Anne Leonard

While Prince Corin struggles to free the dragons from their bondage to the Empire to save the country from a brewing war, doctor's daughter Tam discovers her powers as a Seer and inadvertently captures Corin's heart in spite of edicts that would forbid their union.

Moth and Spark

A Tale of Magic, Adventure and True Love. In the country of Caithen, Prince Corin is tasked with freeing the dragons from their bondage to the Emperor. To help him in his quest, the terrifying beasts have allowed Corin a little of their power. But the history of the dragons' slavery is shrouded in mystery and no one can assist in his quest to free them ... until the arrival of Tam at court - a sensible doctor's daughter, who discovers a remarkable talent. She is a seer, gifted with visions. Sparks fly when Corin and Tam meet ... but it's not all happily ever after. Not only is the prince forbidden to marry a commoner, but war is coming to Caithen. Torn between love and duty, Corin and Tam must work together to master their newfound powers and unleash the dragons at last.

Featuring multidisciplinary research by an international team of leading scholars, this volume addresses the contested aspects of arabesque while exploring its penchant for crossing artistic and cultural boundaries to create new forms. Enthusiastically imported from its Near Eastern sources by European artists, the freely flowing line known as arabesque is a recognizable motif across the arts of painting, music, dance, and literature. From the German Romantics to the Art Nouveau artists, and from Debussy’s compositions to the serpentine choreographies of Loïe Fuller, the chapters in this volume bring together cross-disciplinary perspectives to understand the arabesque across both art historical and musicological discourses.

Across Music and the Arts, from Faust to Shahrazad

Arabesque without End

Tim Shephard

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation – the musical in visual culture and the visual in musical culture Convergence –in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

Anne Leonard

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