Andrew Hunter

Every. Now. Then: Rethinking Nationhood embraces the fundamental belief that Canada is a dynamic work-in-progress that has, is, and will continue to be defined by movements and migrations across shifting terrain and within a variable, often unstable, environment. As cultural space, political state, ecosystem, and geography, the space of Canada (even over its short history) has been a place of shifting borders and boundaries; a place constantly being reimagined and redefined. Every. Now. Then. starts from the position that the land known as Canada is Indigenous territory. It emphasizes Indigenous perspectives along with Black viewpoints and a diversity of voices offering distinct approaches to history, time, and narrative. It includes reproductions of extraordinary works by more than two dozen talented artists as well as writings by Quill Christie-Peters, Rachelle Dickenson, Anique Jordan, Srimoyee Mitra, Charmaine A. Nelson, and Rosie Spooner that consider a past we cannot lose, of a present we must comprehend, and of a future to which we must be accountable.

Reframing Nationhood

Every. Now. Then

Kamloops Art Gallery

Xiong Gu

Yellow River/blue Culture

Gu Xiong

They said it couldn't be done. Port Adelaide's rivals called it a 'sideshow'. Yet within five years, Port Adelaide had attracted major sponsors from China, played three in-season AFL matches in Shanghai, and featured in a series of significant moments in the Australia-China relationship. This is the inside story. It was not easy. Port Adelaide's engagement with China coincided with a period in which on-field performance fell below expectation, as well as a rapid deterioration in the Australia-China relationship. It took leadership, creativity, and resilience to see the job through. Port Adelaide's China Engagement guru Andrew Hunter tells the story with its challenges and joys, disappointments and triumphs. PAFC captain Tom Jonas, journalist Michelangelo Rucci, and cheersquad leader Ian Wilson contribute their tales of the long journey from Port Adelaide to Shanghai.

Taking Australia's Game to the World

Port Adelaide to Shanghai

In the 25 years since the last edition of Thornton and Tully’s Scientific Books, Libraries and Collectors was published, scientific publishing has mushroomed, developed new forms, and the academic discipline and popular appreciation of the history of science have grown apace. This fourth edition discusses these changes and ponders the implications of developments in publishing at the end of the twentieth century, while concentrating its gaze upon the dissemination of scientific ideas and knowledge from Antiquity to the industrial age. In this shift of focus it departs from previous editions, and for the first time a chapter on Islamic science is included. Recurrent themes in several of the ten essays in the present volume are the definition of ’science’ itself, and its transmutation by publishing media and the social context. Two essays on the collecting of scientific books provide a counterpoint, and the book is grounded on a rigorous chapter on bibliographies. The timely publication of Scientific Books, Libraries and Collectors comes at the coincidence of the advent of electronic publishing and the millennium, a dramatic moment at which to take stock.

A Study of Bibliography and the Book Trade in Relation to the History of Science

Thornton and Tully's Scientific Books, Libraries and Collectors

Steve Martin

Karen Quinn

Cynthia Burlingham

This generously illustrated book examines the most significant period in the work of Lawren Harris, who was central to defining a distinctive Canadian art in the 20th century. Sparse landscapes of Lake Superior's northern shores, bold visions of the Rocky Mountains and haunting landscapes from the Eastern Arctic are hallmark themes of Lawren Harris's paintings. He was a founding member of the renowned "Group of Seven" artists' group, who believed that the Canadian landscape was central to the foundation of a national identity. Focusing on Harris's most important work of the 1920s through the early 1930s, this monograph features a selection of major works that are as iconic in Canada as those of Georgia O'Keeffe and Edward Hopper in the U.S. His remarkable use of color, light, and composition resulted in powerful scenes that reflect his progress toward a universal vision of nature's spiritual power. Drawn from the Art Gallery of Ontario's substantial holdings as well as other public collections throughout Canada, this publication repositions Harris's work and establishes him as major figure within the wider context of 20th-century modern painting in the Americas.

The Paintings of Lawren Harris

The Idea of North

Creatine and Creatinine

Andrew Hunter

About

Books

Join the club