Aisha Franz

Shit is real

A finely wrought account of aliens and alienation in the suburb The German cartoonist Aisha Franz’s debut graphic novel details a few short days in the life of two sisters and their single mother. Set in a soulless suburb populated by block after block of identical row houses bordered by empty fields and an industrial no-man’s-land, Earthling explores the loneliness of everyday life through these women’s struggle to come to terms with what the world expects of them. Earthling unveils a narrative rich with surrealist twists and turns, where the peas on the dinner plate and the ads on television can both literally and figuratively speak to the most private strife and deepest hopes in a person’s life. As the sisters begin to come to terms with their sexuality, they are confronted by harsh realities and a world that has few escape routes for young women. Drawn in deep gray pencil, the claustrophobia of Franz’s crosshatching and smudging matches the tone of the book perfectly. Earthling is an atmospheric and haunting account of the inevitability of losing the dream worlds of childhood.

Earthling

Work Life Balance

To achieve the proper work-life balance perhaps we just need the right therapist to coach us through our day-to-day. Anita, Sandra, and Dex have ambitions. Anita wants to move from making utility ceramics to fine art sculpture but her pent up dissatisfaction results in an outburst that puts her studio mate’s work at risk. Sandra juggles her practical administrative day job at a startup with her wellness influencer channel, finding both in jeopardy when a messy affair with her coworker comes to light. In another corner of the same startup, Dex’s innovative ideas are rejected, leading him to spend his days hacking and working as a bike courier. All three are disillusioned with their daily grinds. As the pressure for self-improvement builds they all end up looking to the same therapist for answers. Soon the boundaries between work and life begin to bleed into each other and it becomes increasingly impossible to find balance. All the solace the characters expect their therapist to provide is obscured by her quirks, whims, and psycho-parlance, leading to sessions that are neglectful at best and actively inhibit growth at worst. In striking colors and trippy transformational sequences, Aisha Franz captures the comedic absurdity of contemporary work-life and wellness culture. Work-Life Balance is translated from the German by Nicholas Houde.

Aisha Franz

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