Andrew Murphy

A Concise Companion to Shakespeare and the Text introduces the early editions, editing practices, and publishing history of Shakespeare’s plays and poems, and examines their influence on bibliographic studies as a whole. The first single-volume book to provide an accessible and authoritative introduction to Shakespearean bibliographic studies Includes a helpful introduction, notes on Shakespeare’s texts, and a useful bibliography Contributors represent both leading and emerging scholars in the field Represents an unparalleled resource for both students and faculty

A Concise Companion to Shakespeare and the Text

These essays discuss issues of Renaissance textuality. They explore such topics as the impact of editorial strategies and modes of presentation on our understanding of the text; and the relevance of gender to textual retrieval and preservation.

Theory, Editing, Textuality

The Renaissance Text

Seamus Heaney

Seamus Heaney is one of the foremost poets of his generation. His work is greatly admired by scholars and general readers alike, as confirmed by his appointment to professorships at both Harvard and Oxford and, in 1995, the award of the Nobel Prize for Literature. The appeal of Heaney's poetry lies in its gracefulness, its meticulous attention to the sound and structure of language, and the range of topics engaged by the poet: from the precise particularity of the local and familial to greater political, social, and cultural themes. In this lucid and wide-ranging study Andrew Murphy charts the trajectory of Heaney's career as a poet, placing his work within the contexts of both the Irish poetic tradition and his crucial social and political milieu as a writer from the north of Ireland seeking a fruitful engagement with the conflicts affecting his homeland. Heaney emerges as a complex and multi-faceted figure passionately engaged by poetry and politics alike.

Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.

A History and Chronology of Shakespeare Publishing

Shakespeare in Print

Willy Maley

Shakespeare and Scotland is a timely collection of new essays in which leading scholars on both sides of the Atlantic address a neglected national context for an exemplary body of dramatic work too often viewed within a narrow English milieu or against a broad British backdrop. These essays explore, from a variety of critical perspectives, the playwright's place in Scotland and the place of Scotland in his work. From critical reception to dramatic and cinematic adaptation, the contributors engage with the complexity of Shakespeare's Scotland and Scotland's Shakespeare. The influence of Scotland on Shakespeare's writing, and later on his reception, is set alongside the dramatic effects that Shakespeare's work had on the development of Scottish literature, from the Globe to globalisation, and from Captain Jamy and King James to radical productions at the Citizens' Theatre in Glasgow.

Shakespeare and Scotland

At the rise of the Tudor age, England began to form a national identity. With that sense of self came the beginnings of the colonialist notion of the "other"" Ireland, however, proved a most difficult other because it was so closely linked, both culturally and geographically, to England. Ireland's colonial position was especially complex because of the political, religious, and ethnic heritage it shared with England. Andrew Murphy asserts that the Irish were seen not as absolute but as "proximate" others. As a result, English writing about Ireland was a problematic process, since standard colonial stereotypes never quite fit the Irish. But the Irish Sea Betwixt Us examines the English view of the "imperfect" other by looking at Ireland through works by Spenser, Jonson, and Shakespeare. Murphy also considers a broad range of materials from the Renaissance period, including journals, pamphlets, histories, and state papers.

Ireland, Colonialism, and Renaissance Literature

But the Irish Sea Betwixt Us

Shakespeare in Print is a comprehensive 2003 account of Shakespeare publishing and an indispensable research resource. Andrew Murphy sets out the history of the Shakespeare text from the Renaissance through to the twenty-first century, from the twin perspectives of editing and publishing history. Murphy tackles issues of editorial and textual theory in an accessible and engaging manner. He draws on a wide range of archival materials and attends to topics little explored by previous scholars, such as the importance of Scottish and Irish editions in the eighteenth century, the rise of the educational edition and the history and significance of mass-market editions. The extensive appendix is an invaluable reference tool which provides full publishing details of all single-text Shakespeare editions up to 1709 and all collected editions up to 1821. The listing also provides details of a selected range of major editions beyond these dates to the present day.

Marco Coniglio

Eva Schlachter

Tonjes Veenstra

Atypical demonstratives have not received adequate attention in the literature so far, or have even been completely neglected. By providing fresh insights and discussing new facets, this volume contributes to the better understanding of this group of words, starting from specific empirical phenomena, and advances our knowledge of the various properties of demonstratives, their syntactic multi-functionality, semantic feature specifications and pragmatic functions. In addition, some of the papers discuss different grammaticalization processes involving demonstratives, in particular how and from which lexical and morphosyntactic categories they originate cross-linguistically, and which semantic or pragmatic mechanisms play which role in their emergence. As such, the different contributions guide the readers on an adventurous journey into the realm of different exotic species of demonstratives, whose peculiar properties offer new exiting insights into the complex nature of demonstrative expressions themselves.

Syntax, Semantics and Pragmatics

Atypical Demonstratives

In this second edition of his popular book on Heaney, Andrew Murphy charts the trajectory of Heaney's career as a poet and places his work within its various contexts. Seamus Heaney is one of the foremost poets of his generation and his work is highly prized by scholars and general readers alike. It is a measure of his success as a writer, and of the high-esteem in which he is held, that he has been appointed to professorships at both Harvard and Oxford and that he was, in 1995 awarded the Nobel Prize for Literature. The appeal of Heaney's poetry lies in its gracefulness, its meticulous attention to the sound and structure of language, and the range of topics engaged by the poet - from the precise particularity of the local and the familial to greater political, social and cultural themes. Heaney's poetry is seen within the framework of the Irish poetic tradition and the poet is also located within his crucial social and political context as a writer from the North of Ireland, who seeks a fruitful e

Andrew Murphy

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