Ann Lauterbach

Named a Most Anticipated Book of 2023 by LitHub A new collection of vivid, personal and provocative work from the author of Or to Begin Again, a finalist for the 2009 National Book Award in poetry In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself, when confronted by the urgent uncertainties of contemporary experience.

Door

Frey, William H.

Rose-Lynn Fisher

Topography of Tears

A collection of essays by the poet author of If in Time and HUM explores the writer's advocacy of an active engagement with language and a centrality of art in a democratic society, in a volume that also includes provocative writings on the lives and works of such figures as Walt Whitman, Ralph Waldo Emerson, and Fanny Howe.

Writings on the Poetics of Experience

The Night Sky

Ann Lauterbach is one of America's most inventive and admired poets. Since the mid-1970s, she has explored the ways in which language simultaneously captures and forfeits our experience. By turns elegiac, fierce, and sensuous, her musically-charged poems subvert distinctions between narrative coherence and fragmentary elision, between outward attention and inward response. Throughout, Lauterbach questions the hope for personal agency within proliferating fields of cultural and historical event. If In Time brings together selections from each of her first five collections, as well as an exhilarating group of new poems.

Selected Poems 1975-2000

If in Time

Ann Lauterbach's fifth collection takes its title from Emerson's great essay, Experience: "Where do we find ourselves?" he asks. Lauterbach's stair sits precariously between a quest for spiritual vitality and a sense of the overwhelming materiality of our world. Identifying with the clown, the nomad and the thief figures whose ghostly marginality haunt this book, Lauterbach brings us, with a dazzling range of formal and imagistic resources, to a new understanding of how language inscribes the relationship between self-knowledge and cultural meaning.

On a Stair

'Ann Lauterbach elevates the absence of presumption to a state of ecstasy. She protracts Rilkean moments of pure gaze to a point of nearly unbearable but vocal sympathy.'Donald Revell, Ohio Review

And for Example

A new collection from the author of Or To Begin Again, a finalist for the 2009 National Book Award in Poetry Ann Lauterbach is one of America’s most innovative and provocative poets, acclaimed for her fierce, sensuous and intellectually charged poems. In this, her ninth book of poems, Lauterbach pursues longstanding inquiries into how language forms and informs our understanding of the relation between empirical observation and subjective response; worldly attachment and inwardness; the given and the chosen. The poems set out not so much to find cogent resolutions to these fluid dyads as to open them to the fact of unknowing that is at the core of all human curiosity and desire. A central prose section tracks along a meditative edge, engaging the risky task of opening the mind to the limits of apprehension; the final section evokes, in the figure of the instructor, the essential contemporary question of how information becomes knowledge.

Under the Sign

Ann Lauterbach's poetry is quantum-packed inside its own reality, releasing beams of light and time that bend across the world of human beauty without having ever left the radiant point where the poems begin. This simultaneity is her gift, and the mystery and longing in her work, the wit and heart, are the things we feel on our skin. --Don DeLillo.

"Ann Lauterbach's landscapes and people come to us as strangely as they do in real life. Prom night, Mozart and salad bars coexist easily if dangerously in her 'city ready to explore/all the oblique ruins of the unsaid'. This is a rich and remarkable collection."--John Ashbery.

Clamor

A new collection of provocative work from the author of Or To Begin Again, a finalist for the 2009 National Book Award in Poetry Ann Lauterbach is one of America's most inventive poets, acclaimed for her fierce, sensuous, and intellectually charged work. In her tenth collection, Spell, Lauterbach activates the many meanings of "spell": her sense that the world is under a spell from which it must awaken, to spells of passing weather, to her desire to spell out life's difficulties and wonders, and how sin-gle words (and their etymologies) might inform and enlighten our contemporary condition. In short poems, poem sequences, and a series of "Conversations with Evening," Lauterbach calls upon all her imaginative resources to locate a new hybrid poetics of reality, with wit, urgency, and candor.

Spell

A scintillating collection of essays on language from one of literature's most supple minds In The Night Sky, her first work of essays, acclaimed poet Ann Lauterbach writes of the ways in which art and poetry are integral and necessary to human conversation. At the center of the book is a series of seven essays, by turns meditative and polemical, that articulate the interstices between Lauterbach's poetics and her experience. She advocates an active encounter with language, at once imaginative and practical, and argues for the importance of art to the well- being of a democratic society. Lauterbach's "nimble and glittering" (Booklist) writings bring us to a new understanding of the relationship between self-knowledge and cultural meaning, as well as demonstrating the ways in which contemporary philosophy and theory might be integrated with practical knowledge.

Inspired by the events of September 11th, a seventh collection of poetry by the author of If in Time and On a Stair explores the themes of loss and the unexpected, set against the backdrop of everyday life and the repetition of life in the world. Original.

Frank O'Hara

Bill Berkson

James Schuyler

Ted Berrigan

Robert Creeley

Ron Padgett

Joe Brainard

Frank Lima

From 1963 to 1978 Joe Brainard (author of I REMEMBER) created more than 100 works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality. Together these works accumulate into a sophisticated, complex work of great wit, equal parts surprise and subtlety.The Nancy Book is the first published collection of Brainard's Nancy texts, drawings, collages and paintings (with nearly eighty full page reproductions), including collaborations with luminary New York School poets such as Frank O?Hara and Ted Berrigan, an essay by Ann Lauterbach that illuminates, with critical and poetic acumen, the complexity of Brainard's transformation of Nancy.OEvery page of this book will make you smile or laugh'not with recognition but with startled joy. Joe Brainard took an unchanging icon of the American norm and inserted her into countless fashionable or scandalous contexts, subtly metamorphosing something that seemed eternal into absurdly contemporary forms. He is as funny as only a philosopher can be.O Edmund White.OJoe Brainard's pursuit of the once ubiquitous fuzzy-haired pest Nancy chronicled one of the great love-hate relationships in American popular culture. It's wonderful to have it all between the covers of a book.O John Ashbery

The Nancy Book

Ann Lauterbach's ninth work of poetry, Or to Begin Again, takes its name from a sixteen-poem elegy that resists its own end, as it meditates on the nearness of specific attachment and loss against the mute background of historical forces in times of war. In the center of the book is a twelve-part narrative, "Alice in the Wasteland,"inspired by Lewis Carroll's great character and T.S. Eliot's 1922 modernist poem. Alice is accosted by an invisible Voice as she wanders and wonders about the nature of language in relation to perception. In this volume, Lauterbach again shows the range of her formal inventiveness, demonstrating the visual dynamics of the page in tandem with the powerful musical cadences and imagery of a contemporary master.

Ann Lauterbach

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