Alexis L. Boylan

"A short, accesible critical guide to visual culture-what it means to look and see; how the visual impacts our lives, our era, our understandings of each other, and even how it is changing our brains"--

Visual Culture

Anna Mae Duane

Michael Gill

Barbara Gurr

A provocative peek into this complicated film as a space for subversion, activism, and imaginative power While both fans and foes point to Mad Max: Fury Road's feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors--from backgrounds in art history, American literature, disability studies, and sociology--ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence? This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Alternate Routes on Mad Max: Fury Road

Furious Feminisms

An anthology on American artist Thomas Kincaid, exploring his work and its impact on contemporary art as part of the broader history of American visual culture.

The Artist in the Mall

Thomas Kinkade

As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so.

John Sloan

Delaware Art Museum (Delaware, États-Unis).

Heather Campbell Coyle

Joyce K. Schiller

Molly S. Hutton

Susan Fillin-Yeh

Katherine E. Manthorne

A close look at early 20th-century New York City is revealed through the eyesof Ashcan artist John Sloan.

John Sloan's New York

Ellen Emmet Rand (1875-1941) was one of the most important and prolific portraitists in the United States in the first decades of the twentieth century. She negotiated her career, reputation, family, and finances in modern and commercially savvy ways-revealing the complex negotiations needed to balance these competing pressures. Engaging with newly available archival documents and featuring scholars with radically different approaches to visual culture, this edited collection not only seeks to interrogate the meaning of Rand's portraits and her career, but indeed to rethink gender, art, race, business, and modernism in the twentieth century.

Gender, Art, and Business

Ellen Emmet Rand

A provocative peek into this complicated film as a space for subversion, activism, and imaginative power While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence? This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Alexis L. Boylan

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