Vladimir Bartol

Aleš Debeljak

Alamut

Ales Debeljak

This long, two-part essay raises disturbing questions about our intellectual commitment to the concept of multiculturalism and paints a haunting portrait of a place that no longer exists. The striking photographs show us what remains of a culturally rich and diverse place, where as Debeljak states, the people "until yesterday had lived in a single state, but who today have different countries. The guns of the Balkans have silenced those good vibrations. The stars have set, And of all seasons, the lands south of my own country know but a single one -- the deep, dark winter of death."

Recollections of a Lost Yugoslavia : an Essay

Twilight of the Idols

The Hidden Handshake uses four distinct, yet intertwined essays to address the questions surrounding our notions of citizenship, national identity, and cosmopolitan belonging. The violent disintegration of Yugoslavia and the undercurrent of EU enlargement stand out as two contrasting movements that highlight the importance of having a national identification while also defying it to avoid both the rigidity of nationalist exclusivism and the blithe nonsense of "global citizenship." Through the exploration of sociohistorical material and artistic visions as well as the author's layered identity as a Slovene, a Yugoslav, a Central European, and a European, Ale? Debeljak tries to show that it is possible to remain faithful to geography, history, and community even as one fosters links to global cultural movements. Not surprisingly, the book itself shares some of this hybrid identity. It uses not only theoretical concepts and empirical data, but also historical sketches on art, national life, and society, along with poetic autobiographical reminiscences and personal anecdotes. Ultimately, the book calls for an adoption of liberal nationalism, which is commensurate with democratic order, and for a more ecumenical understanding of artistic visions that does not discriminate on the grounds of one's place of origin.

National Identity and Europe in the Post-communist World

The Hidden Handshake

In this book Aleš Debeljak offers a refreshing alternative to postmodernists such as Baudrillard who declare the death of art conceived as yet another source of rootless circulating fictions. Inspired by the melancholy critical theory of Adorno and Bejamin, Debeljak shows that with the dawning of modernity, art was made autonomous - art production was effectively emancipated from the exigencies of everyday life and its guiding ideal of purposive rationality. The deterioration of bourgeois liberal individualism into the narcissism of modern mass society accompanied the decomposition of art into simplified mass art and commercialized kitsch. Today, argues Debeljak, postmodern art is subjected to infinite reproducibility, total integration into mass society, and political resignation - it no longer represents an alternative reality. The postmodern institution of art thus cannot be simply cured of modern structures and assumptions, but is, instead, fated to a continuous and painful relationship with modernity. -- from back cover.

The Institution of Art and Its Historical Forms

Reluctant Modernity

Poems

Anxious Moments

Tomaž Šalamun

Walter M. Cummins

Maja Haderlap

Alojz Ihan

Jure Potokar

Although their subjects, styles, and techniques often differ, in total these poems make clear the distinctions between the nature of poetry in Eastern Europe and that in the West. While several of the languages represented here are limited to a small number of speakers, each has a commitment to the central role of poetry in the history of its people and as a source of their unity.

East European Poetries of the Eighties

Shifting Borders

Aleš Debeljak

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