Richard Ingleby

Amy Murray

Florence Ingleby

Andrew Cranston once described himself as a storyteller of sorts, though without a clear story to tell. He draws on a variety of sources including personal recollections – family histories; his circuitous route to art school via an initial, unsuccessful, foray into carpentry; and his 25-year association as both student and lecturer at Gray's School of Art in Aberdeen. Interwoven with passages culled from literature, anecdotes, jokes, and images from cinema these elements combine to make his idiosyncratic, intimate, and often dream-like, paintings. But the dream had no sound is the largest exhibition of Andrew Cranston’s work to date. It is accompanied by a 164pp publication, available for purchase, featuring an interview between the artist and his friend and colleague, painter Peter Doig. The book also includes over 60 illustrations - each with notes written by the artist - revealing the thoughts and associations that emerge in the process of making a painting.--Ingleby Gallery website.

But the Dream Had No Sound

Andrew Cranston

I'm not crazy. My mother may have died with everyone believing she was insane, but I refuse to accept that as my fate. Even if I am recalling memories about a life I never lived. A life that includes the mysterious James—a guy I've only just met, but feel as if I've known all my life. The memories are coming hard and fast, and I'm falling down a rabbit hole with consequences that far exceed anything I could have ever imagined. And now, someone is trying to kill me. Someone from my past who knows about my visions and is looking for something he believes I took from him. All I have to do is figure out how these memories relate to the present and maybe I'll survive to live another day. Maybe...

Amy Murray

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