Reema Sarwal

Amit Sarwal

The chapters presented in this Reader, drawing on recent works, explore and analyse dynamic subject matter such as family, moral values, cultural hybridity, Asian-Australian dialogues, gender and racial stereotypes, the representations of Australianness, Indigenous Australia, imagery and motifs, the variety of Australian national symbols, mythology, traditions, representation or development of outback or suburban and metropolitan spaces in Australian cinema and culture. For a better understanding of the breadth and depth of Australia and its culture, the papers selected in this book also examine the exhibition of the Australian artist's aesthetic experimentation in the various faces of the Australian film industry, and the development and evolution of Australian film theory as part of the institutions of film studies and scholarly practices, using historical, archaeological and textual approaches for a wide variety of primary sources to discuss the trends of cinema and cultural consumption in Australia. In the area of purview, here, are not just commercial Australian films but also developments in new media, shorts, digital, art and documentary cinema in the broad context of globalization and international co-production.

Australian Cinema and Cultural Studies Reader

Creative Nation

Parichay Patra

Vikrant Kishore

This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.

Representations and interpretations

Salaam Bollywood

The Celestial Dancers: Manipuri Dance on Australian Stage charts the momentous journey of the popularization of Manipur’s Hindu dances in Australia. Tradition has it that the people of Manipur, a northeastern state of India, are descended from the celestial gandharvas, dance and music blessed among them as a God’s gift. The intricately symbolic Hindu dances of Manipur in their original religious forms were virtually unseen and unknown outside India until an Australian impresario, Louise Lightfoot, brought them to the stage in the 1950s. Her experimental changes through a pioneering collaboration with dancers Rajkumar Priyagopal Singh and Ibetombi Devi modernized Manipuri dance for presentation on a global stage. This partnership moved Manipur’s Hindu dances from the sphere of ritualistic temple practice to a formalized stage art abroad. Amit Sarwal chronicles how this movement, as in the case of other prominent Indian classical dances and dancers, enabled both Manipuri dance and dancers to gain recognition worldwide. This book is ideal for anyone with an interest in Hindu temple dance, Manipur dance, cross-cultural collaborations and the globalizing of Indian Classical Dance. The Celestial Dancers is a comprehensive study of how an exceptional Hindu dance form developed on the global stage.

Manipuri Dance on Australian Stage

The Celestial Dancers

The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

Staging Hindu Dance in Australia

The Dancing God

The Englishness of English literature had been expressed in Chaucer, Shakespeare, Wordsworth and Sir Walter Scott, those writers whose works seemed best to embody the spirit of the place or the spirit of its folk. In what writers or works would the Australianness of Australian literature be discovered? (David Carter 1997)--------This first literary Reader on Australian studies from India not only investigates this central question but explores many other facets of Australian literature and especially Australian cross-cultural relationships with India and Asia. Taking a broad view of what Australian literature is, this Reader explores the dimensions of Australian literature (national, Aboriginal, multicultural, ecocritical, postcolonial, modernist, comparative, feminist, and popular) in its varied genres of drama, poetry, autobiography, explorers' journals, short stories, literature of war, travel writing, Anglo-Indian fiction, diasporic writing, mainstream novel, nature writing, children's literature, romance, science fiction, gothic literature, horror, crime fiction, queer writing, and humour. Each paper in this Reader presents different ways of "reading down under" and "performing Australianness." Juxtaposing the varied critical perspectives of nearly 60 critics this Reader hopes to create a constructive dialogue in the fight against the dominance of an Anglo-American academic approach.

Australian Literary Studies Reader

Reading Down Under

Toni Johnson-Woods

Australian genre fiction writers have successfully exploited the Australian landscape and peoples and as a result their books are today “sold by the millions” across boundaries. They have created stories that are imaginative, visionary, and diverse. They appeal to local and international readerships and, most importantly, are thoroughly entertaining, thus making them a strong presence in the popular fiction bazaar. Sold by the Millions: Australia’s Bestsellers is the first collection to concentrate on Australia’s best-selling material that forms the armchair reading of many Australians. Leading experts of popular fiction provide introspective pieces on Romance, Horror, Crime, Science Fiction, Western, Comics, Travel, Sports and Children’s writing so that a wholesome picture emerges of the wide range of reading and research options available for scholars.

Amit Sarwal

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