Anandam P. Kavoori

Aswin Punathambekar

Table of contents: The Bollywoodization of the Indian cinema: cultural nationalism in a global arena / Ashish Rajadhyaksha -- Surviving Bollywood / M. Madhava Prasad -- Mumbai versus Bollywood: the Hindi film industry and the politics of cultural heritage in contemporary India / Tejaswini Ganti -- Hollywood, Bollywood, Tollywood: redefining the global in Indian cinema / Shanti Kumar -- The globalization of Bollywood-the hype and hope / Daya Kishan Thussu -- Our violence, their violence: exploring the emotional and relational matrix of terrorist cinema / Vamsee Juluri -- Exoticized, marginalized, demonized: the Muslim other in Indian cinema / Kalyani Chadha and Anandam P. Kavoori -- The mirror has many faces: the politics of male same-sex desire in BOMgAY and Gulabi Aaina / Parmesh Shahani -- Bring back the old films, our culture is in disrepute: Hindi film and the construction of femininity in Guyana / Atticus Narain -- From villain to traditional housewife!: the politics of globalization and women's sexuality in the new Indian media / Padma Govindan and Bisakha Dutta -- Songs from the heart: musical coding, emotional sentiment, and transnational Sonic identity in India's popular film music / Natalie Sarazzin -- Deewar/Wall (1975)-fact, fiction, and the making of a superstar / Jyotika Virdi -- The Indian film magazine, Stardust / Rachel Dwyer -- Bollyweb: search for Bollywood on the web and see what happens! / Ananda Mitra -- We're online, not on the streets: Indian cinema, new media, and participatory culture / Aswin Punathambekar -- Afterword: fast-forwarding into the future, haunted by the past: Bollywood today / Arvind Rajagopal.

Global Bollywood

Abbas Malek

Seeks to fill a considerable gap in the literature on international communication and transnational media studies.

Studies in International News Coverage and News Agenda

The Global Dynamics of News

Digital Media Criticism is an introductory text about media criticism - the act of interpreting and making sense of a range of new media texts that we use (and create) on a daily basis - offering a critical language and a methodological template for interrogating and analyzing the complex texts of digital media. Individual chapters connect key methods of media criticism - genre, auteur, cultural/ideological, and ethnographic - with digital culture. Case studies of social media, user generated content, cell phones, and video games are provided, which include everything from downloading ring tones and making new (Facebook) friends, to creating an avatar, texting, and opening a window on RL (real-life). Insightful and accessible, the book looks at the possibilities and limits of the digital age for us - as creators, consumers, and distributors of content. It will be useful to undergraduates studying media criticism, digital culture and communication, and media literacy, and is written to invite them into a conversation about the culture of the digital age.

Digital Media Criticism

The Logics of Globalization provides students and scholars of international communication a critical language through which to interrogate the flow of global media culture. Drawing on transnational cultural studies, the book offers analysis of popular culture—focusing on film, video games, music, sports, cell phones, and performance.

Studies in International Communication

The Logics of Globalization

Noah Arceneaux

Portable phones are now miniature multi-media centers that can fit neatly in one's pocket, and media industries of all types are adapting content for these new platforms, or innovating entirely new forms. In the light of this explosive growth, this diverse collection of essays establishes conceptual, critical frameworks for evaluating the latest transformations of the media landscape. Some essays provide historical context, exploring older phenomena, while others unpack the behind-the-scenes-negotiations that determine what kinds of services are available to consumers of the latest technology. This book is a comprehensive road map, enabling examination of the social, cultural, and commercial implications of media that are available anywhere at any time. -- from Back Cover.

Thomas Whitfield Baldwin

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