Heather Graham

Emmy Laybourne

R. L. Stine

Wendy Corsi Staub

Steve Hockensmith

Beth Fantaskey

Tonya Hurley

Chris Grabenstein

Peter Lerangis

Daniel Palmer

Carter Wilson

Alison McMahan

Ray Daniel

Jeff Soloway

Doug Levin

Phil Mathews

Joseph S. Walker

Lisa Morton

Stephen Ross

Bruce Hale

A harrowing array of scary stories that all have one thing in common: each either begins or ends with a scream! R.L. Stine—the godfather of Goosebumps—and some of the most popular authors today bring an unrivaled mastery of all things fearsome, frightening, and fantabulous to this terrifying anthology of all-new scary short stories. Scream and Scream Again! is full of twists and turns, dark corners, and devilish revenge. Collected in conjunction with the Mystery Writers of America, this set includes works from New York Times bestselling authors telling tales of wicked ice-cream trucks, time-travelling heroes, witches and warlocks, and of course, haunted houses. Read it if you dare! With twenty never-before-published scary stories from some of the most popular authors today—including Chris Grabenstein, Wendy Corsi Staub, Heather Graham, Peter Lerangis, R.L. Stine, Bruce Hale, Emmy Laybourne, Steve Hockensmith, Lisa Morton, Ray Daniel, Beth Fantaskey, Phil Mathews, Carter Wilson, Doug Levin, Jeff Soloway, Joseph S. Walker, Alison McMahan, Daniel Palmer, Tonya Hurley, and Stephen Ross—it’s sure to leave readers screaming for more.

Spooky Stories from Mystery Writers of America

Scream and Scream Again!

Isabella Maldonado

Robert J. Randisi

Lissa Marie Redmond

Michael Bracken

John M. Floyd

Elaine Viets

Bruce Robert Coffin

Rick Ollerman

Jeffery Hess

Josh Pachter

Don Bruns

Leigh Lundin

Laura Oles

Neil Plakcy

M.E. Browning

Jimmy Buffett is one of the great contemporary singer/songwriters, and it’s hard to imagine a citizen of Planet Earth unfamiliar with such classic hits as “Margaritaville.” Jimmy has also written novels, children’s books, memoirs, and a stage musical based on Herman Wouk’s Don’t Stop the Carnival, and his family-friendly concerts almost always sell out to audiences comprised of a mix of dedicated Parrotheads, casual fans, and newbies. In The Great Filling Station Holdup, editor Josh Pachter presents sixteen short crime stories by sixteen popular and up-and-coming crime writers, each story based on a song from one of the twenty-nine studio albums Jimmy has released over the last half century, from Leigh Lundin’s take on “Truckstop Salvation” (which appeared on Jimmy’s first LP, 1970’s Down to Earth) to M.E. Browning’s interpretation of “Einstein Was a Surfer” (from 2013’s Songs from St. Somewhere). If you love Jimmy’s music or crime fiction or both, you’ll love The Great Filling Station Holdup. Mix yourself a boat drink, ask Alexa to put on a buffet of Buffett tunes, kick back, and enjoy! Table of Contents Introduction by Josh Pachter Down to Earth (1970) “Truckstop Salvation” by Leigh Lundin A White Sport Coat and a Pink Crustacean (1973) “The Great Filling Station Holdup” by Josh Pachter A1A (1974) “A Pirate Looks at Forty” by Rick Ollerman Changes in Latitudes, Changes in Attitudes (1977) “Tampico Trauma” by Michael Bracken Son of a Son of a Sailor (1978) “Cheeseburger in Paradise” by Don Bruns Volcano (1979) “Volcano” by Alison McMahan Coconut Telegraph (1981) “Incommunicado” by Bruce Robert Coffin Somewhere Over China (1981) “If I Could Just Get It On Paper” by Lissa Marie Redmond One Particular Harbour (1983) “We Are the People Our Parents Warned Us About” by Elaine Viets Riddles in the Sand (1984) “Who’s the Blonde Stranger?” by Robert J. Randisi Last Mango in Paris (1985) “Everybody’s on the Run” by Laura Oles Hot Water (1988) “Smart Woman (in a Real Short Skirt)” by Isabella Maldonado Off to See the Lizard (1989) “The Pascagoula Run” by Jeffery Hess Don’t Stop the Carnival (1998) “Public Relations” by Neil Plakcy Beach House on the Moon (1999) “Spending Money” by John M. Floyd Songs From St. Somewhere (2013) “Einstein Was a Surfer” by M.E. Browning

Crime Fiction Inspired by the Songs of Jimmy Buffett

The Great Filling Station Holdup

Carol Anne Davis

Art Taylor

Brendan DuBois

Amber Sparks

Sherry Harris

Donna Andrews

Matthew Iden

Barb Goffman

David Dean

Tara Laskowski

Greg Herren

Abby Bardi

Christine Poulson

Edith Maxwell

Ricki Thomas

Marilyn Todd

Mindy Quigley

Stacy Woodson

Kathryn O'Sullivan

Emily Hockaday

Adam Meyer

Alan S. Orloff

Jackie Sherbow

1/3 of the author royalties will be donated to the Brain Aneurysm Foundation in Joni Mitchell's name. **WINNER** 2021 Derringer Award for Best Short Story: Stacy Woodson for "River" **NOMINATED** 2021 Anthony Award for Best Anthology **NOMINATED** 2021 International Thriller Awards for Best Short Story: Elaine Viets for "Dog Eat Dog" **NOMINATED** 2021 Macavity Award for Best Short Story: Elaine Viets for "Dog Eat Dog" With nine Grammys, multiple lifetime achievement awards, inductions into the Rock and Roll Hall of Fame and the Canadian Songwriters Hall of Fame, and a Top Ten ranking on Rolling Stone’s “100 Greatest Songwriters of All Time,” Joni Mitchell has established herself as one of the most important singer/songwriters, not only of her generation, but in the history of popular music. In this collection, 28 crime writers pay tribute to Joni’s musical legacy with short stories inspired by her lyrics, representing each of her seventeen studio albums from 1968’s Song to a Seagull to 2007’s Shine. Many of the classics are represented here, including “Both Sides, Now” (in the first literary collaboration between Art Taylor and Tara Laskowski, who have each won major awards for their fiction), “Big Yellow Taxi” (by Kathryn O’Sullivan, author of the Colleen McCabe series), and “River” (by Stacy Woodson, winner of the 2019 Readers Choice Award from Ellery Queen’s Mystery Magazine), plus such equally fascinating titles as “Cold Blue Steel and Sweet Fire” (by Donna Andrews, author of the award-winning Meg Lanslow series), “The Dry Cleaner From Des Moines” (by Amber Sparks), and “Ray’s Dad’s Cadillac” (by Michael Bracken).

Crime Fiction Inspired by the Songs of Joni Mitchell

The Beat of Black Wings

Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.

Lost Visionary of the Cinema

Alice Guy Blaché

Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and sci-fi films over the last two decades, and demonstrates how his own work draws on a huge range of artistic influences: the films of George Melies, surrealism, installation art, computer games, and many more. The Films of Tim Burton is the most in-depth analysis so far of the work of this unusual filmmaker - a director who has shown repeatedly that it is possible to reject mainstream Hollywood contentions while maintaining critical popularrity and commercial success.

Animating Live Action in Contemporary Hollywood

The Films of Tim Burton

Alison McMahan

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