Peggy Phelan

Ann O'Day Maples Professor of the Arts/Professor of English Peggy Phelan

Experimental and theoretically informed, Mourning Sex advances performance theory in dialogue with psychoanalysis, queer theory, and cultural studies.

Performing Public Memories

Mourning Sex

Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre.

The Politics of Performance

Unmarked

Jill Lane

Bridging the gap between cultural studies, performing arts, and anthropology, performance studies explores myriad ways in which performance creates meaning and shapes our everyday lives. The broadest and most inclusive volume to date, The Ends of Performance both celebrates and critiques the institutionalization of the field. Only recently has the field given keen attention to the interpretive force and consequences of performance events, and it is these consequences that. The Ends of Performance articulates. Here performance studies illuminates the complex social and cultural formations of our time - the impact of virtual technology, the racialized discourses of legal and cultural citizenship, the impact of new medical discourses, and the medicalization of the body. Featuring work by leading theorists, excursions into performative writing and texts by performance artists, The Ends of Performance illuminates the provocative intellectual ends which motivate these varied approaches to performing writing, and to writing performance.

Ann O'Day Maples Professor of the Arts/Professor of English Peggy Phelan

About

Books

Join the club