Daniel Bellingradt

Anna Reynolds

"This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections, 'Hotspots and Trade Routes', 'Usual Dealings', and 'Recycling Economies', the chapters in the collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe"--4e de couv.

Practices, Materials, Networks

The Paper Trade in Early Modern Europe

Lucy Peter

One of the world’s few remaining working palaces, Buckingham Palace has also been home throughout its history to many royal families. What might it be like to not just visit these beautiful and historic rooms, but live amid them and pass one’s childhood there? Published on the occasion of the annual summer opening of Buckingham Palace, Royal Childhood takes a look back at the pint-sized princes and princesses who have called the palace home. From the time of the palace's purchase as a comfortable family home by George III in 1761 to the recent happy birth of Prince George of Cambridge, the book covers all aspects of childhood, from playtime and hobbies to birthdays, school days, and public outings. Among the items used to illustrate these tales of royal childhood are many matchless treasures. But for every silver-gilt rattle and finely detailed christening gowns, there are also the childish stories written in notebooks, the birthday party menus and elaborately conceived cakes that will be familiar to any parent, and the well-loved toys that have been passed down from generation to generation. Drawing on paintings and photographs from the Royal Collection, the Royal Archives, and numerous royal toyboxes, Royal Childhood provides a fascinating look at what it’s like to grow up in a palace.

Royal Childhood

Published in conjunction with an exhibition held at The Queen's Gallery, Buckingham Palace in 2013.

The Art of Tudor and Stuart Fashion

In Fine Style

Alice Birch

Winsome Pinnock

Sabrina Mahfouz

Bryony Lavery

Katherine Chandler

Rebecca Lenkiewicz

Suhayla El-Bushra

Sarah Daniels

Deborah Bruce

Natasha Marshall

Chinoyerem Odimba

Rena Owen

Rebecca Prichard

Chloe Moss

Ursula Rani Sarma

Shelley Silas

Sandrine Uwayo

Somalia Seaton

Naomi Wallace

Lucy Kirkwood

Jacqueline Holborough

Morgan Lloyd-Malcolm

Daisy King

Vivienne Franzmann

Lin Coghlan

Annie Caulfield

Raina Dunne

Danni Brown

Laura Lomas

Theresa Ikoko

Katie Hims

Sonya Hale

Linda Brogan

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

Celebrating 40 Years of Clean Break Theatre Company

Rebel Voices: Monologues for Women by Women

Martin Clayton

The first exhibition to focus on images of artists from within the Royal Collection, 'Portrait of the Artist' not only show-cases self-portraits by world-renowned artists including Rembrandt, Rubens, Artemisia Gentileschi, Lucian Freud and David Hockney but also features images of artists by their friends, relatives and pupils, including the most reliable surviving likeness of Leonardo da Vinci by his student, Francesco Melzi. Well-known self-portraits intended to advertise the artist's talents will be shown alongside more intimate and personal works. The exhibition will examine a range of themes played out within these objects, from the 'cult' of the artist to the symbolism evoked through images of the artist's studio. The changing status of the artist over the centuries is another theme and the way in this is conveyed, both in the physical works and in the relationships between artist and patron will be highlighted. The role of monarchs in commissioning, collecting and displaying portraits of artists will also be discussed.

Portrait of the Artist

Anna Reynolds

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