Adania Shibli

Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba – the catastrophe that led to the displacement and expulsion of more than 700,000 people – and the Israelis celebrate as the War of Independence. Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this ‘minor detail’ of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience of dispossession, life under occupation, and the persistent difficulty of piecing together a narrative in the face of ongoing erasure and disempowerment.

Minor Detail

A searing, beautiful novel meditating on war, violence, memory, and the sufferings of the Palestinian people Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba—the catastrophe that led to the displacement and exile of some 700,000 people—and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.

A new award-winning novel from the acclaimed author of Touch. A young woman, asked at work to write a letter to an older man, does as she is told. So begins an enigmatic but passionate love affair conducted entirely in letters. A love affair? Maybe. Until his letters stop coming. Or… maybe the letters do not reach their intended recipient? Only the teenage Afaf, who works at the local post office, would know. Her favorite duty is to open the mail and inform her collaborator father of the contents—until she finds a mysterious set of love letters, apparently returned to their sender. In the hands of Adania Shibli, the discovery of these letters makes for a wrenching meditation on lives lived ensnared within the dictates of others.

We Are All Equally Far From Love

Touch centers on a girl, the youngest of nine sisters in a Palestinian family. In the singular world of this novella, this young woman’s everyday experiences resonate until they have become as weighty as any national tragedy. The smallest sensations compel, the events of history only lurk at the edges--the question of Palestine, the massacre at Sabra and Shatila. In a language that feels at once natural and alienated, Shibli breaks with the traditions of modern Arabic fiction, creating a work that has been and will continue to be hailed across literatures. Here every ordinary word, ordinary action is a small stone dropped into water: of inevitable consequence. We find ourselves mesmerized one quiet ripple at a time.

Touch

Intan Paramaditha

Billy-Ray Belcourt

Besufekad

The German word Freiraum, literally translated, means free room. Freiraum is more than just physical space though, it is also a mental state of creativity and freedom. In 1929 Virginia Woolf argued for the necessity of a "room of one’s own" for women writers: Freiraum, both literal and figurative, to think and to create. Almost a century later, having a private room is still a privilege, not only but especially for women. A virus knowing no boundaries or borders emphasized this inequality, making obvious the fierce competition for whose space is whose. Which public does this public space belong to, what are its rules, and how are they policed? Unspoken questions that are revitalizing gated communities and exclusionary zoning around the world. Who gets to claim and define public spaces? Whose rules determine how space is used and shared? How does identity shape our experience of space? With texts by Billy-Ray Belcourt, Besufekad, Intan Paramaditha, Adania Shibli. A publication of the Literary Colloquium Berlin with the kind support of the German Federal Foreign Office. The editor Priya Basil is a writer and activist. In her book "Be My Guest" she connects stories about her family’s Indian-Kenyan traditions, her British heritage and life in Germany to make a passionate plea for hospitality in Europe. Her essays have been widely published, including in Lettre International, Die Zeit and The Guardian. She is co-founder and board member of the NGO WIR MACHEN DAS. Priya is also on the advisory board of the European Centre for Constitutional and Human Rights. In 2017, she initiated and remains actively engaged with a campaign for a European Public Holiday across the continent. Her film-essay "Locked In and Out", exploring questions around citizenship, coloniality and memory culture, premiered on 16th December 2020 at the digital opening of the Humboldt Forum and is now available to watch on YouTube. Her latest book "In Us and Now, Becoming Feminist" (Suhrkamp, 2021) once again powerfully blends the personal and political.

On the politics and poetry of space

Room. Make or take?

From a young Palestinian writer comes this compelling look at the Israel/Palestine conflict, from both the perspective of an Israeli soldier in 1949 as well as that of a young Palestinian woman.

En oansenlig detalj

Detalhe menor

Eine Nebensache

Kücük Bir Ayrinti

No verão de 1949 – um ano depois da Nakba, a catástrofe que expulsou mais de 700 mil palestinianos das suas terras, e que os israelitas celebram como a Guerra da Independência –,uma unidade de soldados israelitas, ataca um grupo de beduínos no deserto do Negueve, dizimando-o. Entre as vítimas encontra-se uma adolescente que sobrevive ao massacre. É capturada e violada, e depois assassinada e enterrada na areia. É a manhã de 13 de agosto de 1949. Muitos anos mais tarde, quase na atualidade, uma jovem mulher em Ramallah descobre acidentalmente uma breve menção a esse crime brutal. Obcecada com o assunto, não só devido à natureza macabra do caso, mas também devido ao «detalhe menor» de ter acontecido precisamente vinte e cinco anos antes de ela nascer, irá embarcar numa viagem para tentar desvendar alguns - dos detalhes que envolvem o crime. Adania Shibli sobrepõe magistralmente estas duas narrativas translúcidas para evocar um presente para sempre assombrado pelo passado. Com uma prosa inquietante e precisa, Um Detalhe Menor evoca a experiência palestiniana do apagamento, da expropriação e da vida sob a ocupação, ao mesmo tempo que revela a complexidade permanente de se juntar as peças de uma narrativa ocultada por fragmentos de linguagem.

Um Detalhe Menor

No verão de 1949 — um ano depois do Nakba, episódio catastrófico que expulsou mais de 700 mil palestinos de suas terras —, soldados israelenses atacam um grupo de beduínos no deserto do Neguev, dizimando a todos, exceto uma adolescente, que é capturada e violentada. Anos mais tarde, uma palestina busca desvendar alguns dos detalhes que cercam o caso. Com uma prosa inquietante, este livro ressoa de maneira fervorosa a experiência da expropriação.

Un dettaglio minore

Questa storia inizia durante l’estate del 1949, un anno dopo la guerra che i palestinesi chiamano Nakba, la catastrofe – che ebbe come conseguenza l’esodo e all’espulsione di oltre 700.000 persone – e che gli israeliani celebrano come la Guerra d’indipendenza. Alcuni soldati israeliani attaccano un gruppo di beduini nel deserto del Negev, uccidendo tutti tranne un’adolescente. La ragazza viene catturata, stuprata, uccisa e sepolta nella sabbia. Molti anni dopo, ai giorni nostri, una donna di Ramallah prova a decifrare alcuni dettagli che aleggiano attorno a quell’omicidio. È colpita da quel delitto a tal punto da trasformarlo in un’ossessione, non solo a causa dell’efferatezza del crimine, ma perché è stato commesso esattamente venticinque anni prima il giorno in cui è nata. Adania Shibli sviluppa magistralmente due narrazioni che si sovrappongono e, in trasparenza, evocano un presente che non può prescindere da ciò che è stato. Con una prosa tagliente e inquietante, Un dettaglio minore va al cuore di un’esistenza segnata dall’annullamento e dalla privazione di sé, com’è la vita nella Palestina occupata, rivelandoci quanto sia ancora difficile riunire i frammenti di una narrazione rimasta troppo a lungo nascosta nelle pieghe della storia.

A Journey of Ideas Across. In Dialog with Edward Said

»Man reißt ein Grasbüschel aus und glaubt, man sei das Kraut für immer los, aber nach einem Vierteljahrhundert wächst Gras derselben Art an derselben Stelle wieder nach.« Im Sommer 1949 wird ein palästinensisches Beduinenmädchen von israelischen Soldaten missbraucht und ermordet. Jahrzehnte später versucht eine junge Frau aus Ramallah, mehr über diesen Vorfall herauszufinden. Sie ist fasziniert, ja besessen davon, vor allem, weil er sich auf den Tag genau fünfundzwanzig Jahre vor ihrer Geburt zugetragen hat. Ein Detail am Rande, das jedoch ihr eigenes Leben mit dem des Mädchens verknüpft. Adania Shibli verwebt die Geschichten beider Frauen zu einer eindringlichen Meditation über Krieg, Gewalt und die Frage nach Gerechtigkeit im Erzählen. »Ein außergewöhnliches Kunstwerk, das immer wieder überrascht und fesselt: eine äußerst rare Mischung aus moralischer Intelligenz, politischer Leidenschaft und formaler Virtuosität.« Pankaj Mishra

Un roman inspiré d'un événement révélé par la presse israélienne en 2003, celui du viol et du meurtre d'une jeune bédouine du Néguev en 1949. Le récit dénonce l'emploi du viol comme arme de guerre et aborde le thème de la mémoire et de l'oubli.

Adania Shibli

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