Michael Caesar

Ann Caesar

Modern Italian Literature

Matilde Serao

"Tells of life in turn-of-the-century Roman times. The novel's insights into the social and political temperaments of the times makes for involving reading." —The Bookwatch An indefatigable writer and the author of over 40 books, Matilde Serao (1857-1927) was arguably the most famous Italian woman journalist of the nineteenth century. The Conquest of Rome (1885), which tells the story of the arrival in Rome of a provincial deputy from the poor South, paints a brilliant portrait of political and social life in contemporary Rome. Upon his arrival in Rome, Frencesco Sangiorgio dreams of a glittering future there. Although the Eternal City greets the young man's ambition with indifference, he gradually makes his mark on his parliamentary colleagues, soon establishing a place in high society. His fate is sealed, however, when he falls under the sway of the enigmatic Angelica Vargas, and the conquest of Rome that seemed so tantalizingly close begins to slip away.

Matilde Serao: 'The Conquest of Rome'

University Lecturer in Italian Ann Hallamore Caesar

Luigi Pirandello is best known in the English-speaking world for his radical challenge to traditional Western theatre with plays such as Six Characters in Search of an Author. But theatre is just one manifestation of his experiments with language which led to a remarkable collection of novels, short stories, and essays as well as his work for a film industry then in its infancy. This study, which is based on the view that Pirandello's writings are most fruitfully discussed in a European context, takes as its starting-point the author's belief in the primacy of the literary character in a creative process which is necessarily conflictual. The book argues that all Pirandello's characters are engaged in a continual performance which transcends the genre distinction between narrative and dramatic forms. In this performance it is the spoken word in which the characters invest most heavily as they struggle to sustain an identity of their own, tell their life-stories, and assert themselves before their most prominent antagonist, the author himself.

Ann Caesar

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