Julia Bryan-Wilson

Adrian Heathfield

Stephanie Rosenthal

Ana Mendieta

During her short career, Ana Mendieta (1948-1985) created a body of work that was provocative and radically inventive. Using her own body, together with elemental materials - blood, fire, earth and water - she created visceral performances and ritual ephemeral 'earth-body' sculptures exploring life, death, rebirth and spiritual transformation.Born in Cuba but sent to America as a child, much of her art expresses the pain and rupture of cultural displacement and exile. Her images are compelling, mysterious and poetic. In some, the outline of her body is consumed by gunpowder, fireworks, or advancing waves; others record ancient goddess-forms moulded from sand, carved into rock, or incised in clay.This book includes an anthology of never seen before material including Mendieta's own writings and press coverage of her shows. Encompassing a wealth of her drawings, photography and filmography, it also provides a compre­hensive and enlightening perspective on this important artist's work.This title accompanies the first monograph exhibition of this artist in the UK at Hayward Gallery, 24 September - 15 December 2013.

Traces

Leading artists and thinkers assess the relevance of Live Art now and its impact within the visual arts and the broader cultural sphere.

Art and Performance

Live

Amelia Jones

Bringing together contributors from dance, theater, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media, and text, all of which offer new critical possibilities. Among the artists, theorists, and historians who contributed to this volume are Marina Abramovic, Guillermo Gómez-Peña, Rebecca Schneider, Boris Groys, Jane Blocker, Carolee Schneemann, Tehching Hsieh, Orlan, Tilda Swinton, and Jean-Luc Nancy.

Live Art in History

Perform, Repeat, Record

Marina Abramovic

Tine Colstrup

Bojana Pejic

Devin Zuber

Die Publikation zur ersten Retrospektive von Marina Abramovic in Europa bietet einen umfassenden Überblick über ihr Werk der frühen Jahre bis heute: Film, Photographie, Malerei, Objekte, Installationen und Archivmaterial.

Marina Abramović - The cleaner

Tehching Hsieh

In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made a series of extraordinary performance art works. Between September 1978 and July 1986, Hsieh realized five separate one-year-long performance pieces in which he conformed to simple but highly restrictive rules throughout each entire year. Through the course of these lifeworks, Hsieh moved from a year of solitary confinement in a sealed cell to a year in which he punched a worker's time clock in his studio every hour on the hour to a year spent living without shelter in Manhattan to a year in which he was tied by an eight-foot rope to the artist Linda Montano and finally to a year of total abstention from all art activities and influences. In 1986 Hsieh announced that he would spend the next thirteen years making art but not showing it publicly. When this "final" lifework -- an immense act of self-affirmation and self-erasure -- came to a close at the turn of the millennium, he tersely and enigmatically said that during this time he had simply kept himself alive. After years of near-invisibility, Hsieh collaborated with the British writer and curator Adrian Heathfield to create this meticulous and visually arresting documentary record of the complete body of Tehching Hsieh's performance projects from 1978 to 1999. This milestone volume is now available again, in a paperback edition featuring the full text and all the illustrations in the hardcover, with an updated list of Hsieh's exhibitions. Copublished with the Live Art Development Agency, London.

Adrian Heathfield

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