academics, non-specialists, as well as educated readers with an interest in films as visual texts. While recognizing Scott’s undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique. Each chapter’s approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures. The Culture and Philosophy of Ridley Scott assembles the critical essays of scholars working in the fields of philosophy, literary studies, and cultural studies. An international group, they are based in the United States, Canada, Argentina, Italy, Greece, Korea, the United Kingdom, and New Zealand. The guiding assumption on the part of all the writers is that the filmmaker is the leading determiner of a motion picture’s ethos, artistic vision, and potential for audience engagement. While not discounting the production team (including screenwriters, actors, and cinematographers, among others), auteur theory recognizes the seminal role of the director as the nucleus of the meaning-making process. With Scott an active and prolific presence in the entertainment industry today, the timeliness of this volume is optimal.

Adam Barkman

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