Amy Rushton

Grounded in world-systemic analysis, this book revisits the literary and social implications of ‘tragedy’ in relation to global narratives about Africa and within fiction by writers from the continent. It argues that working through the full complexity of ‘tragedy’ helps to identify and challenge plots that depict Africa as reaching a tragic impasse. Instead, reconsidering tragedy allows for further, related interventions including the implications of narratives of development, the argument for formally engaging with literary texts that present challenging material, reformulations of African political and cultural agency, and the possibilities to be found in utopian thinking. It claims that contemporary fiction helps to scrutinise the familiar big picture of Africa and create space for discussions about wider political and historical commonalities between the continent and the rest of the world. As such, the novels discussed in this study are not simply ‘about’ Africa: these fictionalnarratives position Africa as a central actor within the global history of late capitalism.

Development, Neoliberalism and Contemporary Fiction

Re-Reading Tragic Africa

Brian Rushton

Kevin Rushton

Dana Rushton

[Co-authored with Amy, Kevin, and Dana Rushton] You know how there are a zillion Christmas movies, books, and TV specials with titles like “The Christmas” plus something else? It occurred to the authors that the formulas used in these stories could probably be applied – or shattered – using just about any noun in a title like that. So we came up with a new tradition. The rules are simple: 1. Open a Christmas book and point to a random spot on a random page. 2. Scan along the text until you come to a noun. 3. Write that story.

Amy Rushton

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