Andrew Nette

Iain McIntyre

Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by the cultural and political movements of the 'long sixties'. It covers the 50s to the 80s, studying counterculure, surveillance, feminism, Black Power, sexual liberation and much more. Cotains over twenty chapters written by contemporary authors and critics, and hundreds of full-colour cover images, including thirteen thematically organised cover selections.

Radical Science Fiction, 1950 To 1985

Dangerous Visions and New Worlds

Gary Chance is a former Australian army driver, ex-bouncer and thief. His latest job takes him to Surfers Paradise, Queensland, working for aging standover man, Dennis Curry. Curry runs off-site, non-casino poker games, and wants to rob one of his best customers, a high roller called Freddie Gao. The job seems straightforward but Curry’s crew is anything but. Frank Dormer is a secretive ex-soldier turned private security contractor. Sophia Lekakis is a highly-strung receptionist at the hotel where Gao stays when he visits Surfers Paradise. Amber, Curry’s female housemate, is part of the lure for Gao. Chance knows he can’t trust anyone, but nothing prepares him for what unfolds when Curry’s plan goes wrong. Praise for GUNSHINE STATE: “Part heist novel, part revenge tale, Gunshine State is a searing action story in exotic locales populated by fascinating grifters and unsavory characters. You won’t know where it’s going next but you’ll love getting there. Add this to your must read list.” —Eric Beetner, author of Criminal Economics and The Year I Died Seven Times “A tense, fast-moving, vividly-drawn thriller.” —Garry Disher, author of the Wyatt novels “A gritty slice of Down-Under noir, served lean and mean.” —Wallace Stroby, author of The Devil’s Share and Shoot the Woman First “A phenomenal, hard-as-nails thriller with more tight corners than a maze and a double cross around every one of them. I loved it.” —Timothy Hallinan, award-winning author of the Poke Rafferty and Junior Bender mysteries “A lean, mean, hard-boiled knockout.” —David Whish-Wilson, author of Line of Sight and Zero at the Bone “Gunshine State moves like a bullet. The prose is taught without sacrificing atmosphere, character or psychological depth. Brimming with evocative settings, sharp dialogue and vibrant characters, this novel firmly positions Nette as one of Australia’s leading writers of hard-boiled crime.” —Alex Hammond, author of The Unbroken Line and Blood Witness “Gunshine State is magnificent. Taut, tense-a tremendous thriller.” —Andrew Grant, author of False Positive and Run “Gunshine State is a breakneck ride from first page to last. Nette drags the reader into a sharply drawn world of dark motives and even darker morals. A must for lovers of hard-boiled crime fiction.” —Emma Viskic, author of Resurrection Bay “This brutal, hard-boiled thriller comes at you like a furious street brawler and pins you to the wall with a white-knuckle plot and authentic characters. Like a vicious left hook to the ribs it will leave you breathless.” —Leigh Redhead, author of Peepshow, Rubdown, Cherry Pie and Thrill City

Gunshine State

Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves. Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture. Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.

Pulp Fiction and Youth Culture, 1950 to 1980

Girl Gangs, Biker Boys, and Real Cool Cats

Cambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the unstable government scrambling to gain the upper hand. Missing in the chaos is businessmen Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan. But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up a Cambodian journalist, Quinlan's search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia's bloody past. Ghost Money is a crime novel, but it's also about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices theymake, what they do to survive."

Ghost Money

From civil rights and Black Power to the New Left and gay liberation, the 1960s and 1970s saw a host of movements shake the status quo. The impact of feminism, anticolonial struggles, wildcat industrial strikes, and antiwar agitation were all felt globally. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. Feminist, gay, lesbian, Black and other previously marginalised authors broke into crime, thrillers, erotica, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, ’60s, and ’70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analysed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and myriad lesser-known novelists ripe for rediscovery. Contributors include: Gary Phillips, Woody Haut, Emory Holmes II, Michael Bronski, David Whish-Wilson, Susie Thomas, Bill Osgerby, Kinohi Nishikawa, Jenny Pausacker, Linda S. Watts, Scott Adlerberg, Maitland McDonagh, Devin McKinney, Andrew Nette, Danae Bosler, Michael A. Gonzales, Iain McIntyre, Nicolas Tredell, Brian Coffey, Molly Grattan, Brian Greene, Eric Beaumont, Bill Mohr, J. Kingston Pierce, Steve Aldous, David James Foster, and Alley Hector.

Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980

Sticking It to the Man

Much has been written about the “long Sixties,” the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest. Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk. Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Radical Science Fiction, 1950–1985

Toby Miller

Luc Sante

Barry Gifford

Nicholas Christopher

Lester Goran

Dahlia Schweitzer

Jonathan Aaron

Noel King

Matthew Asprey

Contrappasso Magazine

Mick Counihan

Morris Lurie

Suzanne Lummis

Chris Oakey

Robert Mezey

Floyd Salas

A special noir-themed issue of Contrappasso Magazine, an independent journal of international writing. This one's a grab bag of essays, interviews, and new and classic poetry focusing on noir in film and fiction. We cover everything from 'The Maltese Falcon' to 'The Strange Love of Martha Ivers', from Dashiell Hammett to Charles Willeford and Walter Mosley. Contains essays by Luc Sante, Lester Goran, Dahlia Schweitzer & Toby Miller, Morris Lurie, Andrew Nette, Mick Counihan, Noel King, and Matthew Asprey; poetry by Barry Gifford, Nicholas Christopher, Suzanne Lummis, Jonathan Aaron, Robert Mezey, Chris Oakey, and Floyd Salas; and interviews with Adrian Wootton, Matthew Moring, and Dennis McMillan.

International Writing

Contrappasso, Noir Issue

From civil rights and Black Power to the New Left and gay liberation, the 1960s and 1970s saw a host of movements shake the status quo. The impact of feminism, anticolonial struggles, wildcat industrial strikes, and antiwar agitation were all felt globally. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. Feminist, gay, lesbian, Black and other previously marginalised authors broke into crime, thrillers, erotica, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, '60s, and '70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analysed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and myriad lesser-known novelists ripe for rediscovery. Contributors include: Gary Phillips, Woody Haut, Emory Holmes II, Michael Bronski, David Whish-Wilson, Susie Thomas, Bill Osgerby, Kinohi Nishikawa, Jenny Pausacker, Linda S. Watts, Scott Alderberg, Maitland McDonagh, Devin McKinney, Andrew Nette, Danae Bosler, Michael A. Gonzales, Iain McIntyre, Nicolas Tredell, Brian Coffey, Molly Grattan, Brian Greene, Eric Beaumont, Bill Mohr, J. Kingston Pierce, Steve Aldous, David James Foster, and Alley Hector.

Revolution and Counterculture in Pulp and Popular Fiction, 1950 To 1980

GUNSHINE STATE, a Chance Novel by Andrew Nette. 1st in series. "A tense, fast-moving, vividly-drawn thriller." -Garry Disher, author of the Wyatt novels

Andrew Nette

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