Anna-Louise Milne

Russell Williams

Our global literary field is fluid and exists in a state of constant evolution. Contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation; the collapse of the distinction between 'French' and 'Francophone' literature has opened up French writing to a world of new influences and interactions. In this collection, renowned scholars provide thoughtful close readings of a whole range of genres, from graphic novels to crime fiction to the influence of television and film, to analyse modern French fiction in its historical and sociological context. Allowing students of contemporary French literature and culture to situate specific works within broader trends, the volume provides an engaging, global and timely overview of contemporary fiction writing in French, and demonstrates how our modern literary world is more complex and diverse than ever before.

Contemporary Fiction in French

Julian Jackson

James S. Williams

An accessible collection of essays about one of the most dramatic moment in France's modern history: the "event" of 1968. Often seen purely as a student revolution, the events of 1968 in fact impacted on almost every aspect of French society – theatre, film, gender relations, sexuality, race and immigration, farmers, workers. This volume of essays, written by young researchers and established scholars from France, Britain and the United States is the only book in English to explore the full diversity of this extraordinary upheaval. It takes us out of Paris to the regions of France, out of the student Latin Quarter into the factories, and shows how the events of 1968 continued to reverberate throughout the next decade, and how their legacy is still highly contested in France today.

Rethinking France's Last Revolution

May 68

"Frequently referred to as the eminence grise of French literature in the interwar years, Jean Paulhan (1884-1968) was not just the editor responsible for giving writers as varied as Francis Ponge and Jean-Paul Sartre their first start in the pages of the renowned Nouvelle Revue Francaise. He also produced a substantial body of work of astonishing eclecticism. From dense, quasi-scientific texts on poetic language, where his critical expertise in contemporary linguistics and psychology is abundantly apparent, to enigmatic recits, which often seem closer to prose poems than anything else, he explored and exploited a vast range of discourses and artistic practices, from the Marquis de Sades early works to Picassos still lives. Yet all his explorations were governed by a primary and unflinching concern to understand what literature owes society. In a series of tightly orchestrated readings, Anna-Louise Milne brings to light the space he sought to carve out, between the art for arts sake ethos and the subordination of art to political ends, thereby establishing more clearly Jean Paulhans place in the twentieth century."

Jean Paulhan's Place in the Twentieth Century

The Extreme In-between (politics and Literature)

Demonstrates how contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation.

A comprehensive exploration of Paris through the texts and experiences of a vast and vibrant range of authors.

Anna-Louise Milne

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