Alexandra Popoff

Many readers may know that such writers as F. Scott Fitzgerald, James Joyce and D.H. Lawrence used their marriages for literary inspiration and material. In Russian literary marriages, these women did not resent taking a secondary position, although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. From Sofia Tolstoy to Vera Nabokov and Elena Mandelshtam and Natalya Solzhenitsyn, these women ranged from stenographers and typists to editors, researchers, translators, and even publishers. Living under restrictive regimes, many of these women battled censorship and preserved the writers’ illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West. Many of these women, like Vera and Sofia, were the writers’ intellectual companions and willingly contributed to the creative process—they commonly used the word “we” to describe the progress of their husbands’ work. And their husbands knew it too. Leo Tolstoy made no secret of Sofia’s involvement in War and Peace, and Vladimir Nabokov referred to Vera as his own “single shadow.”

The Wives

Based on a cache of new, original sources, Alexandra Popoff debunks the common perception that Sophia Tolstoy was a bitter, unsupportive wife.

A Biography

Sophia Tolstoy

Ayn Rand: Writing a Gospel of Success

Василь Гроссман і радянська доба

The definitive biography of Soviet Jewish dissident writer Vasily Grossman If Vasily Grossman’s 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak’s Doctor Zhivago and before Solzhenitsyn’s Gulag. But Life and Fate was seized by the KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the twentieth century. Always at the epicenter of events, Grossman (1905–1964) was among the first to describe the Holocaust and the Ukrainian famine. His 1944 article “The Hell of Treblinka” became evidence at Nuremberg. Grossman’s powerful anti-totalitarian works liken the Nazis’ crimes against humanity with those of Stalin. His compassionate prose has the everlasting quality of great art. Because Grossman’s major works appeared after much delay we are only now able to examine them properly. Alexandra Popoff’s authoritative biography illuminates Grossman’s life and legacy.

Vasily Grossman and the Soviet Century

The definitive biography of Soviet Jewish dissident writer Vasily Grossman If Vasily Grossman’s 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak’s Doctor Zhivago and before Solzhenitsyn’s Gulag. But Life and Fate was seized by the KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the twentieth century. Always at the epicenter of events, Grossman (1905–1964) was among the first to describe the Holocaust and the Ukrainian famine. His 1944 article “The Hell of Treblinka” became evidence at Nuremberg. Grossman’s powerful anti‑totalitarian works liken the Nazis’ crimes against humanity with those of Stalin. His compassionate prose has the everlasting quality of great art. Because Grossman’s major works appeared after much delay we are only now able to examine them properly. Alexandra Popoff’s authoritative biography illuminates Grossman’s life and legacy.

a biography

Si la obra maestra de Vasili Grossman, Vida y destino, se hubiera publicado en vida del autor, lo hubiera hecho a la vez que Doctor Zhivago de Pasternak y antes de Archipiélago Gulag de Solzhenitsyn, pero Vida y destino fue secuestrada por el KGB. Cuando se publicó póstumamente, décadas después, fue reconocida como la Guerra y Paz del siglo xx. Vasili Grossman (1905-1964) se formó como ingeniero, pero abandonó su trabajo en los años treinta para dedicarse en exclusiva a la escritura. Tras el estallido de la segunda guerra mundial se convirtió en corresponsal de guerra para el Ejército Rojo, publicando aclamadas crónicas de las batallas de Moscú, Stalingrado, Kursk y Berlín. Su testimonio sobre los campos de exterminio nazis, escrito tras la liberación de Treblinka, se encuentra entre los primeros documentos escritos acerca del Holocausto judío y fue utilizado como prueba en los juicios de Núremberg. Después de la segunda guerra mundial, la fe de Grossman en el Estado soviético se vio socavada por el giro antisemita del régimen de Stalin. Aunque nunca llegó a ser arrestado por las autoridades soviéticas, sus dos obras maestras ( Vida y destino y Todo fluye) fueron censuradas por antisoviéticas, y cuando Grossman falleció en 1964 Vida y destino permanecía inédita y seguiría estándolo hasta que pudo ser publicada en Occidente merced al trabajo de una red de disidentes. La primera edición en la Unión Soviética data de 1988, durante la fase aperturista del gobierno de Mijaíl Gorbachov. La obra alcanzó rápidamente un éxito enorme y pasó a ser aclamada como una de las cumbres literarias del siglo xx.

Vasili Grossman y el siglo soviético

The new book from the critically acclaimed author of The Wives and ?Sophia Tolstoy sheds light on one of the strangest and most unusual relationships in literary history—which has been steeped in secrecy for more than a century. On the snowy morning of February 8, 1897, the Petersburg secret police were following Tolstoy's every move. At sixty-nine, Russia's most celebrated writer was being treated like a major criminal. Prominent Russians were always watched, but Tolstoy earned particular scrutiny. Over a decade earlier, when his advocacy on behalf of oppressed minorities angered the Orthodox Church and the Tsar, he was placed under permanent police surveillance. Although Tolstoy was wearing his peasant garb, people on the streets had no trouble recognizing him from his portraits. He was often seen in the company of his chief disciple, Vladimir Chertkov. A man of striking appearance, twenty-five years younger, Chertkov commanded attention. His photographs with Tolstoy show him towering over the writer, but who exactly was this imposing man? Close to the Tsars and to the chief of the secret police, Chertkov represented the very things Tolstoy had renounced ––class privilege, unlimited power, and wealth. Yet, Chertkov fascinated and attracted Tolstoy. He became the writer's closest confidant, even reading his daily diary, and by the end of Tolstoy's life, Chertkov had established complete control over the writer and his legacy. Tolstoy’s full exchange with Chertkov comprises more than 2,000 letters, making him the writer’s largest correspondent. The Russian archives have suppressed much of this communication as well as Chertkov’s papers for more than a century. The product of ground-breaking archival research, Tolstoy's False Disciple promises to be a revelatory portrait of the two men and their three-decade-long clandestine relationship.

Alexandra Popoff

About

Books

Join the club