Alice Stevenson

Rachel Mairs

The sixth annual Current Research in Egyptology symposium took place from 6th-8th January 2005 at the University of Cambridge. Although the topics covered by the papers were many and varied, if there is a general theme it would be that of exploring the borders and parameters of the discipline of Egyptology. Contents: Preface; Symposium papers not included in this volume; Bringing Egypt out of academia: Outreach and inclusion in the Petrie Museum (Yvette E Balbaligo); Pepi I and the Temple of Satet at Elephantine (Richard Bussmann); The unique Amun-Re at Luxor Temple (Andras Gulyas); Ostraca, literature and teaching at Deir el-Medina (Fredrik Hagen); Children and the dead in New Kingdom Egypt (Nicola Harrington); 'It is better to be silent than speak in vain': The challenge of producing proverbs in Demotic and Greek (Nikolaos Lazaridis); Egyptian artefacts from Central and South Asia (Rachel R Mairs); Investigating Ancient Egyptian Towns: A case study of Itj-tawy (Claire Malleson); A study of Ramesside royal women's tombs in the Valley of the Queens (Heather Lee McCarthy); Designing materials for language self-instruction: A case study of Middle Egyptian (Anne Morrison); New consideration on Campbell's Tomb (Mike Stammers); The material significance of Predynastic and Early Dynastic palettes (Alice Stevenson); Egyptian royal women and diplomatic activity during the New Kingdom (Georgia Xekalaki).

Proceedings of the Sixth Annual Symposium which Took Place at the University of Cambridge, 6-8 January 2005

Current Research in Egyptology 2005

This Element addresses the cultural production of ancient Egypt in the museum as a mixture of multiple pasts and presents that cohere around collections; their artefacts, documentation, storage, research, and display. Its four sections examine how ideas about the past are formed by museum assemblages: how their histories of acquisition and documentation shape interpretation, the range of materials that comprise them, the influence of their geographical framing, and the moments of remaking that might be possible. Throughout, the importance of critical approaches to interpretation is underscored, reasserting the museum as a site of active research and experiment, rather than only exhibitionary product or communicative media. It argues for a multi-directional approach to museum work that seeks to reveal the inter-relations of collection histories and which has implications not just for museum representation and documentation, but also for archaeological practice more broadly.

Egyptian Archaeology and the Twenty-First Century Museum

Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt's first rulers at Abydos, Akhenaten and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. Scattered Finds explores the politics, personalities and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the UK, to the development of some of the USA’s largest institutions, and from university museums in Japan to new institutions in post-independence Ghana. By juxtaposing a diversity of sites for the reception of Egyptian cultural heritage over the period of a century, Alice Stevenson presents new ideas about the development of archaeology, museums and the construction of Egyptian heritage. She also addresses the legacy of these practices, raises questions about the nature of the authority over such heritage today, and argues for a stronger ethical commitment to its stewardship. Praise for Scattered Finds 'Scattered Finds is a remarkable achievement. In charting how British excavations in Egypt dispersed artefacts around the globe, at an unprecedented scale, Alice Stevenson shows us how ancient objects created knowledge about the past while firmly anchored in the present. No one who reads this timely book will be able to look at an Egyptian antiquity in the same way again.' Professor Christina Riggs, UEA

Archaeology, Egyptology and Museums

Scattered Finds

This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through twenty-eight chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns will be grounded in the realities of museums internationally, including Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain 'best practice' is not assumed to solely emanate from developed countries or European philosophies, but instead is considered as emerging from and accommodated within local concerns and diverse museum cultures.

The Oxford Handbook of Museum Archaeology

Dan Hicks

World Archaeology at the Pitt Rivers Museum: a characterization introduces the range, history and significance of the archaeological collections of the Pitt Rivers Museum, Oxford. In 29 newly-commissioned essays written by a specialist team, the volume explores more than 136,000 artefacts from 145 countries, from the Stone Age to the modern period, and from England to Easter Island. Pioneering a new approach in museum studies, this landmark volume is an essential reference work for archaeologists around the world, and a unique introduction to the archaeological collections of one of the world's most famous museums.

Alice Stevenson

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