Adrian George

The Curators Handbook is the essential practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian, interpreter, educator, facilitator and organizer. Twelve chapters then chart the various stages of the exhibition process in invaluable detail and clear, informative language from initial concept to writing contracts and loan requests, putting together budgets and schedules, producing exhibition catalogues and interpretation materials, designing gallery spaces, working with artists, lenders and art handlers, organizing private views, and documenting and evaluating a show. A distinguished cast of international museum directors and curators offer advice and tips.

The Curator's Handbook

Catherine Murphy

Theodore L.  Brown

H. Eugene LeMay Jr.

Bruce E. Bursten

Patrick Woodward

Steven Langford

Dalius Sagatys

If you think you know the Brown, LeMay Bursten Chemistry text, think again. In response to market request, we have created the third Australian edition of the US bestseller, Chemistry: The Central Science. An extensive revision has taken this text to new heights! Triple checked for scientific accuracy and consistency, this edition is a more seamless and cohesive product, yet retains the clarity, innovative pedagogy, functional problem-solving and visuals of the previous version. All artwork and images are now consistent in quality across the entire text. And with a more traditional and logical organisation of the Organic Chemistry content, this comprehensive text is the source of all the information and practice problems students are likely to need for conceptual understanding, development of problem solving skills, reference and test preparation.

Chemistry: The Central Science

This book is an accessible look at key moments in the history of performance art. Featuring pieces by leading practitioners in the field, the art of performance is considered through objects, photography, reconstructions, film and video. Accompanies the exhibition at Tate Liverpool, Winter 2003/4.

Exposing Performance

Art, Lies and Videotape

Adrian George

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