Anka Muhlstein

The author of Balzac's Omelette examines how virtually all characters in Marcel Proust's body of work are diligent readers in spite of age, class or profession, tracing how many of his more sophisticated characters speak in quotations and how Proust used literature to define personality.

Proust's Library

Balzac uses food and the art of the table as a connecting thread in his novels, showing how food can evoke character, atmosphere, class, and social climbing more suggestively than money, appearances, and other more conventional trappings. Full of surprises and insights, "Balzac's Omelet" invites readers to taste anew Balzac's genius as a writer.

A Delicious Tour of French Food and Culture with Honoré de Balzac

Balzac's Omelette

The Life of Astolphe De Custine

A Taste for Freedom

Explorer of the North American Frontier

La Salle

Monsieur Proust's Library

"Anka Muhlstein revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time."--

How Passion for Art Shaped Nineteenth-century French Novels

The Pen and the Brush

James de Rothschild

Astolphe de Custine (1790-1857) was one of the last and most remarkable members of the French aristocracy. A passionate literary figure, dandy with exquisite manners, poet, playwright, essayist, traveller and extraordinarily wealthy homosexual adventurer, he was the first member of French high society to live an openly gay life.

The Last French Aristocrat

Astolphe de Custine

From the acclaimed biographer and author of Balzac’s Omelette, an engaging new work on the life of “the father of Impressionism” and the role his Jewish background played in his artistic creativity. The celebrated painter Camille Pissarro (1830–1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas’s and Mary Cassatt’s experimental work, a support to Cézanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify. Settled in France from the age of twenty-five but born in the Caribbean, he was not French and what is more he was Jewish. Although a resolute atheist who never interjected political or religious messages in his art, he was fully aware of the consequences of his lineage. Drawing on Pissarro’s considerable body of work and a vast collection of letters that show his unrestrained thoughts, Anka Muhlstein offers a nuanced, intimate portrait of the artist whose independent spirit fostered an environment of freedom and autonomy.

The Audacity of Impressionism

Camille Pissarro

'Muhlstein is an excellent writer: the book is effective, its characters vividly portrayed.' - History Today This major double biography examines the relationship between the two queens: Elizabeth, one of the few queens to never marry and so never to subordinate herself and her power, and Mary, who is seen as a slave to passion.

The Perils of Marriage

Elizabeth I and Mary Stuart

The Rise of the French Rothschilds

Baron James

Louis Begley

With an unforgettable novella and brilliant essays, a writing couple delivers “a love letter to an ancient Italian city by the sea” (The Washington Post). Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with and in Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself not an uncommon romance, as Begley’s brilliant literary essay on the city’s place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors. “Refreshing and delightful. Begley and Muhlstein manage to combine in one volume the innocent ardor of a first-time visitor and the seasoned appreciation of longtime lovers.” —Don George, National Geographic Traveler

Venice for Lovers

Reading was so important to Marcel Proust that it sometimes seems he was unable to create a personage without a book in hand. Everybody in his work reads: servants and masters, children and parents, artists and physicians. The more sophisticated characters find it natural to speak in quotations. Proust made literary taste a means of defining personalities and gave literature an actual role to play in his novels. In this wonderfully entertaining book, scholar and biographer Anka Muhlstein, the author of Balzac’s Omelette, draws out these themes in Proust's work and life, thus providing not only a friendly introduction to the momentous In Search of Lost Time, but also exciting highlights of some of the finest work in French literature.

Celebrating the 150th Anniversary of the Birth of Marcel Proust

Seventeenth-century North America was a dangerous, untamed land, a vast wilderness where settlers, fur traders, and missionaries all struggled to eke out an existence. But the New World was also a place that attracted a special breed—men with a thirst for adventure and discovery. Robert Cavelier de La Salle, whose energy and single-minded ambition made him one of the greatest explorers of the time, was such a man. At the age of twenty-four, La Salle crossed the Atlantic to America. Like Columbus before him, he was obsessed with finding a western passage to China. But the New World so intrigued him and inflamed his imagination that he abandoned the Far East for the mysteries of the still uncharted regions of North America. La Salle’s explorations took him all over the continent, and finally, in 1682, he followed the Mississippi River to the Gulf of Mexico, where he claimed the territory he had traveled through for France, and named it Louisiana in honor of the Sun King, Louis XIV. Throughout his adventurous years, he never lost sight of this grand strategic goal, which was to link the Great Lakes to warm water ports on the Gulf of Mexico. The author combines impeccable scholarship with a novelist’s narrative power and eye for stunning detail in this portrayal of La Salle’s life and explorations.

A scintillating glimpse into the lives of acclaimed writers and artists and their inspiring, often surprising convergences, from the author of Monsieur Proust's Library With the wit and penetration well known to readers of Anka Muhlstein’s work, The Pen and the Brush revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cézanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire.

How Passion for Art Shaped Nineteenth-Century French Novels

Zwei Autoren, wie sie auf den ersten Blick unterschiedlicher nicht sein könnten: die französisch schreibende Sachbuchautorin Anka Muhlstein, der englisch schreibende Romancier Louis Begley. Während Begley seine Romanhelden immer wieder nach einem Ausweg aus dem Albtraum Geschichte suchen lässt, muss Muhlstein mit ihren vielfach ausgezeichneten Biographien mitten hinein in die Historie gehen. In "Venedig unter vier Augen" unternimmt Anka Muhlstein einen Streifzug durch die Serenissima, während Louis Begley dem genius loci dieses einzigartigen Orts der Weltliteratur bei Henry James, Marcel Proust und Thomas Mann nachspürt und in einer meisterhaften Erzählung von einer erotischen Initiation und dem einzigen Weg nach Venedig erzählt: "Fährst du nach Venedig, musst du in einer Gondel ankommen, sagte Lilly, das ist das einzig Wahre. Alles andere wäre ein Sakrileg. Eine Gondelfahrt vom Bahnhof zu deinem Hotel, damit tust du der Stadt und dir Genüge, meine ich. Ich sollte dir dazu sagen, dass eine Autorität wie Thomas Mann anderer Meinung ist. Jedenfalls war er anderer Meinung, als er den "Tod in Venedig" schrieb. Dort steht, dass auf dem Bahnhof in Venedig ankommen einen Palast durch die Hintertür betreten hieße."

Anka Muhlstein

About

Books

Join the club