Amanda Reeser Lawrence

Ana Miljački

This collection of critical essays focuses on how material is transformed, revised, swallowed whole, plagiarized or in any other way appropriated in order to address pressing and timely questions regarding architectural influence. It charts new territory within this still unexplored yet highly topical area of study by establishing a shared vocabulary with which to discuss, or contest, the workings of influence as a vital and progressive aspect of architectural discourse. Written by a group of rising scholars in the field of architectural history and criticism, the essays cover a range of architectural subjects but they are linked in their investigations of how architects engage with their predecessors, and in what ways we can productively begin to analyse the workings of influence.

Essays on Architectural Influence

Terms of Appropriation

Jacob Reidel

Ashley Schafer

Eva Franch i Gilabert

Carlos Mínguez Carrasco

'The OfficeUS Manual' is a guide to day-to-day architectural practice that documents and interrogates the protocols and procedures of architecture offices over the last hundred years. Thoroughly insightful, often humorous, and sometimes stupefying, the Manual combines historical material from large firms and small studios with contemporary reflections by more than 50 architects, artists, and writers concerned with the needs and desires of professional architecture practice today. OFFICEUS, the pavilion for the 2014 International Architecture Exhibition-La Biennale di Venezia, was curated by Eva Franch i Gilabert, Ana Miljacki and Ashley Schafer. The producers were Storefront for Art and Architecture, PRAXIS journal, students from MIT's Department of Architecture and the Knowlton School at The Ohio State University, Leong Leong, Pentagram: Natasha Jen, CASE, Lars Muller, Architizer, and CLOG. 140 illustrations

Manual

OfficeUS

Ana Miljački

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