Alia Mamdouh

ʻĀliyah Mamdūḥ

Riverbend

Presents the Internet weblog entries of a young Iraqi woman living in Baghdad as she chronicles the hardships and complexities of daily life and the political intricacies during the first year after the 2003 invasion of Iraq.

Girl Blog from Iraq

Baghdad Burning

A Novel of Baghdad (Women Writing the Middle East)

Naphtalene

ممدوح، عالية

Suhaila lies in a coma in a Paris hospital. Her son Nadir flies in from Canada, and friends keep vigil. As she lies voiceless and suspended between life and death we, like Nadir, come to discover her through the multiple narratives that hover around her sickbed: fragments of conversations, memories, and letters, all (re)membered, first by Nadir, and then through Suhaila's diary entries in Paris and in Canada. The loved ones of the title are the constellation of friends, predominantly women, who flock to Suhaila's side from all over the world to envelope her in the warmth of friendship that may ultimately save her and enable her rebirth. Suhaila comes alive through the stories about her: her excesses, her love of dancing, of wine, and of poetry, despite years of abuse by her Iraqi husband, the bleakness of exile from home, and the frustrating separation from her only son. The Loved Ones is an intimately moving, polyphonic narrative of displacement and nomadism, a disjointed, at times disfigured tale that blends diverse time frames so that the past, the present, and the future are unified, interlocked, and intertwined. This award-winning novel is a hymn to friendship and to boundless giving that ultimately restores life - it is a story about memory and history, a story against forgetting.

The Loved Ones

“Ferocious, visceral descriptions . . . give a powerful sense not only of Suhaila’s world but also of the way we make and understand memories.”—Booklist “Often intense and lyrical.”—Kirkus Reviews This winner of the Naguib Mahfouz Prize for Literature mingles memories of the past with the shifting voices of the present when the estranged son of an Iraqi exile flies from his home in Toronto to visit her in Paris. As his ailing mother, the once-vibrant Suhaila, lies in a hospital bed, he acquaints himself with her constellation of close friends. Immediately, he becomes immersed in the complex relationships he has fought so hard to avoid: with his mother and his war-torn homeland. Alia Mamdouh weaves a magical tale of the human condition in this stunning and beautifully written novel of faith, family, and hope.

A Modern Arabic Novel

The Tank

Seen through the eyes of a strong-willed and perceptive young girl, Naphtalene beautifully captures the atmosphere of Baghdad in the 1940s and 1950s. Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, roadside butchers, and childhood games played in the same streets where political demonstrations against British colonialism are beginning to take place. At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.

Alia Mamdouh

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