Adrienne Sharp

Exiled in Paris, tiny, one-hundred-year-old Mathilde Kschessinska sits down to write her memoirs before all that she believes to be true is forgotten. A lifetime ago, she was the vain, ambitious, impossibly charming prima ballerina assoluta of the tsar’s Russian Imperial Ballet in St. Petersburg. Now, as she looks back on her tumultuous life, she can still recall every slight she ever suffered, every conquest she ever made. Kschessinka’s riveting storytelling soon thrusts us into a world lost to time: that great intersection of the Russian court and the Russian theater. Before the revolution, Kschessinska dominated that world as the greatest dancer of her age. At seventeen, her crisp, scything technique made her a star. So did her romance with the tsarevich Nicholas Romanov, soon to be Nicholas II. It was customary for grand dukes and sons of tsars to draw their mistresses from the ranks of the ballet, but it was not customary for them to fall in love. The affair could not endure: when Nicholas ascended to the throne as tsar, he was forced to give up his mistress, and Kschessinska turned for consolation to his cousins, two grand dukes with whom she formed an infamous ménage à trois. But when Nicholas’s marriage to Alexandra wavered after she produced girl after girl, he came once again to visit his Little K. As the tsar’s empire—one that once made up a third of the world—began its fatal crumble, Kschessinka’s devotion to the imperial family would be tested in ways she could never have foreseen. In Adrienne Sharp’s magnificently imagined novel, the last days of the three-hundred-year-old Romanov empire are relived. Through Kschessinska’s memories of her own triumphs and defeats, we witness the stories that changed history: the seething beginnings of revolution, the blindness of the doomed court, the end of a grand, decadent way of life that belonged to the nineteenth century. Based on fact, The True Memoirs of Little K is historical fiction as it’s meant to be written: passionately eventful, crammed with authentic detail, and alive with emotions that resonate still.

A Novel

The True Memoirs of Little K

An evocative, behind-the-scenes look at the international world of ballet, this debut short story collection soars with swift drama and dangerous passions.

Stories

White Swan, Black Swan

Ballet dancers Adam and Sandra find themselves ill-prepared for the demands of stardom, promised when an aging and ailing ballet master finds in Sandra a muse who may fulfill his dream of creating an opulent performance of "Sleeping Beauty."

First Love

La ballerina dello zar

From the nationally bestselling author of The True Memoirs of Little K, a deeply felt and historically detailed novel of family, loss, and love, told by an irrepressible young girl—the daughter of a two-bit gangster and a movie showgirl—growing up in golden-age Hollywood and Las Vegas in its early days. Esme Silver has always taken care of her charming ne’er-do-well father, Ike Silver, a small-time crook with dreams of making it big with Bugsy Siegel. Devoted to her daddy, Esme is often his "date" at the racetrack, where she amiably fetches the hot dogs while keeping an eye to the ground for any cast-off tickets that may be winners. In awe of her mother, Dina Wells, Esme is more than happy to be the foil who gets the beautiful Dina into meetings and screen tests with some of Hollywood’s greats. When Ike gets an opportunity to move to Vegas—and, in what could at last be his big break, to help the man she knows as "Benny" open the Flamingo Hotel—life takes an unexpected turn for Esme. A stunner like her mother, the young girl catches the attention of Nate Stein, one of the Strip’s most powerful men. Narrated by the twenty-year-old Esme, The Magnificent Esme Wells moves between pre–WWII Hollywood and postwar Las Vegas—a golden age when Jewish gangsters and movie moguls were often indistinguishable in looks and behavior. Esme’s voice—sharp, observant, and with a quiet, mordant wit—chronicles the rise and fall and further fall of her complicated parents, as well as her own painful reckoning with love and life. A coming-of-age story with a tinge of noir, and a tale that illuminates the promise and perils of the American dream and its dreamers, The Magnificent Esme Wells is immersive, moving, and compelling.

The Magnificent Esme Wells

Exiled in Paris, tiny, one-hundred-year-old Mathilde Kschessinska sits down to write her memoirs before all that she believes to be true is forgotten. A lifetime ago, she was the vain, ambitious, impossibly charming prima ballerina assoluta of the tsar's Russian Imperial Ballet in St. Petersburg. Now, as she looks back on her tumultuous life, she can still recall every slight she ever suffered, every conquest she ever made. Kschessinka's riveting storytelling soon thrusts us into a world lost to time: that great intersection of the Russian court and the Russian theater. Before the revolution, Kschessinska dominated that world as the greatest dancer of her age. At seventeen, her crisp, scything technique made her a star. So did her romance with the tsarevich Nicholas Romanov, soon to be Nicholas II. It was customary for grand dukes and sons of tsars to draw their mistresses from the ranks of the ballet, but it was not customary for them to fall in love. The affair could not endure: when Nicholas ascended to the throne as tsar, he was forced to give up his mistress, and Kschessinska turned for consolation to his cousins, two grand dukes with whom she formed an infamous ménage à trois. But when Nicholas's marriage to Alexandra wavered after she produced girl after girl, he came once again to visit his Little K. As the tsar's empire—one that once made up a third of the world—began its fatal crumble, Kschessinka's devotion to the imperial family would be tested in ways she could never have foreseen. In Adrienne Sharp's magnificently imagined novel, the last days of the three-hundred-year-old Romanov empire are relived. Through Kschessinska's memories of her own triumphs and defeats, we witness the stories that changed history: the seething beginnings of revolution, the blindness of the doomed court, the end of a grand, decadent way of life that belonged to the nineteenth century. Based on fact, The True Memoirs of Little K is historical fiction as it's meant to be written: passionately eventful, crammed with authentic detail, and alive with emotions that resonate still.

Adam & Sandra are dancers, friends & now lovers. She is in the corps of the New York City Ballet & has just caught the eye of legendary director George Balanchine. He is an explosively gifted new star who has defected to a rival company. They are both very ambitious, but ill-equipped to handle the demands of fame.

A California Book Award Finalist One of Oprah's Book Club's Ten Fantastic Books for Fall 2010 Historical Novel Review Editors' Choice Exiled in Paris, the frail, elderly Mathilde Kschessinska sits down to write her memoirs. A lifetime ago, she was the vain, ambitious, impossibly charming prima ballerina assoluta of the tsar's Russian Imperial Ballet in St. Petersburg. Kschessinska's riveting storytelling soon thrusts us into a world lost to time: that great intersection of the Russian court and the Russian theater. Through Kschessinska's memories of her own triumphs and defeats, we witness the stories that changed history, from the seething beginnings of revolution to the end of a grand, decadent way of life that belonged to the nineteenth century. Based on fact, The True Memoirs of Little K is "an engrossing tale of love, loss, and history" (The Wichita Eagle).

Sint-Petersburg, begin twintigste eeuw. Mathilde Kschessinska is de prima ballerina van het Russische Keizerlijke Ballet. Nu, een leven later, is ze honderd jaar oud en woont ze als balling in Parijs. De tijd is rijp om haar memoires te schrijven. Het leven van Mathilde is uitzonderlijk; als de grootste danseres van haar tijd is ze een graag geziene gast aan het Russische keizerlijke hof, waar ze op zeventienjarige leeftijd de minnares wordt van tsarenzoon Nikolaj Romanov. Ze blijft hem in haar hart haar hele leven trouw, hoewel hij haar verlaat als hij als de laatste tsaar op de troon komt. Door de ogen van Mathilde zijn we getuige van het begin van een revolutie en van de blinde lichtzinnigheid van een hof dat op het punt staat te gronde te gaan. Adrienne Sharps rijke, verbeeldingsvolle roman is gebaseerd op echte gebeurtenissen; De ware geschiedenis van Mathilde Kschessinska is een hartstochtelijke roman, die decennia en continenten omspant en de lezer ademloos achterlaat.

Ware geschiedenis van Mathilde Kschessinkska

È il 23 marzo 1890 a San Pietroburgo e, nell’ampio corridoio del teatro Mariinskij, è in corso una delle sfilate più emozionanti che sia dato vedere nella splendida città affacciata sul golfo di Finlandia. La famiglia reale è accorsa al gran completo per il saggio finale delle giovani allieve del corpo di ballo. Gli zar Romanov sono i finanziatori di buona parte dei Teatri imperiali e non mancano mai alle occasioni in cui è possibile scorgere le prime esibizioni delle future étoiles. Lungo il corridoio, l’imperatore Alessandro III avanza a grandi passi, più alto di tutti, il torace robusto e la fronte massiccia, seguito dall’imperatrice gracile e minuta. Più indietro ancora lo zarevi Nicola, detto Niki, un fauno, piccolo, esile nella sua uniforme, le guance morbide e graziose, i lineamenti fini. Raggiunta la tavola allestita per la sobria cena della scuola, l’imperatore fa sedere alla sua sinistra Nicola e, accanto a lui, la ragazza che più di tutte promette di essere una stella del Mariinskij: Mathilde Kschessinska, la figlia più giovane del grande Felix Kschessinsky, che ha danzato per i Romanov per quasi quarant’anni. Una diciassettenne piccola, gli occhi luminosi e i capelli scuri e ondulati, una cascata di riccioli davanti alle orecchie. L’intento di Alessandro III è palese: fare in modo che il figlio renda onore a una lunga tradizione che vuole imperatori, granduchi, conti e ufficiali scegliere le loro amanti tra le ballerine di danza classica, quell’arte che ai loro occhi è innanzi tutto «una parata di belle donne, un’aiuola dalla quale tutti possono raccogliere i fiori del piacere». Per Mathilde Kschessinska è l’occasione di puntare dritta al cielo, un premio inaspettato al suo talento. Dinanzi alla flemma e alla timidezza dello zarevi?, la giovane ballerina non si dà per vinta. Solo qualche settimana dopo è lungo la prospettiva Nevskij, impaziente di reincontrare Niki durante la sua solenne passeggiata pomeridiana. E qualche mese dopo è a Krasnoe Selo per l’appuntamento dei Romanov coi loro reggimenti. Lì dove l’élite di San Pietroburgo accorre per la grande Rivista, e le donne indossano splendidi abiti bianchi e i ministri della corte il frac e la tuba, in una calda serata d’agosto, Niki l’invita a fare un giro sulla sua troica. Una corsa folle e selvaggia, senza mai staccare gli occhi sfavillanti dai cavalli e dalla strada gialla e polverosa, attraversando la piazza d’armi, piccoli villaggi, viuzze deserte, terre e città che appartengono a lui e soltanto a lui e che, nel giro soltanto di qualche decennio, saranno di altri. Basato sulla storia vera di Mathilde Kschessinska, ultima grande danzatrice dei Teatri imperiali russi, La ballerina dello zar è uno di quei rari libri che, attraverso lo sguardo di una donna che si ritrova suo malgrado a vivere alcuni dei più tragici eventi della Storia – la rivoluzione d’Ottobre, l’abdicazione dello zar, la prigionia di Nicola II insieme con Aleksej, il figlio legittimo, la drammatica fuga dalla Russia – narra magnificamente di un mondo i cui protagonisti si trasformano all’improvviso in fantasmi ambulanti e la cui bellezza sopravvive soltanto in qualche polverosa reliquia. «Mi chiamo Mathilde Kschessinska e sono stata la più grande ballerina russa nei teatri dell’impero. Ma il mondo in cui sono nata, il mondo nel quale sono cresciuta, è scomparso, così come sono scomparsi i suoi protagonisti: morti, uccisi, esiliati, ridotti a fantasmi ambulanti. Io sono uno di quei fantasmi». «Sharp riporta alla vita il fascino e le passioni di un mondo prossimo alla fine». Los Angeles Times Il romanzo della vita di Mathilde Kschessinska, l’amante dell’ultimo zar, «la più grande ballerina russa nei teatri dell’impero».

The world's most famous choreographer becomes infatuated with a coltish young dancer who proves both siren and muse. A rising star plunges into an affair with a principal but finds that ecstasy on the stage can't be surpassed in the bed. A dying legend reflects on the evanescent beauty of a life of gesture, lost to everything but memory. Each bittersweet story plants the reader amid a cast of dancers and choreographers who struggle—valiantly, playfully, fiercely—to find in the rigorous discipline and animating beauty of ballet a counterbalance to the chaos of unscripted life. Many of the tales dare to imagine the inner lives of the century's titans—Balanchine, Fonteyn and Nureyev—which rival in emotional complexity and pathos the classic dramas they enacted onstage: La Bayadere, Don Quixote, Swan Lake. White Swan, Black Swan translates the pure and essential gestures of ballet into starkly elegant prose while showing the sweat and sex beneath the serene surface. Adrienne Sharp's debut is a bravura performance.

Adrienne Sharp

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