Alison Hawthorne Deming

Ann Fisher-Wirth

Elizabeth Bradfield

Lucille Lang Day

Writing Our Way to Discovery

Poetry and Science

Lauret E. Savoy

culture, identity, and the natural world

The colors of nature

Seeking to pinpoint the relationship between African Americans and the earth, a collection of essays explores historical events to identify the role of race in how decisions affecting the natural world are made.

Culture, Identity, and the Natural World

The Colors of Nature

Part memoir, part elegy, part cultural history, A Woven World reflects upon and celebrates the fading crafts, cottage industries, and artisans that have defined communities for generations. The desire to create is the cornerstone of civilization. But as we move into a world where machine manufacturing has nearly usurped craft, Alison Hawthorne Deming resists the erasure of our shared history of handiwork with this appeal for embracing continuity and belonging in a time of destabilizing change. Sensing a need to preserve the crafts and stories of our founding communities, and inspired by an exhibit at the Metropolitan Museum of Art's Costume Institute featuring Yves St. Laurent's "sardine" dress, Deming turned to the industries of her ancestors, both the dressmakers and designers in Manhattan in the nineteenth century and the fishermen on Grand Manan Island, a community of 2,500 residents, where the dignity of work and the bounty of the sea ruled for hundreds of years. Reweaving the fabric of those lives, A Woven World gives presence on the page to the people, places, and practices, uncovering and preserving a record of the ingenuity and dignity that comes with such work. In this way the lament becomes a song of praise and a testament to the beauty and fragility of human making.

On Fashion, Fishermen, and the Sardine Dress

A Woven World

From African American to Asian American, indigenous to immigrant, "multiracial" to "mixedblood," the diversity of cultures in this world is matched only by the diversity of stories explaining our cultural origins: stories of creation and destruction, displacement and heartbreak, hope and mystery. With writing from Jamaica Kincaid on the fallacies of national myths, Yusef Komunyakaa connecting the toxic legacy of his hometown, Bogalusa, LA, to a blind faith in capitalism, and bell hooks relating the quashing of multiculturalism to the destruction of nature that is considered "unpredictable" — amongst more than 35 other examinations of the relationship between culture and nature — this collection points toward the trouble of ignoring our cultural heritage, but also reveals how opening our eyes and our minds might provide a more livable future. Contributors: Elmaz Abinader, Faith Adiele, Francisco X. Alarcón, Fred Arroyo, Kimberly Blaeser, Joseph Bruchac, Robert D. Bullard, Debra Kang Dean, Camille Dungy, Nikky Finney, Ray Gonzalez, Kimiko Hahn, bell hooks, Jeanne Wakatsuki Houston, Pualani Kanaka‘ole Kanahele, Robin Wall Kimmerer, Jamaica Kincaid, Yusef Komunyakaa, J. Drew Lanham, David Mas Masumoto, Maria Melendez, Thyllias Moss, Gary Paul Nabhan, Nalini Nadkarni, Melissa Nelson, Jennifer Oladipo, Louis Owens, Enrique Salmon, Aileen Suzara, A. J. Verdelle, Gerald Vizenor, Patricia Jabbeh Wesley, Al Young, Ofelia Zepeda

One hundred fifty poems by seventy-five poets offer an inclusive collage of voices--protest poems of the Chicano farmworkers' movement, campfire cowboy songs, sacred Native American songs, and works by Willa Cather, Langston Hughes, Adrienne Rich, and other canonical figures--from a land where cultural collision is part of the rugged landscape.

Poetry of the American West

Looks at civilization's progress and ways to strike a balance between nature and the world's population

A Journey in Nature and Culture

The Edges of the Civilized World

On Animals and the Human Spirit

Zoologies

Poetry which meditates on life. In one poem she writes, "Maybe the A. I. guys are right. We're / nothing more than bodies--love and / grief mere combinations / of 'yes' and 'no' taken to exponential powers. / Nothing more to understand than that."

A Poem Sequence

The Monarchs

A new collection from a poet who “writes with scrupulous and merciful passion about every kind of relatedness—family, place, politics, and wildlife” (W. S. Piero) In her fifth book of poems, Stairway to Heaven, Alison Hawthorne Deming explores dimensions of grief and renewal after losing her brother and mother. Grounded in her communion with nature and place, she finds even in Death Valley, that most stark of landscapes, a spirit of inventiveness that animates the ground we walk on. From the cave art of Chauvet to the futuristic habitat of Biosphere 2, that inventiveness becomes consolation for losses in family and nature, a means to build again a sense of self and world in the face of devastating loss.

Poems

Stairway to Heaven

From a poet and essayist whose writing about nature has won her comparisons with Gary Snyder and Terry Tempest Williams comes a new collection that offers further evidence of her ability to trace the intersections of the human and nonhuman worlds. The title poem is a lyrical excavation of the city of Prague, where layers of history, culture and nature have accumulated to form Â“a genius lociÂ”Â—a guardian spirit. From Â“Genius LociÂ” Return to a place where nothing in particular can be seen to explain why you return, nothing you can name, though you can touch the memory of the landscapeÂ— linden trees in a hedgerow, cut wheatfield, ruins of the longhouse, rolling meadow of sunflowers blooming, the musk of their oil, contained heat.

Genius Loci

“Beautifully written essays” on animals, “the real and mythological, the ordinary and the exotic, the wild and the domesticated” (Publishers Weekly). Humans were surrounded by other animals from the beginning of time: they were food, clothes, adversaries, companions, jokes, and gods. And yet, our companions in evolution are leaving the world—both as physical beings and spiritual symbols—and not returning. In this collection of linked essays, Alison Hawthorne Deming examines what the disappearance of animals means for human imagination and existence. Moving from mammoth hunts to dying house cats, she explores profound questions about what it means to be animal. What is inherent in animals that both leads us to destroy and leads us toward peace? As human animals, how does art both define us as a species and how does it emerge primarily from our relationship with other species? The reader emerges with a transformed sense of how the living world around us has defined and continues to define us in a powerful way. “Beautifully written essays on animal and human behavior and biology . . . highly recommended for lovers of words and nature.” —Publishers Weekly “Human beings live in an age in which industrialization and mass extinction are facts of life. But as Deming suggests in this collection, the more people denude the planet of animals, the more diminished they become in spirit . . . Eloquent, sensitive and astute.” —Kirkus Reviews “Serpentine intellect and wry humor.” —Booklist

Alison Hawthorne Deming

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