Ami McKay

Those averse to magic need not apply... 1880 Witches Adelaide Thom and Eleanor St Clair have opened a tea shop in Manhattan specialising in cures, palmistry and potions. When an enchanting woman called Beatrice joins the witches as an apprentice, she soon proves indispensable, but her new life is marred by strange occurrences. She sees things no one else can see. She hears voices no one else can hear. Has she been touched by magic or is she simply losing her mind? Amidst the witches' tug-of-war over how best to nurture her gifts, Beatrice disappears. But was it by choice or by force? In a time when women were corseted, confined and committed for merely speaking their minds, is anyone really safe?

The Witches of New York

In 19th century New York, a destitute women sends her 12-year-old daughter, Moth, to become a live-in servant of a wealthy woman. To escape her employer's cruelty, Moth flees to the streets and finds herself in the Bowery, a place filled with thieves, beggars and pickpockets. Her only escape from this desperate situation may be to find shelter in a nearby brothel.

The Virgin Cure

Beloved author Ami McKay is back, bringing us a magical follow-up in the tradition of Victorian winter tales to her mesmerizing bestseller, The Witches of New York. During the nights between Christmas and New Year's, the witches of New York--Adelaide Thom, Eleanor St. Clair and the youngest, Beatrice Dunn--gather before the fire to tell ghost stories and perform traditional Yuletide divinations. (Did you know that roasting chestnuts was once used to foretell one's fate?) As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.

A Witches' Yuletide

Half Spent Was the Night

Weaving together family history, genetic discovery, and scenes from her life, Ami McKay tells the compelling, true-science story of her own family's unsettling legacy of hereditary cancer while exploring the challenges that come from carrying the mutation that not only killed many people you loved, but might also kill you. The story of Ami McKay's connection to a genetic disorder called Lynch syndrome begins over seventy years before she was born and long before scientists discovered DNA. In 1895 her great-great aunt, Pauline Gross, a seamstress in Ann Arbor, Michigan, confided to a pathology professor at the local university that she expected to die young, like so many others in her family. Rather than dismiss her fears, the pathologist chose to enlist Pauline in the careful tracking of those in her family tree who had died of cancer. Pauline's premonition proved true--she died at 46--but because of her efforts, her family (who the pathologist dubbed 'Family G') would become the longest and most detailed cancer genealogy ever studied in the world. A century after Pauline's confession, researchers would identify the genetic mutation responsible for the family's woes. Now known as Lynch syndrome, the genetic condition predisposes its carriers to several types of cancer, including colorectal, endometrial, ovarian and pancreatic. In 2001, as a young mother with two sons and a keen interest in survival, Ami McKay was among the first to be tested for Lynch syndrome. She had a feeling she'd test positive: her mother's side of the family was riddled with early deaths and her own mother was being treated for the disease. When the test proved her fears true, she began living in "an unsettling state between wellness and cancer," and she's been there ever since. Intimate, candid, and probing, her genetic memoir tells a fascinating story, teasing out the many ways to live with the hand you are dealt.

A Memoir of Cancer Genes, Love and Fate

Daughter of Family G

In 1895, Ami McKay's great-great aunt, a dressmaker named Pauline Gross, confided to a medical professor that she expected to die young, like many in her family before her. With her help, that doctor launched a family study that eventually led to the identification of the genetic mutation now known as Lynch syndrome, which predisposes its carriers to several types of cancer. In 2001, Ami was among the first to be tested for the syndrome. And now she's written the captivating story of how she, like her mother before her, learned to carry on with joy, with hope, and with a bold hunger for life in the face of an uncertain future.

A Memoir of Love and Fate

Before My Time

The Birth House is the story of Dora Rare, the first daughter to be born in five generations of Rares. As a child in an isolated village in Nova Scotia, she is drawn to Miss Babineau, an outspoken Acadian midwife with a gift for healing. Dora becomes Miss B.’s apprentice, and together they help the women of Scots Bay through infertility, difficult labours, breech births, unwanted pregnancies and even unfulfilling sex lives. Filled with details as compelling as they are surprising, The Birth House is an unforgettable tale of the struggles women have faced to have control of their own bodies and to keep the best parts of tradition alive in the world of modern medicine.

The Birth House

Birth House

Following in the footsteps of The Birth House, her powerful debut novel, The Virgin Cure secures Ami McKay's place as one of our most beguiling storytellers. (Not that it has to… that is pretty much taken care of!) "I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart." So begins The Virgin Cure, a novel set in the tenements of lower Manhattan in the year 1871. As a young child, Moth's father smiled, tipped his hat and walked away from his wife and daughter forever, and Moth has never stopped imagining that one day they may be reunited – despite knowing in her heart what he chose over them. Her hard mother is barely making a living with her fortune-telling, sometimes for well-heeled clients, yet Moth is all too aware of how she really pays the rent. Life would be so much better, Moth knows, if fortune had gone the other way - if only she'd had the luxury of a good family and some station in life. The young Moth spends her days wandering the streets of her own and better neighbourhoods, imagining what days are like for the wealthy women whose grand yet forbidding gardens she slips through when no one's looking. Yet every night Moth must return to the disease- and grief-ridden tenements she calls home. The summer Moth turns twelve, her mother puts a halt to her explorations by selling her boots to a local vendor, convinced that Moth was planning to run away. Wanting to make the most of her every asset, she also sells Moth to a wealthy woman as a servant, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, but also a locale frequented by New York's social elite. Their patronage supports the shadowy undersphere, where businesses can flourish if they truly understand the importance of wealth and social standing - and of keeping secrets. In that world Moth meets Miss Everett, the owner of a brothel simply known as an "infant school." There Moth finds the orderly solace she has always wanted, and begins to imagine herself embarking upon a new path. Yet salvation does not come without its price: Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. That's not the worst of the situation, though. In a time and place where mysterious illnesses ravage those who haven't been cautious, no matter their social station, diseased men yearn for a "virgin cure" - thinking that deflowering a "fresh maid" can heal the incurable and tainted. Through the friendship of Dr. Sadie, a female physician who works to help young women like her, Moth learns to question and observe the world around her. Moth's new friends are falling prey to fates both expected and forced upon them, yet she knows the law will not protect her, and that polite society ignores her. Still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.

—Vamos, señorita Fenwick —dijo la señora Wentworth y, tras cogerme de la mano, comenzamos a bajar la escalinata de la entrada. Eché la vista atrás y vi cómo el brazo de mi madre corría las cortinas de la ventana que daba a la calle y su figura pasaba a ser una silueta. Luego agachó el cuello y, tras apagar la vela, dejó la habitación a oscuras. Trece, pensaba yo que sería la edad a la que me iría de casa. Doce, pensó mi madre. Ésta es la historia de Moth, hija de una pitonisa y del hombre que le robó el corazón. Es también el puñado de monedas que podían comprar una vida en el Nueva York turbulento y bullicioso de finales del siglo XIX. Es un nombre en una caja de galletas. Es el prostíbulo de la señorita Everett, donde Ada, Alice, Rose y Mae juegan a ser mujeres. Es la doctora Sadie y la esperanza infinita. Es el Palacio de las Ilusiones, un circo de curiosidades donde una niña con un vestido esmeralda y unas alas blancas sueña su último sueño.

Antes del último sueño

Moth vive con su madre en uno de los barrios más pobres de Nueva York. Al cumplir los doce años es vendida como sirvienta, y al escapar de esta nueva vida, entra en contacto con los bajos fondos de la ciudad. Aprende a convivir con pícaros, ladronzuelos, mendigos y prostitutas, pero también con los ricos que visitan en secreto el prostíbulo clandestino de Miss Everett, un local exclusivo en el que se ofrece a chicas jóvenes y vírgenes, como Moth, como el bien más preciado. A pesar de las duras condiciones, este nuevo mundo de lujo, le permite a Moth soñar con una nueva vida, una nueva oportunidad.

Ami McKay

About

Books

Join the club