Ann Hamilton

2003-2004 Oklahoma Almanac

Will C. van den Hoonaard

For decades now, researchers in the social sciences and humanities have been expressing a deep dissatisfaction with the process of research-ethics review in academia. Continuing the ongoing critique of ethics review begun in Will C. van den Hoonaard's Walking the Tightrope and The Seduction of Ethics, The Ethics Rupture offers both an account of the system's failings and a series of proposals on how to ensure that social research is ethical, rather than merely compliant with institutional requirements. Containing twenty-five essays written by leading experts from around the world in various disciplines, The Ethics Rupture is a landmark study of the problems caused by our current research-ethics system and the ways in which scholars are seeking solutions.

Exploring Alternatives to Formal Research-Ethics Review

The Ethics Rupture

Ann Hamilton believes that projects can be considered, not as artifacts or something to be documented, but as their own material object?in this case, a book. While 'Sense' contains images that Hamilton has accumulated over many years, of people and of objects that conflate touch, light, and surface, the book also becomes an object in hand, a thing felt, an artwork in itself. Mallarmé begins 'The Book: Spiritual Instrument' with, ?Everything in the world exists to end up as a book.? While working on the building-wide project, the common SENSE with Sylvia Wolf, this idea inspired Hamilton: ??.maybe the form of the project is not the installation or the exhibition or all the weeks of time and programming?.maybe the actual form of the project is a book?.and the installation is the work and the process for generating the book?s questions and materials.?

Ann Hamilton: Sense

Ohio State students, faculty and staff were photographed by artist and professor Ann Hamilton through a semi-transparent membrane that registersin focus only what immediately touches its surface while rendering more softly the gesture or outline of the body. In these images, touch-something we feel more than we see-is visible. In them, we feel the glance of cloth's fall, the weight of a hand, the press of a cheek, the possibility of recognition in portraits haunted by contact.Standing behind the semi-opaque film, one can hear but can not see, hidden until stepping toward the surface, guided by my voice. Each press of the object, the face, a hand, or cloth touching the membrane is revealed in focus, the shallow depth of field a consequence of the membrane's optical qualities. The images made in this exchange-between a subject that offers self or object and a voice that stands in for the visually absent camera-record an interiority that is perhaps more private, more vulnerable than the self we offer up in the world of a constantly present camera. Following and trusting the voice while having a sense of being hidden makes a space for this vulnerability. Each image is a tactile register of an exchange.

Thompson Library ? Wexner Center for the Arts ? the Ohio State University

O N E E V E R Y O N E

For decades now, researchers in the social sciences and humanities have been expressing a deep dissatisfaction with the process of research-ethics review in academia. Continuing the ongoing critique of ethics review begun in Will C. van den Hoonaard’s Walking the Tightrope and The Seduction of Ethics, The Ethics Rupture offers both an account of the system’s failings and a series of proposals on how to ensure that social research is ethical, rather than merely compliant with institutional requirements. Containing twenty-five essays written by leading experts from around the world in various disciplines, The Ethics Rupture is a landmark study of the problems caused by our current research-ethics system and the ways in which scholars are seeking solutions.

"A sweet—albeit twisted—little novel ... Hamilton excels at taking a heavy subject and spinning it into a humorous, descriptive, engaging read."—Shelf Awareness for Readers The Worst Place Your Water Could Break: 1. The Hollywood Bowl. 2. Southwest Flight 3464 3. In the Trader Joe's parking lot—when your husband isn't answering his phone and you're left at the mercy of your college-aged sperm donor Laurie and Alan are expecting, again. It's been an emotional journey, but Laurie cautiously optimistic—the fertility treatment worked, and things seem different this time around. But she doesn't yet know how different. Jack can't seem to catch a break—his parents are on his case about graduating from college, he's somehow dating two girls at once, and he has to find a way to pay back the money he borrowed from his fraternity's party fund. The only jobs he is qualified for barely pay enough for beer money, but an ad for the local sperm bank gives Jack an idea. When Laurie and Alan discover that Laurie was accidentally impregnated by a sperm donor—Donor 296—they will learn nothing should be expected when you're expecting.

A Novel

Expecting

A winter at S[ain]t James's

Joan Simon

Ann Hamilton: An Inventory of Objects ISBN 0-9743648-5-1 / 978-0-9743648-5-8 Hardcover, 7 x 10.5 in. / 264 pgs / 150 color and 80 b&w. / U.S. $60.00 CDN $72.00 November / Art

An Inventory of Objects

A practical Mandarin phrasebook for parents who wish to start speaking Mandarin at home. Comes with free audio on mooliprint.com

Ann Hamilton

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