Andrew Edgar

An independently minded champion of ‘the project of modernity’ in a supposedly post-modern age, Jurgen Habermas (1929- ) is one of the most widely influential thinkers of our times. An easy-to-use A-Z guide to a body of work that spans philosophy, sociology, politics, law and cultural theory, Habermas: The Key Concepts explores Habermas’ writings on: capitalism genetics law neo-conservatism universal pragmatics. Fully cross-referenced with extensive suggestions for further reading, this is an essential reference guide to one of the most important social theorists of the last century.

Habermas: The Key Concepts

Peter Sedgwick

Now in its second edition, Cultural Theory: The Key Concepts is an up-to-date and comprehensive survey of over 350 of the key terms central to cultural theory today. This second edition includes new entries on: colonialism cybercultur globalisation terrorism visual studies. Providing clear and succinct introductions to a wide range of subjects, from feminism to postmodernism, Cultural Theory: The Key Concepts continues to be an essential resource for students of literature, sociology, philosophy and media and anyone wrestling with contemporary cultural theory.

Cultural Theory: The Key Concepts

A Plain Account for Plain People of the Principal Versions of the Bible in English

The Bibles of England

Lecturer in Philosophy in the School of English Studies Andrew Edgar

Grampian Club

Charles Rogers

Genealogical Collections Concerning the Scottish House of Edgar

An up-to-date and comprehensive survey of over 350 of the key terms encountered in cultural theory today, each entry provides clear and succinct explanations for students in a wide range of disciplines.

Key Concepts in Cultural Theory

Sport and Art explores relationship of sport to art. It does not argue that sport is one of the arts, but rather that sport and art hold common ground. Both are ways in which humans confront philosophical challenges, though they do this through very different media. While art deploys sensual media such as paint or sound, sport is the pursuit of a physical challenge at which the athlete may fail. This is to propose, in an argument that has its roots in Hegel’s aesthetics, that sport may be interpreted as a way of reflecting upon metaphysical and normative issues, such as the nature of human freedom, fate and chance, and even our sense of space and time. This argument is developed by proposing the concept of a ‘sportworld’, an ‘atmosphere of theory’ and a ‘knowledge of history’ through which an event is interpreted and thereby constituted as sport. Ultimately, Sport and Art argues that in order to be truly appreciated, sport must be understood within a modernist aesthetics. That is to say that sport is not about beauty, but rather about the struggle to find meaning in sporting triumph and crucially sporting failure. This book was published as a special issue of Sport, Ethics and Philosophy.

Andrew Edgar

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