Anikó Imre

Timothy Havens

Katalin Lustyik

This collection of essays responds to the recent surge of interest in popular television in Eastern Europe. This is a region where television's transformation has been especially spectacular, shifting from a state-controlled broadcast system delivering national, regional, and heavily filtered Western programming to a deregulated, multi-platform, transnational system delivering predominantly American and Western European entertainment programming. Consequently, the nations of Eastern Europe provide opportunities to examine the complex interactions among economic and funding systems, regulatory policies, globalization, imperialism, popular culture, and cultural identity.This collection will be the first volume to gather the best writing, by scholars across and outside the region, on socialist and postsocialist entertainment television as a medium, technology, and institution.

Popular Television in Eastern Europe During and Since Socialism

An examination of the unique, hybrid media practices generated by Eastern Europe'saccelerated transition from late communism to late capitalism.

Globalization and the Transformation of Media Cultures in the New Europe

Identity Games

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

East European Cinemas

A Companion to Eastern European Cinemas showcasestwenty-five essays written by established and emerging filmscholars that trace the history of Eastern European cinemas andoffer an up-to-date assessment of post-socialist filmcultures. Showcases critical historical work and up-to-date assessmentsof post-socialist film cultures Features consideration of lesser known areas of study, such asAlbanian and Baltic cinemas, popular genre films, cross-nationaldistribution and aesthetics, animation and documentary Places the cinemas of the region in a European and globalcontext Resists the Cold War classification of Eastern European cinemasas “other” art cinemas by reconnecting them with themain circulation of film studies Includes discussion of such films as Taxidermia, ElPerro Negro, 12:08 East of Bucharest Big Tõll, andBreakfast on the Grass and explores the work of directorsincluding Tamás Almási, Walerian Borowczyk, RomanPolanski, Jerzy Skolimowski, Andrzej ¯u³awski, and KarelVachek amongst many others

A Companion to Eastern European Cinemas

In TV Socialism, Anikó Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region’s shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism.

Anikó Imre

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