Lewis Hetherington

Hannah Barker

Analogue,

A man wakes, face down, sprawled across his single bed, the sunlight gently creeping through the window. Today is the day he will change his life. A Boeing 777 begins its descent towards Heathrow. The wheels unfold out of the belly of the plane. The frozen body of a stowaway is tipped out and cuts through the clear morning sky In the car park of B&Q, Andy looks up. Something is falling out of the sky. A man crash-lands on the ground in front of him. Stowaway is the story of a man from India who moves to the UAE for the promise of work and prosperity. When he finds himself trapped within a Dubai labour camp, with his passport and wages withheld from him, he hides in the wheel well of a plane bound for the UK, in a bid for a better life. It’s a story about invisible and physical borders and the people who transcend them. But what are the rules of telling someone else’s story when they come from a world so very different from our own; where telling their story could act to perpetuate an unresolved history of imperialism? With the skeleton of a plane cutting across the stage, Stowaway flies back and forth through time and place, looking at storytelling as a political act.

Stowaway

Liam Jarvis

2011 Fringe First Award Winner "Henry, are you awake?” Henry lives each day like the last. Exactly like the last. Every day, he tries to make sense of the world around him; the girl sitting on the lawn outside his window, the pages of a book filled with the same sentence, the 80 year old man looking at him in the mirror. In 2009 Patient H.M.’s brain is dissected live on the internet to a global audience of 400,000 people, cut into carefully preserved slices: manuscripts of tissue like the pages of a book. In 1953 Henry Molaison emerges from experimental brain surgery without any recollection of the last two years of his life or the ability to form new memories. In 1935 nine-year old Henry is knocked over by a bike, leaving him unconscious for five minutes. Following Analogue's critically acclaimed Mile End and Beachy Head and inspired by the world’s most important neuroscientific case-study, 2401 Objects tells the remarkable story of a man who could no longer remember, but who has proven impossible to forget.

Analogue,

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