Andrew Berardini

Colors

Tamara Luuk

Estonian multimedia artist Kris Lemsalu's feminist-themed installation for the 58th Venice Biennale Estonian artist Kris Lemsalu (born 1985) is known for her installations, mixed-media sculptures and performances underscored by feminist themes. This book offers an overview, focusing in particular on Lemsalu's largest project Birth V: Hi and Bye, produced for the Estonian Pavilion at the 58th Venice Biennale.

Kris Lemsalu: Birth V: Hi and Bye

Chris Sharp

This is the book accompanying the second iteration of the Lulennial, a biennial exhibition mired in paradox, taking place not every two year, and occupying in total 21 square meters of space, at Lulu, in Mexico City. The twenty-two artists were invited to show work that touched one subject matter: fruit. Fruit seems to almost always bring out the comedian in artists, but just as often the alleged humor is a vehicle for serious feelings. With Yuji Agematsu, Kelly Akashi, Deyra Akay, Nina Beier, Luis Miguel Bendaña, Meriem Bennani, Matthew Brannon, Donna Conlon & Jonathan Harker, Jef Geys, Rodrigo Hernandez, Allison Katz, Adriana Lara, Nancy Lupo, Nevine Mahmoud, Aliza Nisenbaum, Naufus Ramírez-Figueroa, Shimabuku, Peter Shire, Gabriel Sierra, Erika Verzutti, Amelie von Wulffen, Maja Vukoje.00Exhibition: Lulu, Mexico City, Mexico (6.2. - 1.4.2018).

The Lulennial II: A Low-Hanging Fruit. Ediz. illustrata

"'A relic is what remains, what's left over.' In this memoir once-removed, Andrew Berardini journeys into the heart of the work of Danh Vo to discover how historical forces find form in our individual lives. Inspired by an exhibition never seen in Mexico City, Berardini's deeply personal investigation of Vo's work weaves one story into the other and finds along the way the clash and mesh of civilizations, a sexy Statue of Liberty, the head of a decapitated martyr, the collapse of the American labor movement, John Keats' tombstone, the holy trinity in a license plate, the ravages of war, a battered encyclopedia, a terrorist's typewriter, the history of saints in a boy's wing. In Relics, Berardini explores through Vo's work how art and poetry gives utterance to history's shadows on our lives; and through it, to make our own stories. This is the second volume of 'Air Mexico,' a literary series investigating art exhibitions initiated by Mousse and commissioned by kurimanzutto"--Provided by publisher.

Andrew Berardini

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