Ander Monson

An exuberant, expansive cataloging of the intimate physical relationship between a reader and a book A way to leave a trace of us, who we were or wanted to be, what we read and could imagine, what we did and what we left for you. Readers of physical books leave traces: marginalia, slips of paper, fingerprints, highlighting, inscriptions. All books have histories, and libraries are not just collections of books and databases but a medium of long-distance communication with other writers and readers. Letter to a Future Lover collects several dozen brief pieces written in response to library ephemera--with "library" defined broadly, ranging from university institutions to friends' shelves, from a seed library to a KGB prison library--and addressed to readers past, present, and future. Through these witty, idiosyncratic essays, Ander Monson reflects on the human need to catalog, preserve, and annotate; the private and public pleasures of reading; the nature of libraries; and how the self can be formed through reading and writing.

Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries

Letter to a Future Lover

A Memoir

Predator

A moving and wide-ranging collection of essays by the author of Letter to a Future Lover The idea of connection permeates I Will Take the Answer, Ander Monson’s fourth book of utterly original and intelligent essays. How is our present connected to our past and future? How do neural connections form memories, and why do we recall them when we do? And how do we connect with one another in meaningful ways across time and space? In the opening essay, which extends across the book in brief subsequent pieces, a trip through a storm sewer in Tucson inspires Monson to trace the city’s relationship to Jared Lee Loughner, the gunman who shot Gabrielle Giffords and killed six bystanders, along with how violence is produced and how we grieve and honor the dead. With the formally inventive “I in River,” he ruminates on water in a waterless city and the structures we use to attempt to contain and control it. Monson also visits the exuberantly nerdy kingdom of a Renaissance Faire, and elaborates on the enduring appeal of sad songs through the lens of March Sadness, an online competition that he cofounded, an engaging riff on the NCAA basketball tournament brackets in which sad songs replace teams. As personal and idiosyncratic as the best mixtape, I Will Take the Answer showcases Monson’s deep thinking and broad-ranging interests, his sly wit, his soft spot for heavy metal, and his ability to tunnel deeply into the odd and revealing, sometimes subterranean, worlds of American life.

Essays

I Will Take the Answer

An adventurous exploration of the "I" in American culture, by the author of Neck Deep and Other Predicaments Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. In contemporary America, land of tell-all memoirs and endless reality television, what kind of person denies the opportunity to present himself in his own voice, to lead with “I”? How many layers of a life can be peeled back before the self vanishes? In this provocative, witty series of meditations, Ander Monson faces down the idea of memoir, grappling with the lure of selfinterest and self-presentation. While setting out to describe the experience of serving as head juror at the trial of Michael Antwone Jordan, he can’t help veering off into an examination of his own transgressions, inadvertent and otherwise. He scrutinizes his private experience of the public funeral ceremony for Gerald R. Ford. He considers his addiction to chemically concocted Doritos and disappointment in the plain, natural corn chip, and finds that the manufactured, considered form, at least in snacks, is ultimately a more rewarding experience than the “truth.” So why is America so crazy about accurately confessional memoirs? With Vanishing Point, Monson delivers on the promise shown in Neck Deep, which introduced his winning voice and ability to redefine the essay and “puts most memoirs to shame” (Time Out Chicago).

Not a Memoir

Vanishing Point

In an ecclectic compilation of essays, the author of Other Electricities utilizes unexpectedly nonliterary forms to explore such diverse topics as the history of mining in northern Michigan, disc golf, topology, car washes, snow, and more. Original.

Neck Deep and Other Predicaments

Through an unsettling, almost crazed gestalt of sketches, short stories, lists, indices, and radio schematics, Ander Monson presents a world where weather, landscape, radio waves, and electricity are influential characters in themselves, affecting an entire community held together by the memories of those they have lost. Other Electricities charts a new and strange direction in American fiction.

Stories

Other Electricities

An unsettling, wildly imaginative collection of stories The Gnome Stories focuses on characters who are loners in the truest sense; who are in the process of recovering from mental, physical, or emotional trauma; and who find solace—or at least a sense of purpose—in peculiar jobs and pursuits. A man whose wife has left him is robbed, so he decides to start doing his own breaking and entering, into his neighbors’ homes. When another man’s girlfriend is cryogenically frozen by her family after a car accident, he becomes a maintenance worker at the cryogenic facility, eavesdropping on visitors as they whisper secrets to their frozen loved ones. A woman serves as an assistant to the Starvationist, whose methods to help clients lose large amounts of weight are unorthodox, sadistic—and utterly failproof. Another woman and her robot assistant have been hired to tinker with the troubling memories inside a celebrity’s brain. With The Gnome Stories, Ander Monson presents eleven unforgettable stories about oddly American situations: as surreal as an urban legend and at the same time perfectly mundane.

Ander Monson

About

Books

Join the club