Joseph H. Berke

Stella Pierides

Andrea Sabbadini

Stanley Schneider

'Even paranoids have enemies' is the reply Golda Meir is said to have made to Henry Kissinger who, during the 1973 Sinai talks, accused her of being paranoid for hesitating to grant further concessions to the Arabs. It is used as part of the title of this book to highlight the complex relationship between paranoia and persecution.The politics of the Middle East, the pressures within Japanese society, the dynamics of the drug scene, racism, and the effects of mechanical thinking in institutions and cultures all serve to illustrate in this book the intimate connections between paranoia and persecution. Contributors examine the ways in which paranoia and persecution are experienced at the individual, institutional and macrosocial level. They draw on theoretical perspectives from a range of disciplines in an exploration of both the psychological impact of paranoid processes and the extent to which these processes are rooted in political and cultural exigency.

New Perspectives on Paranoia and Persecution

Even Paranoids Have Enemies

The experience of watching films – entertaining, moving, instructive, frightening or exciting as they may be – can be enriched by the opportunity to reflect upon them from unconventional perspectives.Psychoanalytic Reflections on Film: Moving Images offers its readers in an accessible language one such viewpoint, informed by Andrea Sabbadini's psychoanalytic insights and therapeutic experience. Using a psychoanalytic interpretative approach, some twenty-five important feature films are discussed as the artistic vehicles of new, unsuspected meanings. The first chapter looks at films which represent psychoanalytic work itself, having therapists and their patients as their main characters. The remaining five chapters cover movies on themes of central concern to analytic theorists and clinicians, such as childhood and adolescent development, and varieties of intimate relationships among adults. The latter include romantic love and its disturbing association to death fantasies; eroticism and prostitution; and voyeuristic desire – a significant phenomenon in this context given its parallels with the activity of watching films. Andrea Sabbadini's psychoanalytic approach, which explores the part played by unconscious factors in shaping the personality and behaviour of film characters, is used to interpret their internal world and the emotional conflicts engendered by the vicissitudes they live through. The book is completed by a filmography and biographical notes on film directors. Psychoanalytic Reflections on Film presents the relationship between cinema and psychoanalysis as a complex one. These two most different of cultural phenomena are shown to share a wish on the part of their practitioners to uncover profound truths about the human condition, and to provide a language with which to describe them. Going beyond futile ‘psycho-historical’ attempts to analyse filmmakers through their products, or a superficial application of psychoanalytic concepts to film, Sabbadini shows how both cinema and psychoanalysis can benefit from a meaningful interdisciplinary dialogue between them. The book will be of special interest to practicing psychoanalysts and students, scholars and historians of film studies.

Psychoanalytic reflections on film

Moving Images

Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as: Establishment and resolution of Oedipal conflicts Representation of pathological characters on the screen Use of unconscious defence mechanisms The interplay of dreams, reality and fantasy Projected Shadows aims to deepen the ongoing constructive dialogue between psychoanalysis and film. Andrea Sabbadini has assembled a remarkable number of internationally renowned contributors, both academic film scholars and psychoanalysts from a variety of cultural backgrounds, who use an array of contemporary methodologies to apply psychoanalytic thinking to film. This original collection will appeal to anyone passionate about film, as well as professionals, academics and students interested in the relationship between psychoanalysis and the arts.

Psychoanalytic Reflections on the Representation of Loss in European Cinema

Projected Shadows

'Even paranoids have enemies' is the reply Golda Meir is said to have made to Henry Kissinger who, during the 1973 Sinai talks, accused her of being paranoid for hesitating to grant further concessions to the Arabs. It is used as part of the title of this book to highlight the complex relationship between paranoia and persecution. The politics of the Middle East, the pressures within Japanese society, the dynamics of the drug scene, racism, and the effects of mechanical thinking in institutions and cultures all serve to illustrate in this book the intimate connections between paranoia and persecution. Contributors examine the ways in which paranoia and persecution are experienced at the individual, institutional and macrosocial level. They draw on theoretical perspectives from a range of disciplines in an exploration of both the psychological impact of paranoid processes and the extent to which these processes are rooted in political and cultural exigency.

Andrea Sabbadini

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