Alice Cunningham Fletcher

Alice C. Fletcher (1838-1923), one of the few women who became anthropologists in the United States during the nineteenth century, was a pioneer in the practice of participant-observation ethnography. She focused her studies over many years among the Native tribes in Nebraska and South Dakota. Life among the Indians, Fletcher's popularized autobiographical memoir written in 1886-87 about her first fieldwork among the Sioux and the Omahas during 1881-82, remained unpublished in Fletcher's archives at the Smithsonian Institution for more than one hundred years. In it Fletcher depicts the humor and hardships of her field experiences as a middle-aged woman undertaking anthropological fieldwork alone, while showing genuine respect and compassion for Native ways and beliefs that was far ahead of her time. What emerges is a complex and fascinating picture of a woman questioning the cultural and gender expectations of nineteenth-century America while insightfully portraying rapidly changing reservation life. Fletcher's account of her early fieldwork is available here for the first time, accompanied by an essay by the editors that sheds light on Fletcher's place in the development of anthropology and the role of women in the discipline.

First Fieldwork Among the Sioux and Omahas

Life Among the Indians

John Comfort Fillmore

"Among the Indians, music envelopes like an atmosphere every religious, tribal, and social ceremony as well as every personal experience. There is not a phase of life that does not find expression in song," wrote Alice C. Fletcher. The famous anthropologist published A Study of Omaha Indian Music in 1893. With the single exception of an 1882 dissertation, it was the first serious study ever made of American Indian music. And it was the largest collection of non-Occidental music published to date, ninety-two songs, all from a single tribe. Fletcher and Francis La Flesche, her Omaha coworker and adopted son, divided the songs into three categories: religious ones, to be sung by a certain class either through initiation or inheritance; social ones, involving dances and games, always sung by a group; and ones to be sung singly, including dream songs, love songs, captive songs, prayer songs, death songs, sweat lodge songs, and songs of thanks. John Comfort Fillmore, a professional musician, added a "Report on the Structural Peculiarities of the Music." Those interested in a vital aspect of Indian culture will want to own this book, which contains the musical scores as well as the native-language words for the songs.

A Study of Omaha Indian Music

Albert Samuel Gatschet

Charles Clark Willoughby

Hilborne Thomson Cresson

Zelia Nuttall

With Four Plates and Fifty Illustrations in the Text by the Author

Prehistoric Burial Places in Maine

Francis La Flesche

The Omaha Tribe is considered by some anthropologists to be the most important and comprehensive study ever written about a Native American tribe. First published in 1911 as a report of the Bureau of American Ethnology, this classic treatise is based on twenty-nine years of study and observation in the field. "Nothing has been borrowed from other observers," Alice C. Fletcher asserts. "Only original material gathered directly from the native people has been used, and the writer has striven to make so far as possible the Omaha his own interpreter." Volume I is devoted to tribal origins and early history, beliefs about the environment, rites pertaining to the individual, tribal organization and government, the sacred pole, and the quest for food. Volume II, also available as a Bison Book, considers language, social life, music, religion, warfare, treatment of disease, and death and burial customs. Alice C. Fletcher was the foremost woman anthropologist in the United States in the nineteenth century. Francis La Flesche, a member of the Omaha tribe, worked closely with Alice Fletcher for many years and in addition produced ethnological studies of his own. His autobiographical account The Middle Five: Indian Schoolboys of the Omaha Tribe is also available as a Bison Book. In his introduction to this Bison Book edition, Robin Ridington focuses on the place of Fletcher and La Flesche's work in the history of anthropology and the history of anthropologists' relationships with the Omahas. Ridington is a professor of anthropology at the University of British Columbia and the author of Little Bit Know Something: Stories in a Language of Anthropology (1990).

The Omaha Tribe

Brief History of the International Congress of Americanists

Excerpt from Import of the Totem: A Study From the Omaha Tribe It is noteworthy that the totems of individuals, as far as known, and those of the gentes, represented the Same class of objects or phenomena, and, as totems could be obtained in but one way - through the rite of the vision the totem of a gens must have come into existence in that manner, and must have represented the manifestation of an ancestor's vision, that of a man whose ability and opportunity served to make him the founder of a family, of a group of kindred who dwelt together, fought together, and learned the value of united strength. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Study from the Omaha Tribe (Classic Reprint)

Import of the Totem

The Hako: a Pawnee Ceremony

A Pawnee Ceremony

The Hako

An Historical Essay on a Relic of Ancient Mexico

Standard Or Head-dress?

One of the more complex and widespread rituals practiced by Native American groups focused on the calumet, a sacred pipe with a feathered shaft. The Calumet Ceremony was a powerful ritual through which members of another tribe were adopted. It also promoted social unity within tribes and facilitated contact and trade between them. Perhaps the most detailed description of a Calumet Ceremony was recorded near the turn of the century by ethnographer Alice C. Fletcher. Fletcher witnessed the Hako, a version of the Calumet Ceremony practiced by the Chaui clan of the Pawnee. With the invaluable assistance of Tahirussawichi, a Pawnee Ku'rahus or ceremonial leader, and renowned Indian scholar James R. Murie, himself a Pawnee, the author describes in marvelous detail the intricate rhythm and structure of the ceremony. Each song of the Hako is transcribed, translated, interpreted by the Pawnee Ku'rahus, and later analyzed by the author. Fletcher concludes that the Hako promised longevity, fertility, and prosperity to individuals and worked to insure "friendship and peace" between clans and tribes. The Hako, originally published in 1904, is introduced by Helen Myers, an associate professor of music at Trinity College and the ethnomusicology editor of the New Grove Dictionary of Music and Musicians.

Song, Pipe, and Unity in a Pawnee Calumet Ceremony

Lakota Ceremonies

Alice Cunningham Fletcher

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