Fiona Anderson

Alexander Nemerov

Richard Meyer

Claire Bishop

Michelle Millar Fisher

Amy Tobin

Andrianna Campbell

Jacopo Galimberti

Meredith A. Brown

Sharon Hayes

Marci Muhlestein Clark

Ileana L. Selejan

David Kennedy Cutler

Sara Greenberger Rafferty

Sofia Gotti

Marko Ilić

Andrea Geyer

Sara Catenacci

Oriana Fox

Frances Jacobus-Parker

"Collaboration has been a component of art making for centuries—from ancient Greek potters and painters to nineteenth-century photographers Hill and Adamson to the contemporary Raqs Media Collective—yet it remains a complex topic for art historians of all periods. Taking its cue from Sigmund Freud’s 1929 publication, Civilization and its Discontents, in which the psychoanalyst wrestled with tensions between the individual and society, Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950 asks what it means to produce work together as individuals and why this might matter for the creation of art and scholarship in the twenty-first century. This volume stems from The Courtauld Research Forum’s 2013 flagship research initiative, led by Andrew W. Mellon Postdoctoral Fellow Meredith A. Brown, which brought together a group of early career scholars based in London and New York who spent the year engaged in transatlantic conversations about collaboration and its influence on the histories of modern and contemporary art, architecture, and photography. The resulting collaboratively written essays and artists’ projects are timely contributions to the growing art historical debates around collaboration and collectivity and their relationship to modernism, feminism, Marxism, and contemporary practice. Collaboration and its (Dis)Contents explores not only what constitutes collaboration in recent art globally but also opens up possibilities created by collaborative historical and artistic research in a field that historically has privileged the traditional single-author text."-- Courtauld Books Online website.

Art, Architecture, and Photography Since 1950

Collaboration and Its (dis)contents

Kate Nesin

Lucas Blalock

A timely monograph, covering the landmark work and latest career developments of one of today's greatest living artists. "Stella now occupies a position similar to that of Kandinsky late in his career. He changed the history of art with his early work, but kept on moving." —The New York Times Initially influenced by the work of the abstract expressionists, Frank Stella subsequently rejected the movement in favour of more radical forms. In 1960 Stella presented his first series of aluminium paintings at Leo Castelli, causing the first upset in a long history of experiments that saw him tackling minimalism, post-painterly abstraction, and public art. This book examines Stella's life and career in the context of the contemporary art world, featuring works from his recent blockbuster museum exhibitions as well as landmark works from throughout his career.

(Phaidon Contemporary Artists Series)

Frank Stella

Christine Y. Kim

Rujeko Hockley

Adrienne Edwards

One of The New York Times Best Art Books of 2019 This full-scale retrospective monograph of Julie Mehretu's work traces the development of one of America's most celebrated abstract painters. Over the past twenty-five years Julie Mehretu has emerged as a major force in American art. Known mostly for her enormous abstract paintings, she also produces exquisite drawings, often created as studies for larger works. This sumptuous volume accompanies a major mid-career survey of Mehretu's work. Designed to allow close viewing of Mehretu's vast canvases, it features lush reproductions of her paintings in their entirety, as well as numerous full-page details. The genesis for much of Mehretu's work lies in the black ink drawings she created in the late 1990s. From these early drawings and paintings, Mehretu moved onto large-scale canvases. These drawings and paintings are maplike and colorful, with diagrammatic elements that reflect her life experience. Each of these stages of her oeuvre is represented here, including works from her landmark exhibition Drawing into Painting, the twelve-panel intaglio, Auguries, and the paintings she created as a result of time spent in Africa and the Middle East. Accompanying these images are numerous essays by leading curators, scholars, and writers. Long overdue, this magnificent volume pays tribute to an artist whose work and process intermingle in a unique and important examination of painting, history, geopolitics, and displacement. Published with the Whitney Museum of American Art

Julie Mehretu

Andrianna Campbell

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