Alastair Reynolds

A spectacular, large-scale space opera - the ultimate galaxy-spanning adventureSix million years ago, at the very dawn of the starfaring era, Abigail Gentian fractured herself into a thousand male and female clones: the shatterlings. Sent out into the galaxy, these shatterlings have stood aloof as they document the rise and fall of countless human empires. They meet every two hundred thousand years, to exchange news and memories of their travels with their siblings.Campion and Purslane are not only late for their thirty-second reunion, but they have brought along an amnesiac golden robot for a guest. But the wayward shatterlings get more than the scolding they expect: they face the discovery that someone has a very serious grudge against the Gentian line, and there is a very real possibility of traitors in their midst. The surviving shatterlings have to dodge exotic weapons while they regroup to try to solve the mystery of who is persecuting them, and why - before their ancient line is wiped out of existence, forever.

House of Suns

Inhibitor Phase

Hundreds of years from now mankind will finally inherit the stars. A fleet of holoships is heading towards the nearest habitable planet at 15% the speed of light. In massive asteroids turned into ships, tens of millions of people are heading towards a new home. A home that bears signs of an ancient alien civilisation. No-one knows what they will find when they get there in 90 years. But the main problem is that the ships will have to break the laws of physics to be able to stop. And the research into ways to stop risk the ships themselves. Has mankind squandered the utopia of years past?

On the Steel Breeze

Zima Blue

Miguel de Ruyter is a man with a past. Fleeing the 'wolves' - the xenocidal alien machines known as Inhibitors - he has protected his family and community from attack for forty years, sheltering in the caves of an airless, battered world called Michaelmas. The slightest hint of human activity could draw the wolves to their home, to destroy everything ... utterly. Which is how Miguel finds himself on a one-way mission with his own destructive mandate: to eliminate a passing ship, before it can bring unwanted attention down on them. Only something goes wrong. There's a lone survivor. And she knows far more about Miguel than she's letting on . . . Ranging from the depths of space to the deeps of Pattern Juggler waters, from nervous, isolated communities to the ruins of empire, this is a stealthy space opera from an author at the top of his game.

This is an amazing collection of some of the best short fiction ever written in the SF genre, by an author acclaimed as 'the mastersinger of space opera' THE TIMES. With an introduction by noted SF critic Johnathan Strahan, this collection of twenty short stories, novellettes and novellas includes MINLA'S FLOWERS, SIGNAL TO NOISE, TROIKA, and seven previous uncollected stories, including TRAUMA POD, THE WATER THIEF and IN BABELSBERG. Alastair Reynolds has won the Sidewise Award and been nominated for The Hugo Awards for his short fiction. One of the most thought-provoking and accomplished short-fiction writers of our time, this collection is a delight for all SF readers

The Best of Alastair Reynolds

Beyond the Aquila Rift

Turquoise Days

Pushing ice

Stephen Baxter

A sequel to Sir Arthur C. Clarke’s Nebula Award–winning novella “A Meeting with Medusa,” this novel continues the thrilling adventure of astronaut Howard Falcon, humanity’s first explorer of Jupiter from two modern science fiction masters. Howard Falcon almost lost his life in an accident as the first human astronaut to explore the atmosphere of Jupiter—and a combination of human ingenuity and technical expertise brought him back. But he is no longer himself. Instead, he has been changed into an augmented human: part man, part machine, and exceptionally capable. With permission from the Clarke Estate, Stephen Baxter and Alastair Reynolds continue this beloved writer’s enduring vision and have created a fresh story for new readers. The Medusa Chronicles charts Falcon’s journey through the centuries granted by his new body, but always back to mysteries of Jupiter and the changing interaction between humanity and the universe. A compelling read full of incredible action right from the beginning, this is a modern classic in the spirit of 2001 and The Martian.

The Medusa Chronicles

Thousandth Night / Minla's Flowers

Slow Bullets

Deep Navigation

The Revelation Space Collection

Revelation Space (Gollancz)

Shadow Captain

Aliette de Bodard

David Brin

Ian McDonald

Kelly Robson

John Barnes

Robert Reed

David D. Levine

Martin L. Shoemaker

Sean McMullen

An unabridged collection spotlighting the “best of the best” science fiction stories published in 2015 by current and emerging masters of the genre, edited by Allan Kaster. In “My Last Bringback,” by John Barnes, an expert on restoring the memories of Alzheimer's patients becomes her own patient.A young man living in a bubble habitat on the ocean floor of Venus must deal with terraforming gone awryin “The Tumbledowns of Cleopatra Abyss,” by David Brin. In“Three Cups of Grief, by Starlight,” winner of the British Science Fiction Association Award, byAliette de Bodard,the death of a scientist in the Dai Viet interstellar empire is mourned. The shipmind of a cobbled together fighter spacecraft and its pilot press on under dire circumstances in “Damage” by David Levine. An aristocrat’s trip to Venus, in search of her disgraced brother, is memorialized by papercuts of flora native to this planet in “Botanica Veneris: Thirteen Papercuts by Ida Countess Rathangan,” by Ian McDonald. In “The Audience,” by Sean McMullen, a spacecraft’s trek to another planet discovers a malevolent species interested in Earth. An AI is on a mission to the outer reaches of the solar system to found a sanctuary in a posthuman universe in “Empty,” by Robert Reed. In “A Murmuration,” by Alastair Reynolds, a scientist struggles to publish a paper on her exhilarating findings on the flocking behavior of birds. In the dystopian future of “Two-Year Man,” by Kelly Robson, a janitor brings a mutant baby home to his wife hoping to fill their lives with love. And finally, an android medical attendant, capable of mimicking family members, cares for an Alzheimer’s patient in “Today I Am Paul,” by Martin L. Shoemaker.

The Year's Top Ten Tales of Science Fiction 8

Chiku Yellow is earthbound: living a peaceful life on a changing world as humanity explores a thousand new ways to experience life. Chiku Red is space-bound: blasted into deep space to investigate Eunice Akinya's last journey, and maybe discover the final secrets of space travel. Chiku Green is planet-bound: travelling thousands of lightyears to the planet Crucible. A new home for humankind; it's a habitable planet hosting a fascinating alien labyrinth. All three are Chiku Akinya. All three are pivotal to our future in space. All three are in danger.

Peter Watts

Gareth L. Powell

Elizabeth Bear

Nina Allan

Michael Swanwick

Ellen Klages

Tom Crosshill

Timons Esaias

An unabridged audio collection of the “best of the best” science fiction stories published in 2014 by current and emerging masters of the genre, edited by Allan Kaster. In “Marielena,” by Nina Allan, an immigrant is haunted by his past, as well as his present and future, in a disturbingly mean-spirited near-future England. A convicted serial killer is sentenced to “rightminding” to cure his neurological disorder that resulted in the sociopathic murdering of thirteen women in “Covenant,” by Elizabeth Bear. “The Magician and LaPlace’s Demon” by Tom Crosshill, follows a powerful AI that discovers the existence of magic and then prosecutes a vendetta against the magicians who grow more powerful as their numbers dwindle. In “Sadness,” by Timons Esaias, a man strikes back, as best he can, against the powerful aliens who conquered Earth long ago. In “Amicae Aeternum,” by Ellen Klages, a young girl shares her last morning on Earth with her girlfriend before boarding a generation starship. “Red Lights, and Rain,” by Gareth L. Powell, is a blend of sci-fi and vampire-hunting lore in which the vampires are made, not born. In “The Sarcophagus,” by Robert Reed, the maintenance cyborgs of the Great Ship encounter a stranded spacer in a derelict lifesuit from a long ago ship. “In Babelsberg,” by Alastair Reynolds, showcases a robot whose account of the dead colonists recently found on Titan are challenged by another AI. In “Passage of Earth,” by Michael Swanwick, a coroner gets a taste of the Earth invaders’ superior intelligence while dissecting a giant worm-like alien. Finally, in “The Colonel,” by Peter Watts, Colonel Moore tries to assess the capabilities of the hived human intelligences that have attacked a compound under his command.

The Year's Top Ten Tales of Science Fiction 7

Critically-acclaimed author Alastair Reynolds creates “a fascinating hybrid of space opera, police procedural and character study”(Publishers Weekly) in this novel in his Revelation Space universe. Tom Dreyfus is a Prefect, a law enforcement officer with the Panoply. His beat is the Glitter Band, that vast swirl of space habitats orbiting the planet Yellowstone, the teeming hub of a human interstellar empire spanning many worlds. His current case: investigating a murderous attack against one of the habitats that leaves nine hundred people dead. But his investigation uncovers something far more serious than mass slaughter—a covert plot by an enigmatic entity who seeks nothing less than total control of the Glitter Band.

The Prefect

Winner of The British Science Fiction Award for Best Novel of the YearOne of Locus and Science Fiction Chronicle's "Best SF Novels of the Year"Legendary space opera writer Alastair Reynolds returns to the world of Revelation Space with this British Science Fiction Award-winning stand-alone novel about a young man hell-bent on revenge on the surface of a twisted, disease-corrupted planet.The once-utopian Chasm City--a domed human settlement on an otherwise inhospitable planet--has been overrun by a virus known as the Melding Plague, capable of infecting any body, organic or computerized. Now, with the entire city corrupted---from the people to the very buildings they inhabit--only the most wretched sort of existence remains. For security operative Tanner Mirabel, it is the landscape of nightmares through which he searches for a lowlife postmortal killer. But the stakes are raised when his search brings him face to face with a centuries-old atrocity that history would rather forget.

Alastair Reynolds

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