Albert Murray

The Omni-Americans / South to a Very Old Place / The Hero and the Blues / Stomping the Blues / The Blue Devils of NADA

Albert Murray: Collected Essays & Memoirs

The Omni-Americans is a classic collection of wickedly incisive essays, commentaries, and reviews on politics, literature, and music. Provocative and compelling, Albert Murray debunks the "so-called findings and all-too-inclusive extrapolations of social science survey technicians," contending that "human nature is no less complex and fascinating for being encased in dark skin." His claim that blacks have produced "the most complicated culture, and therefore the most complicated sensibility in the western world" is elucidated in a book which, according to Walker Percy, "fits no ideology, resists all abstractions, offends orthodox liberals and conservatives, attacks social scientists and Governor Wallace in the same breath, sees all the faults of the country, and holds out hope in the end."

Black Experience And American Culture

The Omni-americans

"Albert Murray (1916-2013) was one of the most provocative and original American thinkers of the twentieth century, writing with equal grace and power as an essayist and novelist"--Page 4 of cover.

TRAIN WHISTLE GUITAR THE SPYGLASS TREE THE SEVEN LEAGUE BOOTS THE MAGIC KEYS POEMS

ALBERT MURRAY COLLECTED NOVELS AND POEMS

Albert Murray on jazz and blues

Murray talks music

First published in 1975, this is a coming of age novel. Scooter, growing up in Alabama in the 1920's, learns everything he needs to know from the classroom, the barbershop, and a train-hopping musician who brings a musical touch to the tale.

Train Whistle Guitar

To Albert Murray the blues is not about suffering but about transcendence through sheer style pinpointed in the work of such as Duke Ellington, Louis Armstrong, Romare Bearden, Ernest Hemingway. Murray demolishes our stereotypes about art, race, and what it means to be human in an intelligent and whirlwind tour of American culture.

A Contemporary American Approach to Aesthetic Statement

The Blue Devils of Nada

Count Basie

The Autobiography of Count Basie

Good Morning Blues

Count Basie was one of America's pre-eminent and influential jass pianists, bandleaders, and composers, known for such classics as "Jumpin' at the Woodside," "Goin' to Chicago Blues," "Sent for You Yesterday and Here You Come Today," and "One O'Clock Jump." In Good Morning Blues, Basie recounts his life story to Albert Murray, from his childhood years playing ragtime with his own pickup band at dances and pig roasts, to his years in New York City in search of opportunity, to rollicking anecdotes of Basie's encounters with Fats Waller, Frank Sinatra, Fred Astaire, Sammy Davis Jr., Quincy Jones, Billie Holliday, and Tony Bennett. In this classic of jazz autobiography that was ten years in the making, Albert Murray brings the voice of Count Basie to the printed page in what is both testimony and tribute to an incredibly rich life.

Follows Scooter into young manhood at a Southern College during the 1930s as he discovers new friends, new ideas, and new ways to cope with the vicissitudes of life

The Spyglass Tree

In these conversations Murray discusses those who influenced him - Thomas Mann, Ernest Hemingway, Louis Armstrong, and Duke Ellington - and tells how they helped him develop a philosophy of art based on the blues as well as a new archetype of the American hero, the blues hero.

Conversations with Albert Murray

The renowned novelist, essayist, poet, and literary and social critic presents a collection of scholarly and provocative essays, reviews, and interviews that examine contemporary America, including his own beginnings as a writer, the accomplishments of Duke Ellington and William Faulkner, the responsibilites of the black educated elite, and the near-tragic, near-comic aura of the blues.

On Context, Procedure, and American Identity

From the Briarpatch File

The legendary study of the blues by one of America's premier writers and critics.

Stomping the Blues

The highly acclaimed novelist and biographer Albert Murray tells his classic memoir of growing up in Alabama during the 1920s and 1930s in South to a Very Old Place. Intermingling remembrances of youth with engaging conversation, African-American folklore, and astute cultural criticism, it is at once an intimate personal journey and an incisive social history, informed by "the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's imagination, the gospel singer's depth of feeling" (The New Yorker). "His perceptions are firmly based in the blues idiom, and it is black music no less than literary criticism and historical analysis that gives his work its authenticity, its emotional vigor and its tenacious hold on the intellect...[It] destroys some fashionable socio-political interpretations of growing up black."--Toni Morrison, The New York Times Book Review

South to a Very Old Place

In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.

In this visionary book, Murray takes an audacious new look at black music and, in the process, succeeds in changing the way one reads literature. Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences; both place a high value on improvisation; and both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity. Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues pays homage to a new black aesthetic.

The Hero And the Blues

Murray gives readers the redefined essence of his lifetime meditation on the blues as this musical style informs American life. Here are incisive essays on writing, music, and art that go beyond the social-science fiction of Negrohood to describe in no uncertain terms what it means to be American.

By “our premier writer about jazz and the blues...and a fictional tale spinner in the grand Southern tradition” (Washington Post Book World), The Spyglass Tree is a deeply affecting novel of elegant, lyrical reminiscence and profound sophistication about a young black man’s advent into the world of academia—an imaginary Alabama college—in the 1930s. Admist the excitement of the world of ideas and adventures with new friends, Scooter sallies into “the territory of the blues,” where recollection becomes legend. Here he learns to deal with the vicissitudes of life—the complexities of family ties and camaraderie, his sexuality, pride of excellence in school, the darker realities of history and human passion—through confrontation and improvisation, and with style and courage. “[The Spyglass Tree] strikes a perfect balance between the black folk tradition and Faulknerian rumination....One reads this very fine novel for the glissando effect of its language, the vibrancy of its characters and the unabashed pleasure Mr. Murray takes in nostalgia for its own sake...with level-headed clarity and honesty.”—The New York Times Book Review

The year 2016 will mark the centennial of the birth of Albert Murray (1916–2013), who in thirteen books was by turns a lyrical novelist, a keen and iconoclastic social critic, and a formidable interpreter of jazz and blues. Not only did his prizewinning study Stomping the Blues (1976) influence musicians far and wide, it was also a foundational text for Jazz at Lincoln Center, which he cofounded with Wynton Marsalis and others in 1987. Murray Talks Music brings together, for the first time, many of Murray’s finest interviews and essays on music—most never before published—as well as rare liner notes and prefaces. For those new to Murray, this book will be a perfect introduction, and those familiar with his work—even scholars—will be surprised, dazzled, and delighted. Highlights include Dizzy Gillespie’s richly substantive 1985 conversation; an in-depth 1994 dialogue on jazz and culture between Murray and Wynton Marsalis; and a long 1989 discussion on Duke Ellington between Murray, Stanley Crouch, and Loren Schoenberg. Also interviewed by Murray are producer and impresario John Hammond and singer and bandleader Billy Eckstine. All of thse conversations were previously lost to history. A celebrated educator and raconteur, Murray engages with a variety of scholars and journalists while making insightful connections among music, literature, and other art forms—all with ample humor and from unforeseen angles. Leading Murray scholar Paul Devlin contextualizes the essays and interviews in an extensive introduction, which doubles as a major commentary on Murray’s life and work. The volume also presents sixteen never-before-seen photographs of jazz greats taken by Murray. No jazz collection will be complete without Murray Talks Music, which includes a foreword by Gary Giddins and an afterword by Greg Thomas.

Albert Murray on Jazz and Blues

Murray Talks Music

The Magic Keys winningly evokes the coming to maturity of one of the great characters in contemporary American literature: Scooter, the central protagonist of Albert Murray’ s highly acclaimed autobiographical novels Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. Growing up brilliant and curious in Alabama, Scooter was told he was destined for greatness. Now newly married and a graduate student in humanities at New York University, he goes about discovering just what he is destined to be great at. Anchored by Eunice, his “Mrs. Me,” Scooter makes the rounds of Manhattan’ s libraries, jazz hangouts, galleries, skyscrapers, and endlessly fascinating streets, meeting the people who will help him find his way: dapper Taft Edison, who is setting their down-home dialect onto the pages of his novel-in-progress; Joe States, a drummer who brings old expectations to Scooter’s new life; and Jewel Templeton, no longer his girl but still a believer. When his budding career takes him back to Alabama, Scooter discovers both the promise of everyday bliss and intimations of adventures to come. In his inimitably musical, ardent prose, Murray captures the joyful rhythms of youth and the pulse of life at the moment when everything seems possible, in an exhilarating, tender, and masterfully crafted novel.

The Magic Keys

Ralph Ellison

This absorbing collection of letters spans a decade in the lifelong friendship of two remarkable writers who engaged the subjects of literature, race, and identity with deep clarity and passion. The correspondence begins in 1950 when Ellison is living in New York City, hard at work on his enduring masterpiece, Invisible Man, and Murray is a professor at Tuskegee Institute in Alabama. Mirroring a jam session in which two jazz musicians "trade twelves"—each improvising twelve bars of music around the same musical idea-their lively dialog centers upon their respective writing, the jazz they both love so well, on travel, family, the work literary contemporaries (including Richard Wright, James Baldwin, William Faulkner and Ernest Hemingway) and the challenge of racial inclusiveness that they wish to pose to America through their craft. Infused with warmth, humor, and great erudition, Trading Twelves offers a glimpse into literary history in the making—and into a powerful and enduring friendship.

Albert Murray

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