Alan O'Connor

Eugene O'Brien

Bernard Jacob

Mohamed Bouteldja

Weigh-in-motion (WIM) is a process of measuring the dynamic tire forces of a moving vehicle and estimating the corresponding tire loads of the static vehicle. This collection of lectures from the International Conference on Weigh-in-Motion details applications such as: collection of statistical traffic data, support of commercial vehicle enforcement, roadway and bridge cost allocation, and traffic management.

5th International Conference on Weigh-in-Motion of Heavy Vehicles

ICWIM 5, Proceedings of the International Conference on Heavy Vehicles

This book argues against the rapidly expanding literature about misinformation during the Covid-19 pandemic - and that the real issues are much broader. Mainstream news media, except Fox News, has generally done a good job in educating people about the basic facts and precautions to be taken. Pandemic: A Test of the News identifies the mainframes used to tell the media story. With some exceptions such as long reads in The New Yorker and the Guardian, the media has not included the fundamental factors that caused the pandemic, the seriousness of a medical crisis that will last for several years - and the same factors that will cause the next pandemic.

Pandemic: A Test of the News

This book describes the emergence of DIY punk record labels in the early 1980s. Based on interviews with sixty-one labels, including four in Spain and four in Canada, it describes the social background of those who run these labels. Especially interesting are those operated by dropouts from the middle class. Other respected older labels are often run by people with upper middle-class backgrounds. A third group of labels are operated by working-class and lower middle-class punks who take a serious attitude to the work. Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing contracts with bands, expecting extensive touring, and using professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label. Unlike approaches to punk that consider it as subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or as commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them.

Alan O'Connor

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