Amber Jacobs

Abducted from a land of wealth and privilege, Dae is chained to a slaver's caravan crossing the vast Jaharri desert. It is a strange world of blistering sun, rolling dunes, and wind-carved plains, ruled by the Scion Zafirah Al'Intisar, a powerful and mysteriouswoman with seductive eyes of sapphire blue. When Zafirah liberates the caravan the rescue Dae prayed for is not as it seems; Zafirah's carnal appetite is legendary. Dae is taken into Zafirah's harem, a decadent world of excess and sexual freedom.At first, Dae struggles with desires she has never before experienced, but as love and lust collidethese two women slowly forge a bond as one learns to listen to her heart, and the other to the call of her awakening body.

Nights of Silk and Sapphire

Rumors of a rare, legendary, white tiger lure acclaimed wildlife photographer Ashley Richards deep into the Indian jungle. There, she crosses paths with a ruthless poacher and Leandra, a mysterious, feral woman with a dark past, who seems at one with the fierce felines she protects. In this charged, exotic, lesbian romance, Ashley is caught up in danger, a deadly vendetta, and the clash of two starkly different worlds. It changes everything she knows.(2nd, revised edition)

Primal Touch

Ashley Richards, a successful wildlife photographer, accepts an assignment in the jungles of India. Rumors of a legendary white tiger lead her to extend her stay, and she crosses paths with a ruthless poacher. She is rescued by the feral and mysterious Leandra Thornton, only to be caught up in her deadly vendetta. Worlds collide, lives end and begin anew, in the pages of Primal Touch.

Professor Amber Jacobs

Despite advances in feminism, the "law of the father" remains the dominant model of Western psychological and cultural analysis, and the law of the mother continues to exist as an underdeveloped and marginal concept. In her radical rereading of the Greek myth, Oresteia, Amber Jacobs hopes to rectify the occlusion of the mother and reinforce her role as an active agent in the laws that determine and reinforce our cultural organization. According to Greek myth, Metis, Athena's mother, was Zeus's first wife. Zeus swallowed Metis to prevent her from bearing children who would overthrow him. Nevertheless, Metis bore Zeus a child-Athena-who sprang forth fully formed from his head. In Aeschylus's Oresteia, Athena's motherless status functions as a crucial justification for absolving Orestes of the crime of matricide. In his defense of Orestes, Zeus argues that the father is more important than the mother, using Athena's "motherless" birth as an example. Conducting a close reading of critical works on Aeschylus's text, Jacobs reveals that psychoanalytic theorists have unwittingly reproduced the denial of Metis in their own critiques. This repression, which can be found in the work of Sigmund Freud and Melanie Klein as well as in the work of more contemporary theorists such as André Green and Luce Irigaray, has resulted in both an incomplete analysis of Oresteia and an inability to account for the fantasies and unconscious processes that fall outside the oedipal/patricidal paradigm. By bringing the story of Athena's mother, Metis, to the forefront, Jacobs challenges the primacy of the Oedipus myth in Western culture and psychoanalysis and introduces a bold new theory of matricide and maternal law. She finds that the Metis myth exists in cryptic forms within Aeschylus's text, uncovering what she terms the "latent content of the Oresteian myth," and argues that the occlusion of the law of the mother is proof of the patriarchal structures underlying our contemporary social and psychic realities. Jacobs's work not only provides new insight into the Oresteian trilogy but also advances a postpatriarchal model of the symbolic order that has strong ramifications for psychoanalysis, feminism, and theories of representation, as well as for clinical practice and epistemology.

Amber Jacobs

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