Daniel Whistler

Adi Efal-Lautenschläger

Kirill Chepurin

Ayşe Yuva

Hegel and Schelling in Early Nineteenth-Century France is a two-volume work that documents the French reception of G. W. F. Hegel and F. W. J. Schelling from 1801 to 1848. It shows that the story of the "French Hegel" didn't begin with Wahl and Kojève by giving readers a solid understanding of the various ways in which German Idealism impacted nineteenth-century French philosophy, as well as providing the first ever English-language translations of excerpts from the most important philosophical texts of the era. Inside volume two, readers will find a series of scholarly studies to help them get to grips with this neglected field in the history of ideas. The contributors are world-leading and emerging experts from Europe, UK, and North America. They highlight the stakes and trace the pathways of this reception for French and German thought during the period, including the ways in which French philosophers of the period took up the debates and concepts of German Idealism, transformed them or rejected them. In this way, it aims to redress the serious neglect of early nineteenth-century French thought in English-language scholarship and, in so doing, goes beyond a nation-based narrative of the history of philosophy. Figures covered in the volumes include major philosophers such as Cousin, Leroux, Proudhon, Quinet, Ravaisson, Renouvier and Véra, as well more neglected figures, like Barchou de Penhoën, Bénard, Lèbre, Lerminier, Pictet, and Willm.

Studies

Hegel and Schelling in Early Nineteenth-Century France

Hegel and Schelling in Early Nineteenth-Century France is a two-volume work that documents the French reception of G. W. F. Hegel and F. W. J. Schelling from 1801 to 1848. It shows that the story of the "French Hegel" didn't begin with Wahl and Kojève by giving readers a solid understanding of the various ways in which German Idealism impacted nineteenth-century French philosophy, as well as providing the first ever English-language translations of excerpts from the most important philosophical texts of the era. Inside volume one, readers will find a number of interpretative frameworks to help them get to grips with this neglected field in the history of ideas. In addition to excerpted translations and a narrative of Hegel’s and Schelling’s fate in France during the early nineteenth century, this volume includes an introduction on transnational reception history, as well as an analytical catalogue of the translations of their work produced in French at this time, of the publications which appropriated or interrogated their philosophical legacy, and of the journals, institutional structures and other mechanisms of dissemination that brought Hegel’s and Schelling’s philosophy into France. The book thus details the ways in which French philosophers of the period took up the debates and concepts of German Idealism, transformed them or rejected them. In this way, it aims to contribute to a reversal of the serious neglect of early nineteenth-century French thought in English-language scholarship and, in so doing, goes beyond a nation-based narrative of the history of philosophy. Figures covered in the volumes include major philosophers such as Cousin, Leroux, Proudhon, Quinet, Ravaisson, Renouvier and Véra, as well more neglected figures, like Barchou de Penhoën, Bénard, Lèbre, Lerminier, Pictet, and Willm.

Texts

Arthur Rose

Michael J. Kelly (ed.)

The fifth volume of the Journal of Badiou Studies, "Architheater," energized by the publication of Badiou's Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: "Engaging" here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou's philosophical insights in interpretations of art or of aesthetics, but rather to take Badiou's philosophy as a center of convergence-nexus of a plethora of philosophical positions that include artistic production as a central element of their structure. Thematically, the volume limits its discussion to "a two" of architecture and theater, thinking their overlapping, juxtaposition, and respective generative capacities.

Adi Efal-Lautenschläger

About

Books

Join the club