Adrienne Edwards

Andréa Picard

Alec Mapes-Frances

The first encompassing publication on the work of the American neo-conceptual artist Adam Pendleton Adam Pendleton is a Virginia-born, New Yorkbased artist known for his multifaceted, language-based practice, which includes film, collage, painting, performance, and publishing. His re-contextualization of history often results in fresh interpretations of the present, where new and old narratives and meanings co-exist, as one of his main projects, Black Dada (2008-ongoing) testifies. Working predominantly in black-and-white, and often in collaboration with other artists, Pendleton's work constantly explores issues related to mechanisms of representation and notions of race.

Adam Pendleton

Binyavanga Wainaina

Wangechi Mutu

Nguva Na Nyoka

Kellie Jones

Courtney J. Martin

The first monograph on the work of celebrated and influential Kenyan-American artist Wangechi Mutu Wangechi Mutu's remarkable body of work touches on such issues as sexuality, ecology, politics, and the rhythms and chaos that govern the world. Her paintings, sculptures, and collages, often enriched with culturally-charged materials including tea, synthetic hair, Kenyan soil, feathers, and sand, interweave fact with fiction, generating a unique form of myth-making that sets her apart from classical history or popular culture. This is the first book to document her evolution and explore her impact.

David Breslin

Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.

Quiet As It's Kept

Whitney Biennial 2022

Malik Gaines

Jade Gordon

Alexandro Segade

An unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following September 11, 2001; postcolonial theater after the 2008 financial collapse; and political theater responding to the pressing issues of today. Other contributions read the collective's output through a lens of queer and other critical theory, and contextualize it within the twenty-first-century experimental performance scene. A richly illustrated visual chronology features texts on each of My Barbarian's past works written by the artists. Performances and video works are re-created using stills alongside photos, drawings, scripts, and personal materials drawn from the artists' archives, many never previously published.

My Barbarian

Christine Y. Kim

Rujeko Hockley

Andrianna Campbell

One of The New York Times Best Art Books of 2019 This full-scale retrospective monograph of Julie Mehretu's work traces the development of one of America's most celebrated abstract painters. Over the past twenty-five years Julie Mehretu has emerged as a major force in American art. Known mostly for her enormous abstract paintings, she also produces exquisite drawings, often created as studies for larger works. This sumptuous volume accompanies a major mid-career survey of Mehretu's work. Designed to allow close viewing of Mehretu's vast canvases, it features lush reproductions of her paintings in their entirety, as well as numerous full-page details. The genesis for much of Mehretu's work lies in the black ink drawings she created in the late 1990s. From these early drawings and paintings, Mehretu moved onto large-scale canvases. These drawings and paintings are maplike and colorful, with diagrammatic elements that reflect her life experience. Each of these stages of her oeuvre is represented here, including works from her landmark exhibition Drawing into Painting, the twelve-panel intaglio, Auguries, and the paintings she created as a result of time spent in Africa and the Middle East. Accompanying these images are numerous essays by leading curators, scholars, and writers. Long overdue, this magnificent volume pays tribute to an artist whose work and process intermingle in a unique and important examination of painting, history, geopolitics, and displacement. Published with the Whitney Museum of American Art

Julie Mehretu

Adrienne Edwards

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