Alaina Claire Feldman

Lamin Fofana

Dino Dinçer Sirin

Lamin Fofana: Blues is a publication coinciding with the debut New York solo exhibition by Sierra Leone-born, Berlin-based musician and artist Lamin Fofana at the Mishkin Gallery. Fofana's music is a conduit for engaging with an array of issues involving blackness, migration, displacement, and race through collective listening. The exhibition centers on a trilogy of sound works comprising the albums Black Metamorphosis, Darkwater, and Blues that engage with seminal texts by Sylvia Wynter, W. E. B. Du Bois, and Amiri Baraka to reflect on historical and epistemological trajectories of contemporary social and political thought through the lens of Black Studies.

Lamin Fofana: Blues

David Joselit

Karin Schneider

Pamela M. Lee

Aimé Iglesias Lukin

Dessane Lopez Cassell

Ei Arakawa

Aura Rosenberg

Nicolás Guagnini: Theatre of the Self is a hybrid catalogue-reader based on the exhibition of the multi-threaded performances of Buenos Aires-born New York-based Guagnini. Many of these works, spanning from 2005 until 2019, have never been seen before or have not been seen since their original live presentation. Raised in Argentina during the "Dirty War" and violent military dictatorship, Guagnini moved to New York in the late 1990s and co-founded the film production company Union Gaucha Productions with Karin Schneider in 1997. In 2005 Guagnini became co-founder of Orchard Gallery, an artist cooperative based on the Lower East Side. The work in Theatre of the Self is informed in part by autobiography, history, politics and through Guagnini's community itself. Some performances were participatory, some were not. But all were made polyvocaly in collaboration with a group of artists with shared interests and concerns around performance and the moving image including Ei Arakawa, Leigh Ledare, Jeff Preiss, Aura Rosenberg, Karin Schneider among others.This publication invites internationally acclaimed art historians, curators and artists to think about the material in Guagnini's work within a unique format. Readers of the publication will be interested in contemporary art, film, political science, performance studies, and Latin American studies.

Nicolás Guagnini: Theatre of the Self

The Ocean after Nature examines the ocean as a site reflecting ecological, political and economic realities through the work of more than 20 artists and collectives, including Ursula Biemann, Drexciya, Renée Green, Peter Hutton, An-My Lê, The Otolith Group and Ulrike Ottinger.

The Ocean After Nature

Alaina Claire Feldman

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