Andrew James Hartley

Darwen Arkwright’s world is turned upside down when he is forced to move from a small English town to Atlanta in the United States of America. Feeling out of place and struggling to fit in at school, Darwen seeks solace in a mysterious shop full of mirrors. It’s there that he discovers the ability to step through mirrors into different worlds – worlds beyond his wildest imagination. Darwen befriends creatures including Moth, a tiny being with mechanical wings, but he soon learns that there is a terrible darkness threatening this new world . . . and only he can save it.The problem with doors is that they open both ways. There are monsters inside, and some of them are trying to get out.

Monsters in the Mirror

Embarking on a rescue mission deep in Silbrica when Mr. Peregrine is kidnapped, Darwen, Rich and Alexandra discover a replica of Hillside Academy before learning the harrowing truth about what they have been told.

Darwen Arkwright and the School of Shadows

Peter Holland

From fantasy and sci-fi to graphic novels, from boy scouts to board games, from blockbuster films to the cult of theatre, Shakespeare is everywhere in popular culture. Where there is popular culture there are fans and nerds and geeks. The essays in this collection on Shakespeare and Geek Culture take an innovative approach to the study of Shakespeare's cultural presences, situating his works, his image and his brand to locate and explore the nature of that geekiness that, the authors argue, is a vital but unrecognized feature of the world of those who enjoy and are obsessed by Shakespeare, whether they are scholars, film fans, theatre-goers or members of legions of other groupings in which Shakespeare plays his part. Working at the intersections of a wide range of fields – including fan studies and film analysis, cultural studies and fantasy/sci-fi theory – the authors demonstrate how the particularities of the connection between Shakespeare and geek culture generate new insights into the plays, poems and their larger cultural legacy in the 21st century.

Shakespeare and Geek Culture

This book analyses the ways contemporary fiction writers draw on Shakespeare - the man, his work and his cultural legacy.

Shakespeare and Millennial Fiction

From fantasy and sci-fi to graphic novels, from boy scouts to board games, from blockbuster films to the cult of theatre, Shakespeare is everywhere in popular culture. Where there is popular culture there are fans and nerds and geeks. The essays in this collection on Shakespeare and Geek Culture take an innovative approach to the study of Shakespeare's cultural presences, situating his works, his image and his brand to locate and explore the nature of that geekiness that, the authors argue, is a vital but unrecognized feature of the world of those who enjoy and are obsessed by Shakespeare, whether they are scholars, film fans, theatre-goers or members of legions of other groupings in which Shakespeare plays his part. Working at the intersections of a wide range of fields ? including fan studies and film analysis, cultural studies and fantasy/sci-fi theory – the authors demonstrate how the particularities of the connection between Shakespeare and geek culture generate new insights into the plays, poems and their larger cultural legacy in the 21st century.

A SECRET ROOM ... in an obscure museum has become the final resting place of its director, whoe dead body lies surrounded by an astonishing collection of Greek antiquities - a treasure once looted by the Nazis. THE FACE OF DEATH ... a priceless Mycenaean death mask has vanished, along with the bones of a legendary hero. AN UNHOLY GRAIL OF EXTRAORDINARY POWER ... the theft draws museum curator Deborah Miller into a terrifying web of murder, mystery and devastating retribution by those whose dreams of glory remain undefeated ...

The Mask of Atreus

From fantasy and sci-fi to graphic novels, from boy scouts to board games, from blockbuster films to the cult of theatre, Shakespeare is everywhere in popular culture. Where there is popular culture there are fans and nerds and geeks. The essays in this collection on Shakespeare and Geek Culture take an innovative approach to the study of Shakespeare's cultural presences, situating his works, his image and his brand to locate and explore the nature of that geekiness that, the authors argue, is a vital but unrecognized feature of the world of those who enjoy and are obsessed by Shakespeare, whether they are scholars, film fans, theatre-goers or members of legions of other groupings in which Shakespeare plays his part. Working at the intersections of a wide range of fields - including fan studies and film analysis, cultural studies and fantasy/sci-fi theory - the authors demonstrate how the particularities of the connection between Shakespeare and geek culture generate new insights into the plays, poems and their larger cultural legacy in the 21st century.

Andrew James Hartley

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